Manuscript on paper containing 1) Commentarius in sequentiam “Ave preclara maris stella”, falsely attributed to Caesarius de Heisterbach O. Cist.(c. 1180-c. 1240). 2) Commentarius in sequentiam “Benedictio Trine Unitati”. 3) Addition to art. 2, dealing with the Hebrew alphabet. 4) Humorous note explaining why the eater of cheese (obviously a most unhealthy food) will never thrust a wine-goblet from his hood (?), why he never will be bitten by a dog and why a thief will never enter his house.
Description:
Script: Artt. 1-4 are copied by one hand writing Gothica Cursiva Libraria marked by striking hairlines at r and final t. Quotations are clumsily written in a deviating form of Northern Gothica Textualis. Ascenders at the top line are often lengthened and decorated. Art. 5 is copied in a more rapid form of Gothica Cursiva Libraria, possibly by the same hand.
Binding: Original undecorated white parchment (spine repaired) over wooden boards; spine with three raised bands. Remnants (rectangular brass plates fixed with four nails) of two clasps attached to the rear cover. At the top of the front cover the damaged early inscription in ink: “*******o*ale” (pastorale?)., On many pages the reading is impaired by the acid ink., Script: Copied by one hand in bold Gothica Cursiva Libraria. The running headlines and the marginal notes are written in small Gothica Cursiva Currens of often scant legibility. The pastedowns are copied by a contemporary hand writing a very bold and angular Gothica Hybrida Libraria (Fractura)., The headings are written or underlined in red; red heightening of the majuscules and red plain initials. There is no red heightening and the initials are not executed on ff. 133-156., and The modern pencil foliation, in the lower corners, skips a leaf after f. 217 (= f. 217 bis).
Manuscript on paper of Gasparinus Barzizius (Gasparino Barzizza, 1360-1431), Vocabularium breve.
Description:
Binding: ca. 2000. White limp parchment. Two pairs of white leather ties., Case marked vol. 2 contains former (modern) limp parchment binding, Modern binder's blanks not digitized., Mss. 897 and 898 are parts of the same manuscript., Red headings. Red stroking of majuscules and red paragraph marks on f. 1r only.The text opens with a 5-line red plain initial on f. 1r., Script: The original text is copied by one hand, writing a small Italian Gothica Hybrida Libraria. The additions and artt. 2-3 are in more rapid executions of the same script; the headings in a more calligraphic form, which may comprise Textualis elements., and Watermark: a Trefoil. Parchment stays at the outer and at the inner sides of the quires, made from scraps of various manuscripts. Foliation in ink 17th century (?).
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250] and ca. 1200
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface. The letter is addressed to the monks of the Charterhouse of Montdieu in the diocese of Reims. With an index of the chapters of art. 1.
Alternative Title:
Frater Bruno
Description:
Binding: Twentieth century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., Script: Copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., and The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective.
Subject (Geographic):
Reims (France)
Subject (Name):
William,--of Saint-Thierry, Abbot of Saint-Thierry,--ca. 1085-1148?
Manuscript on paper of 1) Augustine of Hippo, Confessions. 2) Mateusz z Krakowa, De modo confitendi. 3) Thomas Aquinas, De consideratione. 4) Series of short texts on simony, adultery and other abuses, including works by Bernardus de Reijsa and Wilhelmus Blok.
Manuscript on paper of Nicolaus von Dinkelsbuehl (ca. 1360-1433), De Tribus partibus penitentie and other texts on virtues and vices.
Description:
2 loose leaves filed between ff. 77-78., 8 leaf quire excised at end. Several other possible excisions[?], Front cover loose., and Modern foliation employed. Flyleaf numbered as f. 1.
Script: Apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode.
Ceremonial and processional and Liturgy and ritual
Description:
Binding: ca. 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps.The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443. It is a chirograph in documentary cursive script, stating that before the court of Geraardsbergen ("Gheerondsberghe", Fr. Grammont, East Flanders) parties have promised to pay a debt of £ 200 in eight instalments over the next four years, 1443-1446. Among the persons mentioned are Heinrik den Haec (?), the lady de Tiennes, the aldermen of Edingen (Enghien, Hainaut?), Collaert van den Foreeste, alderman of Geraardsbergen and Coppenole, counciller of the same city. The design and letters appearing at the top and at the bottom of the document prove that it was made in three copies., Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue ; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r (art. 1), 18r (art. 5), 40r (art. 6), 46v (art. 7) and 86r (art. 11)., and Script: The main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Processionals (Liturgical books)