Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Signed in design: W. Hogarth f., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. i, p. 128.
Publisher:
Faulder and Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Signed in design: W. Hogarth f., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. i, p. 128., Ms. note in pencil in Steevens's hand above print: £8..8..0; at top of print: 7., and On page 233 in volume 3.
Publisher:
Faulder and Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
"Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay is carried on a porter's back preceded by a crowd, one of whom cries "Gay for ever". He is followed by Rich, as Harlequin, driving an open carriage drawn by six satyrs, with Columbine and a spotted dog (a disguise adopted by Rich as Harlequin in "Perseus and Andromeda", 1730). Two authors bow obsequiously to Rich, another wheels a barrow of plays towards the theatre, bootblacks also bow, but in the lower right-hand corner, Alexander Pope defecates on sheets from the Beggar's Opera (the great triumph of Rich and Gay). Actors in costume, some identified in the verses below, follow the carriage, and a cart containing properties including "A Box of Thunder and Lightening", brings up the rear. Beyond the main procession is a large crowd of admirers and a closed carriage; St Paul's church in the background is clearly identifiable."--British Museum online catalogue
Alternative Title:
His triumphant entry into Covent-Garden
Description:
Title etched above image., Signed twice: once in the shadowing lower left of design (illegible) and again above first stanza., Formerly attributed to Hogarth. See Paulson., First recorded as having been published in 1811 by Robert Wilkinson. See British Museum online catalogue., "Price 6d."--Lower right., Three columns of ten lines each etched below image: Not with more glory through the streets of Rome ... For such a day he sees not ev'ry year., In Steevens's hand in pencil above the print: A pretended Hogarth which nevertheless has sold for £4.4.0. See Nicholss book, 3d edit. p. 161., and On page 54 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Name):
St. Paul's Church (Covent Garden, London, England),, Gay, John, 1685-1732,, Hall, John, active 1734,, Quin, James, 1693-1766,, Pope, Alexander, 1688-1744,, Rich, John, 1692-1761,, Ryan, Lacy, 1694?-1760,, and Walker, Thomas, 1698-1744,
"Satire on the dispute between the managers of the Drury Lane Theatre and its players portrayed as if on a stage with heavy curtains drawn up above and on the right. In the centre, Theophilus Cibber stands in a swaggering pose in his role as Pistol (Henry IV and V) and behind him, on the left-hand side of the stage, a group of actors among whom are Benjamin Johnson as Testimony (in the play, Sir Courtly Nice), Miller as a runner holding a short stick, Benjamin Griffin in a large wig and three-cornered hat, Harper as Falstaff holding a sword twisted into a spiral, Heron holding a banner lettered "Liberty & property", and William Mills wearing a Roman helmet with a huge plume. This group confronts John Highmore who holds a scroll lettered "it cost £6000" (referring to the price of his share of the patent for the Theatre); to the left an actor without coat or wig flourishes a wooden sword. Behind Highmore, stand two women: to the right, weeping, Hester Booth, widow of the former patentee who died on 10 May 1733, and, holding a banner lettered "We'l starve em out", Mary Wilks who had inherited her husband's share of the patent the previous year. In front of the curtain on the extreme right sits Colley Cibber, wearing a laurel wreath and holding money bags, smiling as he gestures towards Highmore who had bought his share of the patent. Behind the curtain can be glimpsed the audience with asses' ears and staves. At the back of the scene is a narrow street with the sign of the Rose on which sits a monkey holding a flag lettered, "I am a Gentleman" (quoting Highmore); crowds throng the street and people wave from the roof and windows of the building on the left."--British Museum catalogue
Description:
Ttile etched below image., Date from British Museum catalogue., In Steevens's hand in pencil, at top of page above print: Laguerre's etching; below image: Given me by the Revd Mr. Harper, of the Brit Museum. See the four in the next page & Mr. Nichols Book, 3rd edit. p. 180., and On page 55 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Theatre Royal, Drury Lane (London, England), Bridgwater, Roger, active 1745,, Cibber, Colley, 1671-1757,, Cibber, Theophilus, 1703-1758,, Ellys, John, 1700 or 1701-1757,, Griffin, Benjamin, 1680-1740,, Harper, John, active 1714-1742,, Heron, Mary, active 1736,, Highmore, John, 1694-1759,, Johnson, Benjamin, 1664 or 1665-1742,, Miller, Joe, 1684-1738,, Mills, John, 1670-1736,, Mills, William, 1701-, Santlow, Hester,, Shaw, Hester,, and Wilks, Mary, active 1740-
Subject (Topic):
Actors, Crowds, Industrial arbitration, People associated with arts, entertainment & sports, and Theaters
