A collection of approximately 130 drawings and sketches by John Chute and one etching and engraving entitled Chaucer's Grove by P. Mazell (artist James Pettit Andrews) given to Horace Walpole, for his renovation of Strawberry Hill, bound in one volume and with an additional 23 loose leaves, including sketches for the Gallery, Round Tower, and one inspired by a doorcase in Dugdale's St. Paul's for the presses in the Library. Some of the drawings have been annotated by Walpole and/or Thomas Kirgate
Alternative Title:
Original drawings and sketches
Description:
Title from ms. title page in Horace Walpole's hand., Title from Hazen: Original drawings and sketches., In English., John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'Strawberry committee.', Bound in original marbled boards., Inscribed on front fly leaf: "Lady Waldegrave from W.V. Harcourt, July 5, 1887.", On front pastedown, Carlingford's bookplate., Marble boards with half-leather. Written in ink in unidentified hand on front cover: Strawberry Hill (drawings). Paper lable on spine: "33.", The 3 volumes consist of 1 album and 2 cases., and Original marbled boards. Second Strawberry Hill Sale fleuron used as bookplate. Press-mark K.13, but moved to the Closet. Not in Manuscript Catalogue of 1763; probably kept in the Glass Closet until 1790. Inscribed on the fly-leaf: 'Lady Waldegrave from W.V. Harcourt, July 6, 1867.' Bookplate of Lord Carlingford, who married Lady Waldegrave in 1863.
Subject (Geographic):
Great Britain and Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Country homes, and Buildings, structures, etc
Lady Ailesbury's invitation card designed by Bentley: with decorated border, three candles in candlesticks on the left and a teapot on the right. With the blanks filled in with her hand [?]: Lady Ailesbury's compts. to Mr. Walpole and desires the favour of his company on Monday evening the 1t. of Jany
Alternative Title:
Lady Ailesbury's compts. to and desires the favour ..., Lady Ailesbury's compliments to and desires the favour ..., and Lady Ailesbury's invitation card
A trade card advertising the services provided by the printseller and picture restorer Robert Hulton, whose shop was at on the corner of Pall Mall facing the Haymarket. A medley print with text in image on the left "Paintings, prints & Indian picktures [sic] carfully [sic] clean'd. mended and lined" and on the right "The following particulars made & sold very cheap by Rt. Hulton at the corner of Pallmall facing [the] Hay-markett, St. James's, London
Alternative Title:
Maps and prints sold and framed for parlors, staircases and closets at reasonable rates
Artist and date from another drawing of The Bishop's throne from different angle, signed and dated by R. Leave, 1763., Title in Horace Walpole's hand on lower edge., Formerly in a portfolio with 32 other drawings by Müntz, Scott, Edwards, Rysbrack, and Leave, with press mark C.1.22. Broken up sometime after the 1842 sale. See Hazen., and Portfolio of views in and around Twickenham, and other drawings, by Muntz, Scott, Edwards, Leave, and Rysbrack, 33 in all. Folio. Press-mark C.1.22 in Manuscript Catalogue of 1763; moved to the Round Tower.
A sketch of the coat of arms of Sir John Fastolf with a brief biographical note in Horace Walpole's hand below the image. Numbered "p. 50" in upper left corner
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
A sketch of the coat of arms of Sir Walter Mauny (Manny) with a brief biographical note in Horace Walpole's hand below the image
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
A design proposed for the monument to Roger Townshend in Westminster Abbey; sent in Horace Walpole's letter to the deceased's mother Lady Townshend, Friday 21 September 1759. In his letter he attributes the design to Richard Bentley and acknowledges authorship of the epitaph: "To the memory of Roger Townshend her youngest son slain in the service of his country at ... 1759, Ethelreda Viscountess Townshend dedicates this marble. Lov'd Son, adieu! Tho' from a Mother's eyes fond tears you call, She thanks you, that without a blush they fall. Lady Townshend did not use this design but instead a design by Robert Adam
Alternative Title:
To the memory of Roger Townshend
Description:
Title devised by curator., Watermark in center of sheet: GR., and For transcription of the letter along with a reproduction of the image, see: Yale edition of Horace Walpole's correspondence, v. 40, p. 166-67.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is the portrait of the Right Honorable Edward Harlay Earl of Oxford & Earl Mortimer, the great collecter, drawn from life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is a portrait of the Right Honourable Earl of Winchelsea, drawn from the life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.