A sketch of the coat of arms of Sir Walter Mauny (Manny) with a brief biographical note in Horace Walpole's hand below the image
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
A design proposed for the monument to Roger Townshend in Westminster Abbey; sent in Horace Walpole's letter to the deceased's mother Lady Townshend, Friday 21 September 1759. In his letter he attributes the design to Richard Bentley and acknowledges authorship of the epitaph: "To the memory of Roger Townshend her youngest son slain in the service of his country at ... 1759, Ethelreda Viscountess Townshend dedicates this marble. Lov'd Son, adieu! Tho' from a Mother's eyes fond tears you call, She thanks you, that without a blush they fall. Lady Townshend did not use this design but instead a design by Robert Adam
Alternative Title:
To the memory of Roger Townshend
Description:
Title devised by curator., Watermark in center of sheet: GR., and For transcription of the letter along with a reproduction of the image, see: Yale edition of Horace Walpole's correspondence, v. 40, p. 166-67.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is the portrait of the Right Honorable Edward Harlay Earl of Oxford & Earl Mortimer, the great collecter, drawn from life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is a portrait of the Right Honourable Earl of Winchelsea, drawn from the life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
A scrapbook of advertisements, broadsides, single sheet verse, newspaper clippings, with some manuscript materials laid in, somewhat organized topically, with material covering over a 95-year period, from the 1740s to 1838, but mostly dating from the last quarter of the 18th century. Topics included are: Gallantry, matrimony, conjurers and fortune tellers, clubs and societies, places of entertainment, spectacles such as exotic animals, curiosities of nature, freaks, etc. ; sporting events; advertisements for apparel; medical remedies and cosmetics; plays, ballets, and performances; obituaries and accounts of strange deaths; schools for gentlemen; balloon flights; puppets, mechanical inventions; comic poetry, epigrams, epitaphs, odes, ballads; jokes; accounts of ghosts and spiritual magic; auctions; religion; want ads; cooking; army recruiting; real estate; advertisements for books; strange accounts of bizarre crimes; traps; fire-fighting; accounts of the Thames; tobacco ads; shoes; public notices; election posters; fugitives from justice; wills and last testaments; lottery ads; notices relating to the Bonapartes; and other ads and reports including a print of a mummy
Description:
In English, with some entries in French., Title assigned by cataloger., Signed on inside front cover: "Beauchamp 1837.", Imperfect impression of "A view of the menagerie in the King's Private Road," with bottom half of plate missing; laid in; not digitized., and For further information, consult library staff.
Subject (Geographic):
England., England, and France
Subject (Topic):
Ballooning, Beauty, Personal, Clothing and dress, Entertainment events, Freak shows, Ghosts, Lotteries, Medical instruments and apparatus, Menageries, Sports, Violent crimes, Social life and customs, and Foreign public opinion, British
Title inscribed by Horace Walpole on lower edge. and Formerly in a portfolio with 32 other drawings by Müntz, Scott, Edwards, Rysbrack, and Leave, with press mark C.1.22. Broken up sometime after the 1842 sale. See Hazen no 3575.
A sketch of the coat of arms of Humphry Earl of Stafford, later first Duke of Buckingham, with a brief biographical note in Horace Walpole's hand below the image
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
Subject (Name):
Buckingham, Humphrey Stafford, Duke of, 1402-1460.
A sketch of the coat of arms of Richard Earl of Arundell identified by a caption in Horace Walpole's hand below the image
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
Subject (Name):
Arundel and Surrey, Richard Fitzalan, Earl of, 1306-1376.
A sketch of the coat of arms of Richard the 13th Earl of Warwick with a brief biographical note in Horace Walpole's hand below the image
Description:
Title devised by cataloger., Artist unknown. Formerly attributed to George Vertue., From a group of images thought to have been originally drawn by John Rous and traced by an unidentified artist for Horace Walpole; later engraved for his Historic doubts on the life and reign of Richard III. See London edition, 1768 and Strawberry Hill edition 1770., and Not in Manuscript Catalogue of 1763, but recorded in the Description of Strawberry Hill, 1774, among the rare books of prints and drawings in the library.
Subject (Name):
Beauchamp, Richard de, Earl of Warwick, 1382-1439.