Manuscript on paper (thick, coarse, some deckle edges; watermarks indistinguishable) of William of Ockham, Summa logicae. With Walter Burley, De puritate artis logicae tractatus brevior, beginning of text only.
Description:
Binding: Date?, Italy? Backs of quires cut in for sewing. Plain limp vellum case with holes in each cover for two ribbons., Crude penwork initials on f. 1r in red and blue, 3-line. The first incorporates a five-pointed star in red, with blue dots, and terminates with a full-length marginal border in inner margin. The second incorporates a fleur-de-lis. Other plain initials in red and/or blue throughout. Headings and strokes on paragraph marks and majuscules in red., and Script: Written by a single scribe in small, cramped and highly abbreviated gothic cursive. Art. 6 added by two different hands.
Manuscript on parchment containing 1) Benedictus Casinensis (500-550), Regula. 2) Promise formula of the novice upon his entry in religion. 3) Decrees of pope Pascal II (1099-1118) and emperors Charlemagne (?800-814) and Lothar I (823-855) against alienating the goods of a church or monastery. 4) Alberic, bishop of Rimini (1158-1177), Letter to the prior and convent of Vangadizza, on the death of abbot Liutald. 5) Computistical notes and tables: (a) Table of the regulares lunae; (b) dates of the seven embolismi of the Nineteen-Years Cycle; (c) discussion of the three years of the Cycle in which epacts and embolismi differ; (d) table of the seven embolismi for all the years of the Nineteen-Years Cycle; in the first column the epacts; (e) a short table summarizing the data of table (d). 6) Obituary of the abbey of Vangadizza. 7) Liturgical instructions for observing the anniversary of Martin, first abbot of the monastery.
Description:
Binding: Nineteenth century (?). Parchment over pasteboard. On the flat spine the handwritten 19th century inscription: "Regulae S. Benedicti et Kalendarium antiquum M.S.", Headings in red. Plain initials in red of various sizes (mostly 2-3 lines), sometimes with penwork decoration in the same colour (on f. 29 r in an initial a human head is drawn). On f. 4r the text of art. 1 opens with a 6-line zoomorphic initial "M" with two birds on a rectangular background. On f. 1r its preface opens with a 10-line historiated initial "A" , depicting St. Benedict explaining his rule to a monk, on a rectangular background. Both initials are in liquid gold, red, ocre and blue, and are followed by large display script in red, blue and ocre., Script: Copied by various hands, all writing Southern Praegothica. In art. 1 the changes of hands and layout often go together with the appearance of singletons, different layout and bad textual connection between successive pages and deserve a close analysis. In the Obituary (art. 6) the entries are added by many different, sometimes informal hands., and The lower margin of f. 25 and the outer margin of f. 58 are replaced with modern parchment.
Subject (Name):
Benedictines and Vangadizza (Abbey : Badia Polesine, Italy)
Manuscript on paper of Domenico Cavalca OP (c. 1270-1342), Esposizione del Credo.
Description:
Binding: Nineteenth century. Quarter binding, brown paper over cardboard, the spine in brown leather with five raised bands, the second compartment gold-tooled with the title “CAVALCA / ESPOSIZIONE / DEL CREDO”. Marbled endpapers., Parchment stays in the center and at the outer side of the quires; the fold of many bifolios is repaired by means of strips of parchment. The top, outer and lower margins water-stained, the upper outer corners of the leaves defective. Many lower margins repaired by means of strips of paper., Script: Written in many different hands., and Unevenly spread decoration.