"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
"Henry Hunt (right) hurls a jar of his 'Hunts Matchless Blacki[ng]' at the Lord Mayor (William Thompson). The Mayor, who wears his gown, raises the City mace defensively in both hands. Hunt registers frenzied rage; he holds a second jar in his left hand; at his feet is a paper: 'Petition against increased Duty on Coals'. Just behind him is a pugnacious coal-heaver clutching a blacking-jar; he says: 'Go it, my covey another black un--d--n me, if Blackey and Coaley can't do it the devil's in 'em.' The Mayor smiles, despite a cascade of blacking. Behind him and on the extreme left is a barrister in wig and gown, probably the Recorder (Newman Knowlys). He says: 'Mind what your at my hearty--keep up your favorite guard or he'll beat you as black as his own factory.'"--British Museum online catalogue
Description:
Title etched below image., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., and Mounted to: 25 x 36 cm.
Publisher:
Pub. by S. Gans, 15 Southampton St., Strand
Subject (Name):
Hunt, Henry, 1773-1835, Thompson, William, 1793-1854, and Knowlys, Newman, 1758-1836
Subject (Topic):
Containers, Throwing, Robes, Ceremonial maces, and Petitions
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., 1 print : etching with stipple ; plate mark 24.7 x 34.8 cm, sheet 25 x 35.4 cm, Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 56 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Caroline," "Sidmouth," "Londondery [sic]," and "Leach" identified in ink at bottom of sheet; date "1820" written in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"George IV as Midas in O'Hara's burletta dances a pas seul, holding up his hands. He wears old-fashioned dress, with long flowered waistcoat and a large wig which falls back, revealing his own curled toupet. He sings, the words adapted from Midas's song (II. i), as in British Museum Satires No. 14241: 'Oh! what pleasures will abound, Now my Wife is laid in ground, Strange Earth does cover her. I can't dance over her. Never mind, she's laid in Ground! Oh! how happy I shall be When a young Nisy pigs with me, How I'll mumble her; Touze and tumble her; Sixty is not sixty three!!' In the middle distance (right) Eldon, in wig and gown, and Sidmouth as Pan dance together, the latter holding up a frothing tankard. Sidmouth has a bare torso, goat-skin breeches, and cloven-hoof shoes, but not the wreath of vine-leaves and grapes of Pan in the play. Eldon has dropped the mace and the purse of the Great Seal; he sings: 'Oh! how happy I should be Was but this the case with me Oh what prancery! I'd cut Chancery! What comfort then at home for me. How gloriously you then shall dine, Fish, Flesh, Fowl, wash'd down with Wine No more thinking, But keep drinking, Peace to her Soul with 9 times 9.' In the background (left) Castlereagh (Londonderry) and Sidmouth sit at a table outside a rustic Irish inn, with the sign of the Crown and the word Whisky on the lintel. The hostess brings a bowl of punch, saying to Liverpool: You have got the Old Gentleman in good humour at last. He answers: Yes and now we must get him a young wife to keep him so. Castlereagh holds a scourge, cf. British Museum Satires No. 14135."--British Museum online catalogue
Description:
Title etched below image., Attribution to Charles Williams and approximate date of publication from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 103 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV" and "Sidmouth" identified in pencil below image; date "21 Aug. 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Johnston, 98 Cheapside, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, O'Hara, Kane, 1714?-1782., and Pan (Greek deity)
Subject (Topic):
Death and burial, Dance, Wigs, Drinking vessels, Ceremonial maces, Taverns (Inns), and Whips
"Lady Conyngham chases Eldon from the royal precincts; she threatens him with the sceptre and a clenched fist, saying, Je le veut [sic]. She is décolletée, much bejewelled, and displays an elephantine leg and tiny foot. Close behind her stands Knighton, a pen behind his ear, his arm raised; he has just flung a massive gold inkpot decorated with the Royal Arms; ink falls on Eldon's head. He says: take that, & that, & that, le Roy le veut. 'Roy' is scored through. Canning stands behind impassively, hand on hip, holding up a cross, and saying In hoc Signo vinces [Constantine's miraculous vision: cf. British Museum Satires No. 15385]. The building behind is ornate and Gothic, more elaborate than the actual Cottage. The King's head (out of scale with the building) is framed in a small casement window; with an equivocal expression he looks towards Eldon, saying, Necessitas non habet leges. Eldon has dropped the Mace and the Purse of the Great Seal; he says: Had I served my God with half the Zeal I have served my King, he would not have suffered me to be turned out for supporting his Cause."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Small hole in Knighton's arm.
Publisher:
Pubd. April 21, 1827, by S.W. Fores, 41 Piccadilly, London
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Eldon, John Scott, Earl of, 1751-1838, Knighton, William, Sir, 1776-1836, Canning, George, 1770-1827, and George IV, King of Great Britain, 1762-1830
"A frigate with a life-like bust of Queen Caroline as figurehead runs down a similar vessel with a huge and grotesque head of George IV. The latter heels over and is about to be swamped; the King's head looks up in terror at the complacent features of his wife bearing down upon it. The head is further threatened by the jaws, bristling with teeth, of two whales in the foreground. On the level deck of the 'Queen Caroline' stand Brougham, holding a broom, and Denman, both in wig and gown and holding a document inscribed 'Defence'. Behind them is (?) Lushington (not characterized); more prominent is Wood, in a court-suit, holding a pole supporting a block of wood inscribed 'A Chump' [cf. British Museum Satires No. 13899]. The other two are Burdett, holding out a paper inscribed 'Westminster', and his fellow member Hobhouse. The crew of the 'Royal George' are either in the water or falling from the mast-head among spars and ribbons of sails. Castlereagh and Wellington are in the sea; one says: "My fall has been Triangular" [cf. British Museum Satires No. 14135], the other: "Oh! this is worse then the Grape Shot at Waterloo." On top of them falls Sidmouth with his clyster-pipe; he vomits, &c., saying: "this will a cooling Draughts [sic] and purge our foul stomachs." Two green bags (see British Museum Satires No. 13735), inscribed 'Bag', fall into the water; just above them is Eldon, dropping the mace and the Purse of the Great Seal; he exclaims: "O my Wool sack." Liverpool falls head first, dropping a large purse and coins; he says: "This Pool goes against my Liver." By his toe is a paper: 'Tresury'. Sir John Leach, with a paper inscribed 'Milan' [see British Museum Satires No. 13755, &c.], also falls. Nearest the masthead is the Archbishop of Canterbury. Beside him, sirloin, bottle, plates, knife, &c., are falling. On a smaller scale is Majocchi, dandified, and exclaiming "Non mi recordo" [see British Museum Satires No. 13827]."--British Museum online catalogue
Description:
Title etched below image., Printmaker and year of publication from the British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Mounted to 39 x 58 cm., Mounted on leaf 2 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Liverpool," "Sidmouth," "Wellington," "Londondery [sic]," and "Eldon" identified in ink below image; date "25 Oct. 1820" written in lower right. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 25 by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Leach, John, 1760-1834, Manners-Sutton, Charles, 1755-1828, and Majocchi, Theodore, active 1820
Subject (Topic):
Politicians, Warships, Shipwrecks, Whales, Bags, Medical equipment & supplies, Ceremonial maces, and Bishops
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., Watermark: Fellows 1819., Mounted to 58 x 39 cm., Mounted on leaf 65 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "J. Bull," "Ald. Wood," "Q. Caroline," "Wellington," "Londonderry," "Liverpool," "Sidmouth," "Geo. IV," and "Eldon" identified in ink below image. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
"Brougham, in wig and gown, stands in Old Square, Lincolns Inn, the roof of the Hall, which forms a background, being so inscribed; houses are on the right. He carries on his head, which is in profile to the right, a tray, inscribed London College; this supports a neo-Gothic building with pinnacles and a clock-tower; tiny trees and figures in academic dress round the building show the scale. From its four corners rise labels inscribed in large letters, Etymology, Orthography, Prosody, Syntax. He says Who'I buy? very cheap, very free. From one shoulder hangs a brief-bag inscribed Subscriptions; from the other a ribbon supporting a handsomely bound book: List of Share Holders. Round his waist is a hoop which also encircles the waists of five little puppets: a man in archaic court-dress, holding a feathered hat, next a stout lady holding a fan and a large purse (? the Duke of St. Albans (as Falconer) and Mrs. Coutts, cf. British Museum Satires No. 14875), a fashionably dressed man in top-hat and furred and frogged coat, and Lord Eldon holding the mace and the Purse of the Great Seal. On the ground is a toy horse on wheels ridden by a yokel in a smock."--British Museum online catalogue
Description:
Title etched below image. and Mounted to: 43 x 30 cm.
Publisher:
Pubd. July 1825. by G. Humphrey, 24 St. James's Street
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Eldon, John Scott, Earl of, 1751-1838, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, St. Albans, William Beauclerk, Duke of, 1801-1849, Lincoln's Inn (London, England),, and University College, London.
Subject (Topic):
Plazas, Head-carrying, Building models, Toys, Puppets, Books, Bags, and Ceremonial maces
