"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
: Interiors: art exhibitions -- Literature
Publisher:
Pubd. Sept. 24th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
England
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols., Names of the printmaker and subjects of satire printed on mat below image., and 1 print on wove paper : etching, hand-colored ; sheet 45 x 31 cm., window mounted to 53 x 39 cm., matted to 62 x 47 cm.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"A design in four compartments. [1] THE SULTAN RETIRING The Prince of Wales in flowered dressing-gown and night-cap stands arrogantly with folded arms, saying "Va-ten" [sic], as in BMSat 8807, to the dwarfish Lord Jersey (right), who stands deferentially before him, holding a candle, and raising his hand to his forehead with a senile grin. The Prince stands at the foot of Lady Jersey's bed (left), where she lies expectantly. It is decorated with two earl's coronets, but under it is a chamber-pot ornamented with the Prince's feathers. On the wall (right) is a picture of a turbaned and arrogant Turk, standing among the ladies of his harem, who are seated around him. Probably imitated from BMSat 8807. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[2] FASHIONABLE PASTIME Lady Jersey sits on a settee, holding her arms above her head, two fingers in each hand extended to simulate horns. Before her is Lord Jersey, bending under the weight of the Prince, who sits on his shoulders; he supports himself by resting his hands on his wife's lap. The Prince, very fat and complacent in his Light Horse uniform (see BMSat 8800), wearing a helmet, with slippers and ungartered stockings, holds Jersey by the head, his fingers extended like Lady Jersey's (as in BMSats 8811, 8816), and putting a hand over Jersey's eyes and mouth. Lady Jersey wears a loose high-waisted dress, with uncovered breast, and flowing hair. Both say: "Buck-Buck how many Horns do I hold up". Jersey answers "one you say & two there is Buck Buck". A cat (left) slinks off to the left. On the wall behind the Prince (right) is a picture of 'Sir Rd Worsley', a free copy of BMSat 6109, the right portion being cut off by the margin of the design. Reproduced, Fuchs und Kind, 'Die Weiberherrschaft', i. 153.[3] THE DISCOVERY The Princess (right) draws aside the fringed curtains of a bed in which lie the Prince (awake and dismayed) and Lady Jersey (asleep). She looks aside, weeping. Above her head are the words 'Give me [sic] all you can & let me Dream the Res [sic]'.[From Pope's 'Heloise to Abelard', often reprinted in the eighteenth century (cf. BMSat 9283).] Behind her head is a half length portrait of the Duke of Brunswick, his head turned towards his daughter but hidden by the Prince's helmet, which hangs from the frame. [4] CONFIDENCE BETRAYED The Prince is seated full-face, with a distraught expression, his left hand on his forehead, his right hovers above a pistol which lies on a table beside him. Lady Jersey stands on his left, holding an open letter addressed 'The D------ of B------c'. She puts her forefinger to her nose, saying, "Here would have been a rare Kettle of Fish to have served up to a German Prince". Through an open window (or perhaps in a picture) behind the Prince a landscape is indicated with forked lightning."--British Museum online catalogue
Alternative Title:
The sultan retiring, Fashionable pastime, The discovery, and Confidence betrayed
Description:
Title from item., Sheet trimmed within plate mark., Plate divided into four compartments, each with caption title., One line of text below title: The very Stones look up to see, Such very Gorgeous Harlotry, Shameing an Honest Nation., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., and Temporary local subject terms: Cuckold's horns -- Coronets -- Guns: pistols.
Publisher:
Pub. May 28, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"Eight dissenting ministers, headed by Dr. Abraham-Rees, approach the King with an address whose inscription is the only title; it continues: 'in & about the Cities of London & Westmr We your Majesty s loyal and faithful...' Rees, a bulky 'Encyclopedia' in his coat-pocket, puts one foot on a step leading to a doorway within which are visible the legs of the seated King, and his right. hand, which rests on a wall-box from which issues a paper: 'Bramah Patent Water [C]losets'. Just outside the door, holding his long wand of office, Salisbury, the Lord Chamberlain (actually Dartmouth, cf. British Museum Satires No. 10283A), stands stiffly looking over the heads of the Addressers, who are ushered in by a beef-eater on the extreme left. Rees is scarcely caricatured except for a grotesque stalk-like neck which issues absurdly from a wide coat-collar. Behind him is Theophilus Lindsey, holding his hat and a big umbrella. Most of the other six are probably portraits, but two may be generalized sectaries with lank hair. All have sour, apprehensive expressions. A quasi-Tudor window suggests St. James's Palace. A whole length portrait of Charles I is issuing from the frame, one hand held up in horror. Over the door of the inner closet are the Royal Arms."--British Museum online catalogue
Alternative Title:
From secret treason civil strife, may God preserve our sovereign's life ...
Description:
Title etched on scroll in image., Signed with the monogram of James Sayers., Date from British Museum catalogue, which notes that this plate was not published., Six lines of verse in three columns below image: From secret treason civil strife, may God preserve our sovereign's life; And guard his court from these tormentors, fanatics, democrats, dissenters; Addressing knaves who sin and pray, and kiss like Judas to betray., and Mounted on page 109.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Salisbury, James Cecil, Marquess of, 1748-1823, Rees, Abraham, 1743-1825, Lindsey, Theophilus, 1723-1808, Popham, Home Riggs, 1762-1820, and Saint James's Palace (London, England),
"Eight dissenting ministers, headed by Dr. Abraham-Rees, approach the King with an address whose inscription is the only title; it continues: 'in & about the Cities of London & Westmr We your Majesty s loyal and faithful...' Rees, a bulky 'Encyclopedia' in his coat-pocket, puts one foot on a step leading to a doorway within which are visible the legs of the seated King, and his right. hand, which rests on a wall-box from which issues a paper: 'Bramah Patent Water [C]losets'. Just outside the door, holding his long wand of office, Salisbury, the Lord Chamberlain (actually Dartmouth, cf. British Museum Satires No. 10283A), stands stiffly looking over the heads of the Addressers, who are ushered in by a beef-eater on the extreme left. Rees is scarcely caricatured except for a grotesque stalk-like neck which issues absurdly from a wide coat-collar. Behind him is Theophilus Lindsey, holding his hat and a big umbrella. Most of the other six are probably portraits, but two may be generalized sectaries with lank hair. All have sour, apprehensive expressions. A quasi-Tudor window suggests St. James's Palace. A whole length portrait of Charles I is issuing from the frame, one hand held up in horror. Over the door of the inner closet are the Royal Arms."--British Museum online catalogue
Alternative Title:
From secret treason civil strife, may God preserve our sovereign's life ...
Description:
Title etched on scroll in image., Signed with the monogram of James Sayers., Date from British Museum catalogue, which notes that this plate was not published., Six lines of verse in three columns below image: From secret treason civil strife, may God preserve our sovereign's life; And guard his court from these tormentors, fanatics, democrats, dissenters; Addressing knaves who sin and pray, and kiss like Judas to betray., 1 print : aquatint with etching on wove paper ; plate mark 34.6 x 40.5 cm, on sheet 38 x 41.2 cm., Contemporary pencil annotations in lower margin note that the plate was "unpublish'd" and that the subject matter deals with the "address on his Majesty's escape from assassination.", and Mounted on leaf 56 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Salisbury, James Cecil, Marquess of, 1748-1823, Rees, Abraham, 1743-1825, Lindsey, Theophilus, 1723-1808, Popham, Home Riggs, 1762-1820, and Saint James's Palace (London, England),
A group of London merchants met on 8 March 1769 in the pub the "King's Arms" to address the King and express confidence in the current government, but it desolved into a fist fight. The participants are identified in the British Museum catalogue as Mr. Tooke, Mr. Muilman, a Mr. Reynolds (fl. 1769) and Charles Dingley. See British Museum catalogue for further explanation of the events depicted
Description:
Title from caption etched above image., Sheet trimmed within plate mark., Plate from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin, v. 38 (1769), p. 147., For the sequel see "Battle of Temple Bar.", and Mounted to 20 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Dingley, Charles, -1769, Muilman, Peter, Tooke, John Horne, 1736-1812, and Vaughan, Samuel