"Mrs. Clarke auctions commissions from a rostrum to a crowd of bidders, while the Duke of York acts as her clerk. All are unconscious of a net in which they are enclosed, and with which the Devil flies off into flames (right). Mrs. Clarke (right), in profile to the left, with raised hammer, holds out a paper headed Commission. She says: Going for no more than £500 a Commission Positively worth 5000. An officer, probably Dowler, see British Museum satires no. 11253, holds out his arms towards her, saying, my dear dear dear Angel Knock it down to me or I am ruin'd. Another says: Let the good Bishop [the Duke, see British Museum satires no. 11227] have the Game & we my Boy will have the Cream. The other applicants are in civilian dress; one says to the bidder: my dear fellow dont be so anxious for depend upon it these tricks will be Found out & all will be Lost. The Duke of York, in uniform, records the bids in a book, his pen resting on the figure 500. He says Thus am I content to record & ratify the Destruction of the Army, my Country & myself, rather than loose my dear DARLING to [cf. British Museum satires no. 11228]. The Devil looks over his shoulder at Mrs. Clarke to say with a baleful grin: Going, Going Gon you may now say, for I have You tight enough my dear Honey."--British Museum online catalogue
Alternative Title:
Celebrated Clarke, exalted to the pulpit by the humility of a royal bishop
Description:
Title etched below image., Four lines verse below title: Who for the tricks he has done in the dark, is content to be his darling Clark's clerk. And to cure her from being more love sick, has given her a royal dukes bishopric., Sheet trimmed to plate mark at top., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., and Bound in between pages 8 and 9.
Publisher:
Pubd. 22nd April 1809 by J.H. Warl, London
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Political corruption, History, Sex, Political aspects, Corruption, Military officers, British, Auctions, Nets, and Devil
"Mrs. Clarke auctions commissions from a rostrum to a crowd of bidders, while the Duke of York acts as her clerk. All are unconscious of a net in which they are enclosed, and with which the Devil flies off into flames (right). Mrs. Clarke (right), in profile to the left, with raised hammer, holds out a paper headed Commission. She says: Going for no more than £500 a Commission Positively worth 5000. An officer, probably Dowler, see British Museum satires no. 11253, holds out his arms towards her, saying, my dear dear dear Angel Knock it down to me or I am ruin'd. Another says: Let the good Bishop [the Duke, see British Museum satires no. 11227] have the Game & we my Boy will have the Cream. The other applicants are in civilian dress; one says to the bidder: my dear fellow dont be so anxious for depend upon it these tricks will be Found out & all will be Lost. The Duke of York, in uniform, records the bids in a book, his pen resting on the figure 500. He says Thus am I content to record & ratify the Destruction of the Army, my Country & myself, rather than loose my dear DARLING to [cf. British Museum satires no. 11228]. The Devil looks over his shoulder at Mrs. Clarke to say with a baleful grin: Going, Going Gon you may now say, for I have You tight enough my dear Honey."--British Museum online catalogue
Alternative Title:
Celebrated Clarke, exalted to the pulpit by the humility of a royal bishop
Description:
Title etched below image., Four lines verse below title: Who for the tricks he has done in the dark, is content to be his darling Clark's clerk. And to cure her from being more love sick, has given her a royal dukes bishopric., Sheet trimmed to plate mark at top., and Mounted on linen and formerly sewn in an album, with only the holes remaining on the left edge. Also numbered in pencil on verso: PM-02-17-Hi. HE $800.
Publisher:
Pubd. 22nd April 1809 by J.H. Warl, London
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Political corruption, History, Sex, Political aspects, Corruption, Military officers, British, Auctions, Nets, and Devil
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
A crowd of people, most wearing Scotch plaid, stand before a mountebank's stage, holding out their hands to the charlatan, a caricature of Lord Bute who holds bags of money. Behind him on the floor of the stage is a chest filled with more bags of money. A woman in a Welsh hat, the Princess of Wales, looks out from the curtains of a bed in the back of the stage and listens with pleasure. A tall quack (T. Smollet) wears a fool's cap, a hornbook hangs from his girdle, and the newspapers The Briton rolled under his arm; at his feet are other copies of The North Briton and The Monitor
Description:
Title etched below image., Numbered in upper right corner: "Brit. Antidote. Pl. 20.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 20., Bowditch's transcription of E. Truman's note on the mounting sheet; "Truman Sale 1906.", and Mounted to 31 x 47 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Political corruption, Patronage, Political, Crowds, Fools & jesters, and Quacks
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Earlier state of the print had 'Gazette' in title; this later state Gazette has been burnished out and replaced with 'Evening Post.', Description based on imperfect impression; sheet trimmed within plate mark., Following imprint: "Price six pence.", Later state, with change in title, of No. 3605 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Sheet trimmed within plate mark., Following imprint: "Price six pence.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 17., Watermark: Strasburg bend with initials LVG below., Mounted to 32 x 48 cm., and 'Gazette' in title erased from this impression; 'Evening' written in contemporary hand.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
