- None4
You Searched For
« Previous
| 1 - 9 of 48 |
Next »
Search Results
1. A D--e rout, or, Reynard in his element [graphic].
- Published / Created:
- [26 April 1784]
- Call Number:
- 784.04.26.03+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- On Henrietta Street, Covent Garden, Fox is shown walking arm-in-arm with the Duchess of Devonshire left to right. Her petticoats are being blown up to the knee by a blast from the mouth of North, whose head emerges from clouds in the upper left corner of the design. She says, "The Favourable assistance of Boras is very gratefull when heated, by the fateigues of Canvasing". Fox dances along with a slyly jovial expression, holding up in his left hand a purse labelled 'Fresh Supplies'; he says, 'Charly loves to kiss & play as sweet as Sugar Candy'. The Duchess wears a hat trimmed with a large 'Fox' favour, three ostrich feathers and a fox's brush. From her left leg hangs the ribbon of a garter inscribed 'Fox'. Immediately behind the Duchess is Burke on hands and knees peering under her petticoats; he says, "Heavens how happily the principels of the Sublime & Butiful are blended". Behind him walk together two rough fellows (left), one a butcher, who turns grinning to his companion and points to the Duchess's legs and saying, "I thought we ware all to avoid a Scrutany if Possible". Across the front of his cap is the word 'Fox'. The other answers, "So we are, for except in this instance Dam me if I think we are able to bare one". On the extreme right a grinning youth plays a fiddle to which Fox dances; he sings, "Charly loves good Cakes & ale Charly loves good Brandy
- Alternative Title:
- Reynard in his element and Devonshire rout
- Description:
- Title etched below image., Sheet trimmed within plate mark., Smaller of two very similar plates published on the same day and by the same publisher. Cf. No. 6555 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Watermark in center of sheet: J Whatman., and Mounted to 27 x 37 cm.
- Publisher:
- Pub. April 26, 1784, by F. Clarkson, No. 73 St. Pauls Church Yard
- Subject (Geographic):
- England) and London.
- Subject (Name):
- Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
- Subject (Topic):
- Elections, 1784, Butchers, Musicians, Political campaigns, and Political elections
- Found in:
- Lewis Walpole Library > A D--e rout, or, Reynard in his element [graphic].
2. A Sunday concert [graphic].
- Creator:
- Smith, Charles Loraine, of Enderby, 1751-1835, printmaker
- Published / Created:
- [4 June 1782]
- Call Number:
- 782.06.04.04++
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Musicians are grouped round a piano. Their names (some misspelled) are written in the margin. The pianist sits in profile to the right looking fixedly at his score; he is Ferdinando Bertoni, a Venetian composer who accompanied his friend Pacchierotti to England. The most prominent of the musicians is Pacchierotti, who stands behind the piano next the pianist, holding open a music book, but smiling at a lady, who sits (right) on a bench among the performers. She is Lady Mary Duncan, whose admiration for Pacchierotti's singing was the talk of the town, carried to the point of absurdity, and of discourtesy to other singers. (Walpole, 'Letters', xii. 141, 3 Jan. 1782, and xv. 16-17, 4 July 1791.) She is the largest figure in the design, out of scale with the other figures. She sits in profile to the right holding up a closed fan, gazing intently at Pacchierotti. Behind her stands the player of the bass, identified as Cariboldi. Seated on the bench next her, on her right hand and wearing spectacles, is a man playing the oboe, identified as Hayford. Seated in a chair in front of Lady Mary and on the pianist's right hand is the cellist, Cervetto, evidently the younger Cervetto (1747-1837), who played at the professional concerts at the Hanover Square Rooms from 1780. Behind the piano stand (left to right) a violinist, identified as Salpietro, an oboist, J. C. Fischer (1733-1800), who was a great attraction at the Bach-Abel and Vauxhall concerts, and another violinist, Langani or Langoni. To the right of the piano, blowing the French horn, stands Pieltain. In the foreground (right) in profile to the left sits Miss Wilkes on a stool, her hands in a muff, smiling at Dr. Burney, who stands bending towards her, his hands held out. He wears a bag-wig and sword, and appears to be deep in conversation in spite of the singing of Pacchierotti, a fashionable habit much condemned by his daughter Frances, see 'Cecilia'. Behind Miss Wilkes on the right stands another of the audience, holding his hat under his arm."--British Museum online catalogue
- Description:
- Title from item., Printmaker from attribution in the British Museum online catalogue., Publisher's name is fictitious., and Sheet trimmed to plate mark.
- Publisher:
- Pubd. 4th June 1782 by M. Rack, London
- Subject (Name):
- Bertoni, Ferdinando, 1725-1813, Pacchierotti, Gasparo, 1744-1821, Duncan, Mary Tufton, Lady, 1723-1806, Cervetto, James, 1747 or 9-1837, Fischer, Johann Christian, 1733-1800, Wilkes, Mary, 1750-1802, and Burney, Charles, 1726-1814
- Subject (Topic):
- Chandeliers, Concerts, Harpsichords, Musicians, and Musical instruments
- Found in:
- Lewis Walpole Library > A Sunday concert [graphic].
3. A musico-oratorical portrait an oddity wags have at ye / [graphic]
- Creator:
- Collings, Samuel, printmaker
- Published / Created:
- March 1st, 1791.
- Call Number:
- 791.03.01.01.1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Dibdin stands smiling beside a harpsichord (left) directed to the left, and leaning slightly forward, left hand extended. In his right is a paper inscribed 'Oddities Wags'. On each side of the harpsichord is a tripod supporting a lighted candle-sconce. He is giving a musical entertainment. In the text he is ridiculed as Petronius Broadgrin, noted for consummate effrontery, and he is recommended the works of Joe Miller as a repertory of jokes. Below the title: 'Wags have at ye.'"--British Museum online catalogue and A description of Dibdin's musical entertainments, Oddities and The Wags
- Alternative Title:
- Oddity wags have at ye
- Description:
- Title etched above image. Above title: Attic miscellany., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., For another state published under different title, see: Marmaduke Momus., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. ii, page 197., and Mounted to 27 x 20 cm.
- Publisher:
- Publish'd as the act directs, by Bentley & Co.
- Subject (Name):
- Dibdin, Charles, 1745-1814
- Subject (Topic):
- Musicians, Musical instruments, and Candelabras
- Found in:
- Lewis Walpole Library > A musico-oratorical portrait an oddity wags have at ye / [graphic]
4. A peep behind the curtain at Drury Lane [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- 14 Jany. 1789.
- Call Number:
- 789.01.14.01 Impression 1
- Collection Title:
- Verso of leaf 54. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
- Description:
- Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
- Publisher:
- Publd. by Thos. Cornell
- Subject (Geographic):
- England.
- Subject (Name):
- Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
- Subject (Topic):
- Regency, Musicians, Musical instruments, National songs, and Theaters
- Found in:
- Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]
5. A peep behind the curtain at Drury Lane [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- 14 Jany. 1789.
- Call Number:
- Folio 75 Sa85 782 (Oversize)
- Collection Title:
- Verso of leaf 54. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
- Description:
- Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
- Publisher:
- Publd. by Thos. Cornell
- Subject (Geographic):
- England.
- Subject (Name):
- Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
- Subject (Topic):
- Regency, Musicians, Musical instruments, National songs, and Theaters
- Found in:
- Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]
6. A peep behind the curtain at Drury Lane [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- 14 Jany. 1789.
- Call Number:
- Folio 75 Sa85 810
- Collection Title:
- Verso of leaf 54. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
- Description:
- Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
- Publisher:
- Publd. by Thos. Cornell
- Subject (Geographic):
- England.
- Subject (Name):
- Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
- Subject (Topic):
- Regency, Musicians, Musical instruments, National songs, and Theaters
- Found in:
- Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]
7. Amusment [sic] for John Bull, or, The flying camp [graphic]
- Creator:
- Cruikshank, Isaac, 1764-1811, printmaker
- Published / Created:
- July 24, 1792.
- Call Number:
- 792.07.24.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Spectators watch military manoeuvres in the air. The sky is covered with camps, marching men, and galloping cavalry, some are in military formation, others are single figures. There are tents and marquees with wings; a man beats a drum, three orientals wearing turbans race through the air beating cymbals. In the foreground (left) spectators on horseback look up in amazement, one horse throws its rider; geese, goslings, and pigs are under the horses' feet. On the right the King and Queen sit together on a bank; the King gazing through a small telescope, the Queen looking at him with delighted astonishment. In front of them is a gate over which two officers mounted on winged cannon are gracefully leaping, a third soars into the air."--British Museum online catalogue
- Alternative Title:
- Amusment for John Bul, Amusement for John Bull, and Flying camp
- Description:
- Title etched below image. and Watermark: Strasburg lily with initials GR below ; countermark IV.
- Publisher:
- Pubd. by J. Aickin [sic], No. 13 Castle Street, Leicester Fields
- Subject (Geographic):
- Bagshot (Surrey, England)
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
- Subject (Topic):
- John Bull (Symbolic character), Black people, Cannons, Military camps, Military parades & ceremonies, Musical instruments, Musicians, Spectators, and Telescopes
- Found in:
- Lewis Walpole Library > Amusment [sic] for John Bull, or, The flying camp [graphic]
8. An Italian family [graphic]
- Creator:
- Alken, Samuel, 1756-1815, printmaker
- Published / Created:
- [December 1785]
- Call Number:
- Auchincloss Rowlandson v. 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
- Description:
- Title etched below image., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 35.8 x 46.1 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 22 of volume 2 of 14 volumes.
- Publisher:
- Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
- Subject (Name):
- Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
- Subject (Topic):
- Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
- Found in:
- Beinecke Rare Book and Manuscript Library > An Italian family [graphic]
9. An Italian family [graphic]
- Creator:
- Alken, Samuel, 1756-1815, printmaker
- Published / Created:
- [December 1785]
- Call Number:
- 785.12.00.01++
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
- Description:
- Title etched below image., Sheet trimmed within plate mark., and Watermark: J Whatman.
- Publisher:
- Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
- Subject (Name):
- Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
- Subject (Topic):
- Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
- Found in:
- Lewis Walpole Library > An Italian family [graphic]
