Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the beach and rocks along the coast at Gorleston, with a ship at sail, men working with a rowboat and a view of the town in the distance
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Publisher:
Printed and sold by W. Meggy
Subject (Geographic):
Gorleston-on-Sea (England),
Subject (Topic):
Beaches, Cities & towns, Rowboats, and Sailing ships
Print shows a building at Harrow with four figures in the foreground and five in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The history of the colleges of Winchester, Eton, and Westminster. London : Printed for and published by R. Ackermann ..., MDCCCXVI [1816]., Joseph Constantine Stadler was a German painter and engraver who worked in London., Window mounted to 36 x 51 cm., Mounted opposite page 3 (leaf numbered '31' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Imperfect; imprint statement partially worn away from sheet.
Publisher:
Pubd. June 1, 1816, at 101 Strand, for R. Ackermann's History of Harrow School
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of Lowestoft Chuch in Suffolk with its cemetary on the right side and on the left a view of the sea
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the lighthouse at Lowestoft surrounded by fields and fencing, with a covered wagon on the right and the town and harbor in the distance
Alternative Title:
Lowestoft lighthouse
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the sea from the beach, with men on the shore and boats in the water
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.