publish's according to act of Parliament, July 15th, [1749]
Call Number:
749.07.15.01+ Impression 1
Image Count:
1
Resource Type:
still image
Alternative Title:
Mars on his knees
Description:
Title etched below image., Sheet trimmed within plate mark., 'Price 6d.'--Lower right corner., Two lines of verse below title: Musick hath charms to soothe the savage breast! / To soften rocks, and bend the knotted oak. Congrave [sic]., and Temporary local subject terms: Savoyards -- Mythology: allusion to Mars -- Buildings: Eton College -- Peasants -- Royal Arms -- 'The great fat hog to be seen alive' -- Literature: quotation from The mourning bride by William Congreve, 1670-1729.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Musical instruments, Organ grinders, and Signs (Notices)
The Duke of Cumberland rides a horse towards the left; in the distance are buildings which are labelled 'Eton College'. From his mouth come the words, "My all is in my possession, possession, possession. My all is in my posession. Mounted behind him on the horse is a pretty, young woman playing a hurdy-gurdy. From her mouth, the words, "Virgins are like [the] fair flowers in its lustre." A large belt labelled "The girdle of affection" encircles the two riders waists. A distressed young peasant, the girl's brother, chases the horse, crying, "My dear sister. Stop 'e. Stop 'e. Stop 'e. O, I fear she's gone for aye." He carries the box for the hurdy-gurdy on his back. An allusion to the Savoyards - and Mars. Quotation from Twelfth night, I.i.1, by William Shakespeare, 1564-1616
Alternative Title:
Mars on his journey
Description:
Title engraved below image., Sheet trimmed to plate mark., 'Price 6d.'--Lower right corner., One line of verse added after title: If musick be the food of love, play on. Gay., Temporary local subject terms: Savoyards -- Mythology: allusion to Mars., and Watermark: Strasburg bend with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Sheet trimmed within plate mark., Plate from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin, v. 88 (1749), p. 282., Not in the Catalogue of engraved British portraits ... in the British Museum., and Window mounted to 15 x 23 cm.
Publisher:
Printed for R. Baldwin junr. at [the] Rose in Pater Noster Row
Subject (Name):
Garrick, David, 1717-1779, and Garrick, Eva Marie, 1724-1822,
A portrait of Hogarth in profile, looking right, with a pencil in his right hand poised above an open book in his left hand. He wears a cocked hat on his head. Adapted from his self-portrait in "The Gate of Calais."
Description:
Title from engraved text above image. and Date based on similar print published by R. Sayer. See no. 3066 in the Catalogue of political and personal satires preserved in the Department of Prints and Drawings in the British Museum, v. 3.
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
A man with his hands clasped in supplication, is seized on one side by a burly turnkey and on the other by a man wearing in a Kevenhuller hat and armed with a cudgel. A third man tries to hit the prisoner on the head with a long cudgel. A fourth man, standing near the turnkey, threatens a boy and a woman who both kneel facing the prisoner whie a little girl in front of the woman stretches her arms towards her. On the far left, a well dressed man points to the scene with his left hand, his right hand resting on his hip. To his right is an entrance to a building with a lamp in the shape of an acorn hanging above the door. On the opposite side is another building with old-fashioned casement windows with diamond panes, or possibly bars, on upper floors and modern square paned windows on the ground floor. Over the door, in lieu of a lantern, hangs a bunch of grapes. The two buildings are connected in the background by a wall with a gate with heavy grill through which two men are peeking into the courtyard. On the wall above the grill are the Royal Arms, flanked by the arms of London and Westminster
Description:
Title engraved above image., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image: Welcome, welcome, brother debtor, As an old and hearty song ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Prisons: The Compter -- Turnkeys -- Hats: Kevenhuller -- Weapons: cudgel -- Arms: royal arms -- Arms: City of London -- Arms: City of Westminster -- Emblems: grapes hanging over the dooor -- Lighting: outdoor hanging lantern., and Watermark: Strasburg lily with initials LVG below.
Title from item., The 'u' in 'conduct' etched backwards., Publisher tentatively attributed to Bickham in an unverified card catalog record., Publication place and date inferred from British Museum catalogue., Twelve lines of verse in two columns below image: O England, how revolving is thy state! How few thy blessings! How severe thy fate ..., Temporary local subject terms: Britannia (Symbolic character) as St. Erasmus -- Martyrdom of St. Erasmus -- Dissections -- Emblems: the White Horse of Hanover -- Baron Ilton., and Watermark: countermark IV.
Publisher:
G. Bickham?
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pelham, Henry, 1695?-1754