Title etched below image., Publication date supplied by cataloger., Sheet trimmed within plate mark., Not in the Catalogue of engraved British portraits ... in the British Museum., and Temporary local subject terms: Elections: allusion to Middlesex election, 1768 -- Allusion to John Wilkes, 1725-1797 -- Allusion to Middlesex freeholders -- Documents -- Pedestals.
Title engraved below image., In upper right corner above image: Gent. Mag. May 1768., Plate from: The gentleman's magazine, or, Monthly intelligencer. London : Printed by Edw. Cave, v. 38 (1768), p. 200., Temporary local subject terms: Courts: Court of King's Bench, Westminster -- Judges -- Arms: royal arms., and Watermark: Fleur-de-lis.
Double portrait of King Richard III and his Queen, full-length, in robes and crowned
Alternative Title:
King Richard the Third and Queen Anne
Description:
Title etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Walpole, H. Historic doubts on the life and reign of King Richard the Third. London : Printed for J. Dodsley, 1768., Sheet trimmed to plate mark., Engraved after a drawing formerly hung in the Breakfast Room at Strawberry Hill., and Mounted on page 52 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
J. Dodsley
Subject (Geographic):
England.
Subject (Name):
Richard III, King of England, 1452-1485,, Anne, Queen, consort of Richard III, King of England, 1456-1485,, and Strawberry Hill (Twickenham, London, England)
"A satire on the folly of marriage where the two parties are of a dissimilar age, and on the sexual opportunism of young military office. An elderly magistrate has fallen asleep sitting beside a table on which are glasses, pipes and two bottles, one labelled “Port” in front of an empty grate. He holds a copy of “Compleat JUSTICE”, showing him to be a Justice of the Peace, and a paper protrudes from his pocket lettered “-him for a Trepass on...”. On a bracket table behind him are “BURNS JUSTICE”, a paper lettered “Stealing a Hare” and another “Mid to Wit...”. On the wall over his head is a stag’s head with antlers alluding to his cuckoldry. On the other side of the fireplace, watching him, his pretty young wife sits beside an army officer who caresses her. The officer’s hat hangs on the wall behind them. On the mantelpiece are two oriental style jars and a figure of Budai,” the smiling Buddha” and over these is a gun suspended upside down.."--British Museum online catalogue
Description:
Title from item., Sheet partially trimmed within plate mark., and Watermark: Strasburg bend with initials GR below.
Publisher:
Printed for Robt. Sayer, Map & Printseller, No. 53 in Fleet Street
Subject (Topic):
Adultery, Alcoholic beverages, Bottles, Chairs, Drinking vessels, Firearms, Fireplaces, Furnishings, Interiors, Marriage, Military officers, British, Parlors, and Tables
Copy (reversed) of the first state of Plate 8 of Hogarth's 'The Rake's Progress' (Paulson 139), after the painting at Sir John Soane's Museum.: A scene in Bedlam with Tom half-naked and in a state of distress attended by Sarah Young, a clergyman, and a warder; in the background, an inmate who believes himself to be God has cheap prints of saints pinned to his cell wall. Two elegantly dressed female visitors whisper together, the one holding a fan against her face to shield from her view an inmate in a cell who believes he is King and sits naked, save for a crown, urinating on his straw bed. The wall and the banister of a staircase to the right are covered with various graffiti including calculations of longitude
Alternative Title:
Rake's progress. Plate 8 and His fortune ruin'd, frenzy wrecks his mind
Description:
Title from text engraved above image., "Plate 8"--Lower right below design., Verses below image in three columns, four lines each: His fortune ruin'd, frenzy wrecks his mind, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the eighth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and plate number on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Title from item., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 253., Temporary local subject terms: Justices -- Symbols: ass's ears -- Riots: reference to St. George's Fields, May 1768 -- Weapons: muskets -- Writing implements -- Furniture: card table -- Chairs -- Pictures amplifying subject: a fox as the figure of Justice -- Literature: reference to Midas by Kane O'Hara, ?1714-1782 -- Pets: cats -- Justice Samuel Gillam, fl. 1768., and Mounted to 30 x 41 cm.
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., Publication date in Stephens: October 10, 1768, i.e., the date of the masquerade ball given by the King of Denmark., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 169., and Temporary local subject terms: Britannia (Symbolic character) -- Stealing -- Money: bags of money -- Medical: crutch -- Nooses -- Executioners: Jack Ketch -- Executions: reference to Tyburn -- Devil -- Masquerade: masks -- Frenchmen -- Pickpockets -- Reference to the theft of the Duke of Bedford's snuff-box at the King of Denmark masquerade.
Publisher:
publisher not identified
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798
Copy (not reversed) of the first state of Plate 6th of Hogarth's 'The Rake's Progress' (Paulson 137): Interior of a gambling house in Covent Garden where Tom has fallen, raving, on one knee having lost his money at dice; behind him a chaotic group of gamblers, most of whom fail to notice that flames and smoke are pouring over the panelling and through the door (left); to right, a highwayman (a gun and mask in his pocket) sits beside the hearth ignoring a small boy who offers him a drink, on the wall is a handbill advertising "R. Tustian Card Maker" -- British Museum online catalogue. On the lower left, a man is entering a note of a loan to Lord Cogg for £500. A dog with a collar "Covent Gar[den]" barks at Tom
Alternative Title:
Ruined at a gaming table, Rake's progress. Plate 6, and If mortal peace of mind be worth your care ...
Description:
Title from text engraved above image., "Plate 6"--Lower right below design., Verses below image in three columns, four lines each: If mortal peace of mind be worth your care ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the sixth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 140., and Temporary local subject terms: Scots -- Riots: St. George's Fields, 10 May 1768 -- Military uniforms: Foot Guards -- Cauldrons -- Buildings: Pagoda at Kew -- Furniture: garden bench -- Emblems: cap of liberty.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Mansfield, William Murray, Earl of, 1705-1793, and Bute, John Stuart, Earl of, 1713-1792
