"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue
Description:
Title etched above image. and 1 print : etching on wove paper, hand-colored ; plate mark 23.7 x 77 cm, on sheet 26.3 x 79.3 cm.
Publisher:
Publish'd Jany. 1st, 1805, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
France.
Subject (Name):
Bonaparte, Paolina, 1780-1825, Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837, María-Julia, Queen, consort of Joseph Bonaparte, King of Spain, 1771-1845, Talleyrand-Périgord, Catherine Noël, princesse de Bénévent, 1762-1835, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Pius VII, Pope, 1742-1823, Fesch, Joseph, 1763-1839, Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Berthier, Louis-Alexandre, 1753-1815, Augereau, Pierre, 1757-1816, and Fouché, Joseph, duc d'Otrante, 1759-1820
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Jolly young sailors drink, seated on gun-carriages, &c., the guns projecting through port-holes. One smokes, standing by a powder-barrel. The six verses celebrate the First of June, Cape St. Vincent, Camperdown, 'The Great deeds of Nelson', referring to his death."--British Museum online catalogue
Description:
Title from caption above verses engraved on second plate. Imprint and image on plate above. Both plates contribute to one coherent design., Attribution engraved above design: The music publish'd by Bland & Weller, 23 Oxford Street., Six numbered stanzas of verse below title: Some folks sing of the island, and quaver on dry land ..., Upper plate with design is numbered '398' in lower left corner., Number 398 in the Laurie & Whittle series of Drolls., and Sheet trimmed within plate mark on two sides, partially trimmed series number.
Publisher:
Publish'd July 22, 1805, by Laurie & Whittle, 53 Fleet Street, London
A caricature image in two halves, with two men shown bust-length, the one on the left holding a sheet of paper with the words "Sherriffs return" written on the top; above his head "Corruptly in, he' he' he'". The man on the right is shown crying, his hands balled in fists and in the right hang a paper with the words at top "Return of the Comit[...] House of Commons". Above his head "Black balled out, oh! oh! oh!"
Description:
Title from item., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: G. R.
Publisher:
Pubd. March 18th, 1805 by S.W. Fores, 50 Piccadilly
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
"A lady, young and beautiful, sits in an arm-chair, her head in profile to the left, gazing at her reflection in a standing pier-glass. She wears a dress cut very low, with short puffed sleeves, a small hat supporting two tall feathers and showing curls surrounding her face. A miniature on a long double chain is attached to her corsage. She holds a small round box of some cosmetic. Behind her a parasol lies on a table, with a ring in place of ferrule. Behind this stands an ornate harp, with three pedals, decorated with a winged female figure and roses, a suitable instrument for the display of rounded arms. Fringed curtains frame a tall window, which throws a strong light on lady and mirror."--British Museum online catalogue
Alternative Title:
Looking glass in favor
Description:
Title etched below image., Sheet trimmed within plate mark., and Companion print to: The looking glass in disgrace.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Young adults, Mirrors, Feathers, Draperies, Umbrellas, and Harps
Title from item., Printmaker from British Museum catalogue., From the Laurie & Whittle series of Drolls., Three numbered columns of verse below title: O what a dainty fine thing is the girl I love, she fits my knuckle as well as a Lim'rick glove ..., and Plate is numbered '402' in the lower left corner.
Publisher:
Publish'd Sep. 2, 1805 by Laurie & Whittle, 53 Fleet Street, London
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Thirty-two lines of verse arranged in four columns below title: Ah me! how sorrowful and slow, with arms revers'd, the soldiers come..., Plate numbered '406' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Oct. 7, 1805, by Laurie & Whittle, 53 Fleet Street, London
"Heading to engraved verses (which survive as a nursery rhyme) ... The woman stands at her cottage door, with her petticoats cut off to the knee. Her little dog barks at her. Behind (left) stands the pedlar, grinning, his box strapped to his shoulder. The verses end: 'He began to bark & she began to cry, Lord ha mercy on me, this is none of I, fal de ral.'"--British Museum online catalogue
Description:
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Twenty lines of verse below title: There was a little woman as I've heard tell, she went to market her eggs for to sell, fal de ral, &c..., and Plate numbered '498' in the lower left corner.
Publisher:
Publish'd Octr. 29, 1805 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dwellings, Doors & doorways, Baskets, Eggs, Dogs, and Peddlers
"Pitt (l.) and Napoleon face each other at a round dinner-table on which, in a dish, is a terrestrial globe in the form of a steaming plum-pudding. Pitt, with a carving knife, and three-pronged fork (like a trident) planted in the '[Atlantic] Ocean', cuts a deep gash to the west of 'Britain', extending from the Pole to the Equator; he obtains the 'West Indies'. Napoleon, using his sword and a two-pronged fork which straddles 'Hanover', is cutting from Europe a large fragment including 'France', 'Holland', 'Spain', 'Swiss[erland]', 'Italy', 'Mediterranean', but missing 'Sweden' and 'Russia'. Before each is an empty (gold) plate, on Pitt's the Royal Arms, on Napoleon's an imperial crown. On the back of Pitt's chair is a crowned British Lion on its hind-legs, holding up a Union flag; a fierce imperial eagle clutching a bonnet rouge decorates that of Napoleon. Pitt, very tall and thin, wears a cocked hat and regimentals and long pigtail (cf. BMSat 10113, &c). Napoleon, sturdier and much shorter, has almost to rise from his chair to reach the pudding. He wears military dress, a huge plumed bicorne resting on his shoulders. Pitt looks warily at Napoleon who stares fiercely at the pudding. The figures are seven-eighths length. Below the title: '- "the great Globe itself, and all which it inherit" [sic, 'Tempest', iv. i], is too small to satisfy such insatiable appetites - Vide Mr W-d-m's [Windham's] eccentricities, in ye Political Register.' (For Windham as a contributor to Cobbett's paper see BMSat 10414)."--British Museum online catalogue
Alternative Title:
State epicures taking un petit souper
Description:
Title etched in upper right corner of image., Temporary local subject terms: Globe -- Dining table -- Trident -- Lion of England - Carving knives., and Unidentified stamp on verso.
Publisher:
Pubd. Feby. 26th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806 and Napoleon I, Emperor of the French, 1769-1821
