Title from time., Four images on a single plate, each separately titled below image, each with series name and sequentially numbered; each containing separate imprint statements., With: A medical marksman / Williams fecit -- A medical bill well paid / Williams fect. -- Medical consolation / Williams fecit., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satiress.
Four images on a single plate, each separately titled below image, each with series name and sequentially numbered; each containing separate imprint statements., With: A medical marksman / Williams fecit. -- A Shropshire bargain, or, The doctor bit / Williams -- Medical consolation / Williams fecit., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satiress., and Temporary local subject terms: Doctors -- Sick persons -- Bedrooms -- Families -- Cottages.
A caricatured portrait of comedian John Liston, standing before the Theatre Royal. Leaning against a bollard is a placard advertising the play 'Fish out of Water' in which he was starring as 'Sam Savoury'.
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 25th, 1823, by G. Humphrey, 24, St. James's Stt. & 74, New-Bond St., London
Subject (Geographic):
England and London.
Subject (Name):
Liston, John, 1776-1846 and Haymarket Theatre (London, England),
"Portrait of James Edward Oglethorpe, full-length, in profile to the left, seated on a stool with his legs crossed at the sale of Dr. Johnson's books, with a walking stick in his hand, reading a book, with a tricorne over his long curling wig, dressed in an elegant frockcoat and breeches, a sword at his waist."--British Museum online catalogue and Full-length portrait of James Oglethorpe, English general and philanthropist, seated, in left profile
Description:
Title etched below image., Later state, with imprint burnished from plate. For an earlier state with the imprint "Publishd. Septr. 9, 1785, by I. Cary, No. 188, Strand", see British Museum online catalogue, registration no.: 1887,0406.58., Date of publication inferred from 1823 watermark., Picture caption, printed under image: Died 30th June 1785 Aged 102 said to be the oldest General in Europe - Sketch'd from life at the sale of Dr. Johnsons books Feby. 18, 1785 where the Genl. was reading a book he had purchas'd without spectacles - In 1706 he had an Ensigns commission in the Guards & remember'd to have shot snipes in Conduit mead where Conduit Street now stands., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 368., 1 print : etching on wove paper ; plate mark 21.5 x 16.5, on sheet 27 x 20.8 cm., Window mounted to 39 x 28 cm., and Bound in as page 42 in volume 4 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world. London : Seeley, Jackson, and Halliday, 1884.
Publisher:
publisher not identified
Subject (Name):
Oglethorpe, James, 1696-1785,
Subject (Topic):
Stools, Staffs (Sticks), Books, Reading, and Daggers & swords
"John Bull sits in a double pair of stocks, his ankles heavily shackled. His wrists are linked by a huge padlock inscribed Million £800 000 000 [National Debt]. He sits on bales of Taxes; to his back is tied a huge bundle of Last Wars Taxes. His clothes are tattered; three pockets hang inside out, inscribed To Let. At his side (left), and in profile to the right, kneels a noble Spaniard, in very theatrical dress, with trunk hose, cloak, and ruff. He has a spear from which hangs a pennant inscribed Libertas. He puts his hands together in a gesture of prayer: I come once again, and on my kneens [sic] to implore your Aid, we are indeed grateful for former Services, and beleive that you fought purely for Spain and not for yourselves--Save us from our pretended Friends they are worse then Enemies--Save us, and the World, from the destruction of Liberty--. John bites his thumbs despairingly; he answers: I pity you, but I can only give you advice, when you came to me before, I was a Strong Man, and free, but I am now exhausted in saving you, and destroying your great Enemy--See how I am fetter'd--! My Creditors enchain me--! look at my Debt and pity me!-- At his feet a heavy pair of leg-irons lies across many papers inscribed Debt and Taxes. He sits under an oak-tree; from a partly-withered bough hang his cartouche-box and bayonet-belt. In the middle distance (right) Louis XVIII sits astride a cannon (cf. British Museum Satires No. 12797), on a gun-carriage drawn rapidly up a slope by the Tsar and the Emperor of Austria. Both wear uniform and crowns, that of the latter topped by a fool's cap. Both cry: War! War!! War! and blood!! Alexander holds a sword in one hand, a bayoneted musket in the other; Francis holds a sword and a pistol, against his shoulder is the shaft of a flag inscribed Holy Alliance. Louis XVIII leans back, flannelled legs extended, two pistols in his belt, a sword in one hand, a musket in the other. Before him on the cannon is a bowl of soup, &c. The Pope walks at his right, holding a string attached to his nose. The King: By the Powers I shall fall, and lose my Balance Stop!! Stop! I say don't pull so hard you'll rupture [your scored through] Eu rope, this is not suited to my Taste [scored through] Gout I am already crippled and cannot bear it Stop!!!-- The Pope, who wears his tiara and holds his crosier against his shoulder, answers: Fear not, I'll let you into Heaven, through the back door my dear Son. Keys hang from his neck. Behind the cannon runs the Devil pushing at the King's posterior with a trident; he says: They cannot go on without me so I bring up the rear!! Beside the cannon run tiny frogs in uniform with muskets, &c. A slightly bigger one holding a sword may represent Angoulême. Cannon fire at them from a fort on a hill."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull flourishing in a dignified attitude of strict neutrality
Description:
Title etched below image., Later state, with initials "A.J." added in lower right and the words "with Spain" added to speech bubble immediately to the right of the stocks in center of image. For an earlier state lacking these additions, see no. 14520 in the Catalogue of prints and drawings in the British Museum, v. 10., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 1823 by G. Humphrey, 24 St. James's Street & 74 New Bond Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, and Pius VII, Pope, 1742-1823
Subject (Topic):
John Bull (Symbolic character), Public debt, Taxes, Trees, Rocks, Stocks (Punishment), Forts & fortifications, Cannons, Devil, and Frogs
A scene in a bedroom: A doctor sits in a chair opposite his patient clothed in a robe and night cap who sits in a chair beside his canoped bed. A woman in a cap stands behind the doctor's chair with a concerned look on her face. The bedroom contains a highboy, a bedside table and another table in the center of the room with the doctor's top hat and bottles of medicine; the large window in the background looks out on the building opposite
Description:
Title from caption below image., Four images on a single plate, each separately titled below image, each with series name and sequentially numbered; each containing separate imprint statements., With: A medical marksman / Williams fecit -- A medical bill well paid / Williams fect. -- A Shropshire bargain, or, The doctor bit / Williams., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A fat bottle-nosed parson preaches from the upper story of a three-decker pulpit. Below him a lean curate sleeps, spectacles on forehead. A lank-haired rubicund clerk listens alertly. At the base of the design are the heads of a congregation, asleep, except for a flirting couple."--British Museum online catalogue
Description:
Title etched below image., Letter "J." or "I." beneath lower left corner of image may be the artist's signature., Sheet trimmed to plate mark., and Watermark: 1822.
Publisher:
Pub. May 12, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Clergy, Preaching, Pulpits, Religious services, and Sleeping
Hayter, George, Sir, 1792-1871, printmaker, artist
Published / Created:
[approximately 1823]
Call Number:
Drawer 823.00.00.28+
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of the House of Lords, crowded with nobles in the benches and galleries on either side, attending the trial of Queen Caroline for adultery with Pergami, her Italian secretary; George IV stands, hands on hips, in the left gallery, the editors of the Times and Courier lean over the front bench below it, Robert Gifford, attorney general, stands in front of them holding a finger to his chin thoughtfully while Spinetti interprets for a witness, Majocchi, at the bar, behind which Tyrwhitt, Long and Castlereagh, sit sifting papers to the left of the Queen's solicitor and Denman, who takes a paper from Henry Brougham, the Queen sits to the right in front of the bar, Earl Grey stands in the right aisle, pointing with his right arm towards the witness, and the artist is shown standing with a folio under his arm on the far right."--British Museum online catalogue
Description:
Title etched at top of image., Initial letters of printmaker's name form a monogram., Sheets trimmed within plate marks., Five of the six prints comprising this image were issued as illustrations in: Descriptive catalogue of the great historical picture painted by Mr. George Hayter ... London : Gold and Walton, 1823. Cf. British Museum online catalogue, registration no.: 2010,7081.7373.1-5., and Annotated in black ink by an unidentified hand with numbers by each image matching those used for the printed key to the later published state.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830,, Gifford, Robert Gifford, Baron, 1779-1826,, Majocchi, Theodore, active 1820,, Tyrwhitt, Thomas, 1762 or 1763-1833,, Long, Charles, 1760-1838,, Castlereagh, Robert Stewart, Viscount, 1769-1822,, Denman, Thomas Denman, Baron, 1779-1854,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, Lushington, Stephen, 1782-1873,, Grey, Charles Grey, Earl, 1764-1845,, Hayter, George, Sir, 1792-1871,, and Great Britain. Parliament. House of Lords
Subject (Topic):
Scandals, Trials (Adultery), Government officials, Judicial proceedings, Queens, and British
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
