"Though many aspects of June Jordan's unique and dynamic forms of work and activism have been well documented, "Life Studies," traces a through line of her creative interventions to form a fuller portrait of her complex and interrelated engagements. Through essays and policy reports from her days as a housing activist, speeches, her work with children, and texts from her time at City College of New York, this project adds new layers to Jordan's legacy, showing how she created "living room" to enact a broad array of "life studies" that had great effect on many people in very different institutional, communal, and public settings." -- Publisher's website."--Publisher's website (viewed 2018 June 19).
Alternative Title:
Lost and Found, The CUNY Poetics Document Initiative ; series 7, number 3 and Works. Selections. 2017
Description:
"Writer and educator, June Jordan was born in Harlem in 1936, grew up there and in Bedford-Stuyvesant, Brooklyn. She began her teaching career as a poet working with New York City public school students, following a few years of work as an organizer and researcher for a Harlem-based community action program. She would go on to teach at the City College of New York, Sarah Lawrence College, Yale University, and SUNY Stony Brook, initiating courses in Black Studies and Women's Studies and joining students in activist efforts. At the University of California at Berkeley, she founded the Poetry for the People program, which continues to this day. Throughout her life, she was a prolific writer, publishing essays in a wide variety of periodicals and authoring more than twenty books of essays, poetry, novels, and plays about issues of national and international significance. Jordan died of breast cancer in 2002."--Publisher's website (viewed 2018 June 19)., Includes bibliographical references., Introduction -- Excerpt from Brief History of the Lower East Side -- Excerpt from The Determining Slum -- The voice of the children, inc -- Excerpt from Children and The Hungering For -- Ocean Hill Brownsville I.S. 55 graduation speech -- Our eyes have grown -- The city and the city college: an off-campus, off-camera perspective -- Statement at CUNY Board of Higher Education tuition hearing -Acknowledgements -- Biographical notes -- Lost & Found., and Original wrappers.
Subject (Geographic):
New York (State)--New York
Subject (Name):
Alcalay, Ammiel, editor of series, City University of New York. Center for the Humanities, issuing body, City University of New York--History, Jordan, June, 1936-2002, Lawrence, Stephon, managing editor, Mangum, Megan, book designer, and Morgan, Kate Tarlow, consul
Subject (Topic):
African Americans--Education (Higher), African Americans--Education (Higher)--New York (State)--New York--20th century, College students--Political activity, College students--Political activity--New York (State)--New York--History--20th century, Discrimination in housing, Discrimination in housing--New York (State)--New York--20th century, Education, Education--New York (State)--New York--History--20th century, Poetry--Study and teaching (Elementary), and Poetry--Study and teaching (Elementary)--New York (State)--New York--20th century
A doctor trying to sell youthfulness potions to an elderly lawyer
Description:
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Restoratives -- Theater.
Search for truth and Inquiry for the origin of the African nation
Description:
BEIN Slavery Pamphlets 61: No. 7 of 16 titles bound together., Cover title., and "Published for, and by the request of, Christopher Rush, a descendant of Africa"--Cover.
Publisher:
Printed for the Proprietor
Subject (Topic):
Black people, History, African Americans, Race identity, and Social conditions
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[1 March 1809]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Samuel Hood, 1st Viscount Hood, nearly half-length, standing slightly to left against background of cloudy sky, looking to left; wearing wig, naval uniform, neckerchief and frill."--British Museum online catalogue
Description:
Title etched below image., Artist tentatively identified as Lemuel Francis Abbott in the British Museum online catalogue, registration no.: A,2.4., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 466 (leaf numbered '72' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published March 1, 1809, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
United States and United States.
Subject (Name):
Hood, Samuel Hood, Viscount, 1724-1816,, Great Britain. Royal Navy, Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Royal Navy.
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Caption title., Verso blank., Place of publication follows printer's name., Those present at meeting listed, together with a resolution concerning measures to be taken if invaded, including the provision of wagons, rockets, pikes and horses, escape routes, and a plan to flood the region; signed: John Lockwood, clerk of the general meetings., Date of imprint taken from date of meeting referred to in title., Printer M. Turner is probably Matthew Turner, bookseller, stationer, binder, printer, and circulatory library, Market Place, Beverley., and For further information, consult library staff.
Publisher:
M. Turner, printer
Subject (Geographic):
Great Britain., East Riding of Yorkshire (England), Hull (England), England, East Riding of Yorkshire., and Hull.
Subject (Topic):
Civil defense, Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Politics and government, and History
Muslim history to A.H. 1033 (A.D. 1624). and Copied in A.H. 1068 (A.D. 1658).
Description:
Available on microfilm, The title is given in the incipit, leaf 2 recto., Fair naskhī, in red and black., and Islamic binding, in brown, flap missing.
"The biography and footnotes to the text were written by Peter Thomas. The illustrations were cut by Donna Thomas. The brown paper sample was made by Ray Tomasso. The book was letterpress printed on paper trimmed from the margins of an incomplete copy of Keble's Reports (which was printed in England in 1685)"--Colophon. and No. 180.
Publisher:
Peter & Donna Thomas,
Subject (Geographic):
Great Britain
Subject (Name):
Peter & Donna Thomas (Firm), Thomas, Donna (Donna Sue), Thomas, Peter (Peter R.), and Tomasso, Ray, 1949-
Subject (Topic):
Miniature books--Specimens, Papermaking, and Papermaking--Great Britain--History
