Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Title etched below image., Fifth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Horseback riding, Carriages & coaches, Crutches, Military uniforms, and British
Title etched below image., Sixth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Painters (Artists), Artists' materials, Courtship, Couples, Kissing, Military uniforms, and British
Title etched below image., Eighth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Interiors, Games, Card games, Wheelchairs, Crutches, Military uniforms, British, Bowing, and Courtship
"The actor stands directed to the left, head in profile, with a whimsical expression, holding up the right coat-tail. He wears the costume of c. 1821, with long tight pantaloons, and tied shoes, with gloves and without hat."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mr. Charles Kemble as Charles Surface, in The school for scandal
Description:
Title etched below image., Reissue of a print published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", contained the words "& pubd." in the original issue. See No. 14271 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 677, no. 2., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 184 (leaf numbered '226' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Kemble, Charles, 1775-1854, and Sheridan, Richard Brinsley, 1751-1816.
Volume 1, opposite page 180. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole lengths, standing in a library, King on left, his hands clasped, before him a fallen screen, behind which, her back to a window, stands Mrs. Abington, elegantly dressed, holding fan before her face, Palmer points towards her with right hand whilst addressing Smith, who is just entering at door to right"--Smith, J.C. British mezzotinto portraits
Description:
Title from text below image., Sheet trimmed to plate mark leaving thread margins., "Price 1s. 6d."--Following imprint., Window mounted to 36 x 51 cm., and Mounted opposite page 180 (leaf numbered '218' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, 12th May 1778, by John Harris, map & printseller, Sweetings Alley, Cornhill
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., King, Thomas, 1730-1805,, Abington, Mrs. 1737-1815, (Frances Barton),, Palmer, John, 1742?-1798,, and Smith, William, 1730-1819,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.02+
Image Count:
1
Resource Type:
still image
Abstract:
"Dr. Slop, short and fat, seated in an arm-chair (centre) holding in his left hand the book containing the form of excommunication, points with his right at Obadiah who is disappearing (left), one leg and his back alone being visible. A handkerchief hangs over the doctor's cut right thumb. Behind him on the left stands Mr. Shandy, in dressing-gown and night-cap, smoking a long pipe, he is frowning and holds out his left hand in protest at the doctor's curses. Uncle Toby, his crutch under his left arm, stands on the right. pointing with his left hand at a map of Flanders which hangs on the wall over Dr. Slop's head. He turns to speak to Corporal Trim, who stands (right) at attention in profile to the left holding a long broom."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 30 Jan. 1773 by J. Bretherton. Cf. no. 5214 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Text below title: Vide Tris. Shandy, vol. 2d., Four lines of prose below image, two on either side of title: "May all the angels & archangels, principalities and powers, & all the heavenly armies curse & damn him ...", One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Maps: Flanders -- Male costume: Dressing gown and night cap -- Man-servant -- Male headdress: Pig-tail -- Furniture: Ladder-back chairs -- Household utensils -- Medical -- Dr. Slop., and Watermark.
Publisher:
Publish'd as the act directs by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Military uniforms, British, Physicians, Servants, Maps, Chairs, and Brooms & brushes
Theatrical scene from Shakespeare's Henry IV Part 2, Act V, Scene 5. Henry stands at the center of the scene delivering his public rebuke of Falstaff after Falstaff and his companions (Shallow, Pistol, and Bardolph) approach the King immediately following his coronation
Description:
Title from Shenner etching after this drawing., Date supplied by cataloger., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616. and Henry IV, King of England, 1367-1413
Subject (Topic):
Falstaff, John, Sir (Fictitious character), Theatrical productions, and British