Pier, delle Vigne, 1190?-1249 Thomas, of Capua, Cardinal, d. 1243
Published / Created:
[ca. 1500]
Call Number:
Marston MS 77
Image Count:
317
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of Pietro della Vigna, Epistolae. On ff. 120v-130v, mixed in with the letters, is an incomplete text of Thomas of Capua, Summa dictaminis.
Description:
Binding: ca. 1500, Northern Italy. Original sewing on three tawed skin, slit straps reinforced with fragments of a parchment manuscript (Lectionary?) set in channels on the outside of beech boards. The spine is lined with pieces of parchment manuscript, extending inside the boards between supports. Quarter bound in reddish brown leather with a blind-tooled floral roll along the edges (later but early?). Spine: multiple fillets at head, tail and outlining supports on the spine. Panels tooled with X's with fleurons around them and floral tools in squares on their points in the outer panels. Traces of two fastenings, the catches on the upper board. The lower board is cut in for straps. Title in ink near the head of the upper board ("Epistole Petr. de Vineis de gestis Friderici Romanorum Imperatoris II **") which is cracked and has been repaired., Headings and some marginalia in red (often faded), by two hands, the second of which ruled two parallel lines in lead for each line of headings that were added in a more upright gothic text hand., Purchased from B. M. Rosenthal in 1954 by Thomas E. Marston., Script: Written in humanistic cursive script with gothic features., and Watermarks: similar to Piccard Anker VII.181-83, Briquet Monts 11813, and Briquet Indetermines 16061-63; unidentified letter P with forked descender.
Used as binding for Daemonolatreiae libri tres / Nicolai Remigii serenissimi ducis Lotharingiae a consiliis interioribus, & in eius ditione Lotharingica cognitoris publici, ex iudiciis capitalibus DCCCC. plus minus hominum, qui sortilegii crimen intra annos XV. in Lotharingia capite luerunt ; miris ac iucundis narrationibus, variarum naturalium quaestionum ac mysteriorum daemonicorum discussionibus, valde suaues & grati, adque sales mouendos imprimis apti.
Manuscript on paper (thick) of Macrobius, Saturnalia.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same style as MS 450 and Marston MSS 72, 86, 181, 182 for the Guarnieri-Balleani library (Iesi), with the first three probably by the same binder. Written in ink on tail edge: "MACROB". Two front parchment endleaves, presumably reused from the early binding given the patterns of rust stains and wormholes, consist of undated ecclesiastical records from the diocese of Cesena., Headings and some plain initials in red., Ink has corroded through many leaves; minor loss of text., Script: Copied in humanistic cursive by a single scribe, above top line., and Watermarks, in gutter: unidentified mountain; a dragon perhaps similar in design to those produced in Ferrara in 1440s-50s, cf. Piccard Drache II.538-72.
Manuscript on paper of Priapea. With an Introductory note on Priapus and the Priapea. The author quoted at the end is the German Catholic polemic and classical philologist Gaspar Scioppius (Schoppe, 1576-1649). Followed by Ps.-Apuleius. Anthologia Latina, 114 and De Philomela (poem on the sounds of animals).
Manuscript fragment on paper of 1) Collecta super grammatica, final part. 2) Full declension of the degrees of comparison of “doctus”, “fortis”, “sapiens” and “bonus”. 3) Antiphon for Purification, with musical notation..
Description:
Binding: Nineteenth century. Marbled paper over pasteboard., From the library of John Milton Berdan, Yale 1896. Purchased on the Edwin J. Beinecke Fund., Red heightening of the majuscules and red decoration of the horizontal lines separating the various sections of the text of art. 1, art.1 up to f. 4v; reserved initials (not executed) in the same art.; no decoration in the second part of art. 1 and in artt. 2 and 3., Script: Three hands: art. 1 is copied by the scribe Conrad Payel in a highly abbreviated Gothica Cursiva Currens; art. 2 is in Gothica Cursiva Libraria; art. 3 in the same type of script; "Hufnagel" musical notation., and The fragments are badly cropped, soiled and damaged and important text parts are lost; reading is very difficult. Rectangular excisions at the upper or at the lower edge of the leaves.
Eutropius, 4th cent Patrizi, Francesco, 1413-1494 Paul, the Deacon, ca. 720-799? Quintilian
Published / Created:
[between 1425 and 1450]
Call Number:
Marston MS 147
Image Count:
152
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Eutropius, Breviarium, with the insertions and addition of the final six books by Paul the Deacon. 2) Francesco Patrizi of Siena (1412-94), Epistula Achilli Petrucio re regendo magistratu. 3) Extract from Quintilian, Institutio oratoria 2.9.1.
Description:
Binding: Nineteenth century, Italy. Yellow marbled paper case with title written in ink on narrow paper label on spine: "Liber Eutropii de Regibus Rom. et de Orig. Imperii"., Script: Written by a single scribe in a sloping humanistic bookhand., Spaces for decorative initials in art. 1 are unfilled; remains of guide letters. Headings and first word(s) in text divisions in epigraphic majuscules., and Watermarks: two different unidentified ladders, the one on ff. 1-60, the other on ff. 61-70.
Manuscript on paper containing 1) Antonius Rampegolus (de Rampigollis) de Ianua (d. after 1423), Compendium morale (Figurae Bibliorum). 2) Comparisons of the Virgin to the sky, the firmament, a mirror, a lily, balsam, thunder, a sword, paradise, water or a river, a garden, a tree, joy, a staff, dew, gold, a door, etc. With quotations from Alanus (de Insulis?), Alcabitius, Algazel, Aristotle, Averroes, Avicenna, Chalcidius, Constantinus Africanus, Galenus, Hermes Trismegistus, Ignatius, Isidore of Seville, Orosius, Philaretus, Plato, Pliny, Sedulius, Simplicius, Solinus, Theophrastus, Tondalus, etc. 3) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux) or Ps.-Beda Venerabilis (Pseudo-Bede), Meditationes passionis Christi per septem diei horas. 4) Planctus beatae Mariae virginis, ascribed to Bernardus Claraevallensis (Bernard of Clairvaux). 5) Note on the torments of Hell, after Ps.-Bernardus Claraevallensis. 6) Note on the delights of Heaven. 7) Henricus Totting de Oyta (d. 1397), Quattuor notabilia (Solutiones quarumdam quaestionum ad dominum Rudolphum). 8) A theological treatise in fourteen questions on indulgence and remission of sins. 9) Short treatise of canon law on qualifications for preaching and theological argument. 10) Bonaventura (1221-1274), De praeparatione ad missam. 11) Honorius Augustodunensis (c. 1090-c. 1150), Inevitabile sive de praedestinatione et libero arbitrio inter magistrum et discipulum dialogus, two extracts, respectively corresponding with the edition PL 172.1198-1199 and 1201 (the latter extract ending incomplete). 12) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis O.P. (d. c. 1353), with an introductory letter by the translator to master Hugh de Vaucemain, general of the Dominican Order, dated 1339. 13) Nicolaus de Dinckelsbühl (c. 1360-1433), Dicta super beatitudines.
Fragment of a legendary of Saints Nicostratus, Claudius, Symphorian, Castorius and Simpliius, stonemasons martyred by Diocletian. The passage mentions the quarrying of porphyry columns for the temple of Diocletian.
Description:
Bergendal Collection of Mediaeval Manuscripts (Bergandal 115). Purchased from Bernard Quaritch, Ltd., (Sotheby's sale, 2011 July 5, lot 28) on the Herman W. Liebert Book Fund, 2011., Leaf has several small marks and holes indicating that it was used as part of a later bookbinding., and Script: written in a proto-Carloingian miniscule. The scribe has been identified (by Bernard Bischoff) as Cundpato, monk of the Benedictine monastery of Freising.