Manuscript on paper of part of a collection of letters by Antonius Panormitanus (Antonio Beccadelli, 1394-1471), written during his teaching at the Studio of Pavia, 1429-1434.
Description:
2-line plain red initials with guide letters in the margin. Red stroking of the majuscule following an initial., Binding: Unbound., Foliated 11-20. Wanting ff. 1-10., and Script: Copied by one hand in a wide Gothica Hybrida Libraria.
Subject (Topic):
Epigrams, Italian, Italian letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment of an unidentified commentary on the Gospel of Luke, containing extensive commentary on chapters 19:41, 19:45 and 19:47: the Temple of Solomon, Jesus' prediction of the destruction of Jerusalem and his ejection of the money-changers from the Temple.
Description:
Script: Late Carolingian handwriting with Italian features.
Manuscript on paper containing 1) Commentarius in sequentiam “Ave preclara maris stella”, falsely attributed to Caesarius de Heisterbach O. Cist.(c. 1180-c. 1240). 2) Commentarius in sequentiam “Benedictio Trine Unitati”. 3) Addition to art. 2, dealing with the Hebrew alphabet. 4) Humorous note explaining why the eater of cheese (obviously a most unhealthy food) will never thrust a wine-goblet from his hood (?), why he never will be bitten by a dog and why a thief will never enter his house.
Description:
Script: Artt. 1-4 are copied by one hand writing Gothica Cursiva Libraria marked by striking hairlines at r and final t. Quotations are clumsily written in a deviating form of Northern Gothica Textualis. Ascenders at the top line are often lengthened and decorated. Art. 5 is copied in a more rapid form of Gothica Cursiva Libraria, possibly by the same hand.
Manuscript on paper of 1) Servius Honoratus (390-400), De finalibus. 2) Life of Boethius (c. 485-524). 3) Aelius Donatus (350), Ars grammatica, 1.5.
Description:
Leaves are in succession and constitute the central part of a quire, f. 1 being now a singleton and ff. 2-5 a binio., Lower section of the leaves is damaged by mould, badly impairing the legibility, and parts of them are lost., and Script: Copied by two hands, both writing a rapid Humanistica Cursiva. Hand A copied art. 1, Hand B artt. 2-3.
Manuscript on paper and parchment (goatskin) of 1) Ps.-Phalaris, Epistulae, tr. Franciscus Aretinus (Francesco Griffolini, 1420-after 1465). 2) Ps.-Brutus, Epistulae, tr. Rinucius Aretinus (Rinuccio d'Arezzo, c. 1395-after 1450). 3) Prologue (7 verses) to art. 4. 4) Ps.-Crates, Epistulae, tr. Athanasius Constantinopolitanus.
Description:
Watermark: letter P, similar to Briquet 8658 (1471-1480)?.
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century