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1. Going to court he's arrested at St. James's Gate [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.20+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Piracy of plate IV of Hogarth's Rake's Progress with considerable differences: a scene in St James's Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, "Nanny" offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake's coat; in the distance to left, a group of street-boys point to "Taffy", a mannikin, perched on a lamp-post, and beyond the gate of St James's Palace."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38342i., Date of publication from British Museum online catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R, Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 44 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Saint James Westminster, London, England : Parish),
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Dogs, Debt, Ethnic stereotypes, Lampposts, Law enforcement, Puppets, Rake's progress, Sedan chairs, and Street lights
- Found in:
- Lewis Walpole Library > Going to court he's arrested at St. James's Gate [graphic].
2. He and his drunken companions raise a riot in Covent Garden [graphic].
- Creator:
- Bowles, Thomas, -1767, printmaker
- Published / Created:
- [1735]
- Call Number:
- Hogarth 735.00.00.19+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Plate from a pirated series of Hogarth's Rake's Progress, not based on one of the original prints: Covent Garden with St Paul's church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves."--British Museum online catalogue
- Description:
- Title engraved below image., Printmaker and publisher from the Wellcome Collection online catalogue, Wellcome Library no. 38341i., Date of publication from Paulson and the British Museum catalogue., Sheet trimmed within plate mark., Four columns of verse beneath title: Young Ramble, without witt or dread, Does non a drunken party head ... Uplifted staves, drawn swords oppose, And stabs are well repaid with blows., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Window mounted to 29 x 43 cm.
- Publisher:
- John Bowles
- Subject (Geographic):
- Covent Garden (London, England),, England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Fighting, Intoxication, Rake's progress, Watchmen, and Women
- Found in:
- Lewis Walpole Library > He and his drunken companions raise a riot in Covent Garden [graphic].
3. Farewell Old Gripe! they work is done ... [graphic].
- Published / Created:
- [not before 1735]
- Call Number:
- Hogarth 735.00.00.16+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A loose plagiary (reversed) after Hogarth's first plate in the Rake's Progress series; the interior of the house of Tom Rakewell's late father (after the painting at Sir John Soane's Museum) with Tom being measured for a suit as he gives a bag of coins to the pregnant Sarah Young; to the right a table with the papers related to the estate and coins; on the floor are boxes of miscellaneous goods; an upholsterer attaching fabric to the wall reveals a hiding place for coins which tumble out
- Description:
- Title from verses below image. Verses (in four columns, each with six lines) continue: " ... And thou hast left graceless son to wast thy fund of ill got stores .... plate, gloves and hoarded cash descend.", See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2259-2272., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 132., and Mounted to 358 x 435 mm.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
- Subject (Topic):
- Avarice, Corruption, Interiors, Miserliness, Mothers, Pregnant women, Rake's progress, Servants, Tailors, and Young adults
- Found in:
- Lewis Walpole Library > Farewell Old Gripe! they work is done ... [graphic].
4. The festival of the golden rump rumpatur quisquis rumpitur invidia / [graphic]
- Published / Created:
- publish'd according to act of Parliament 1737.
- Call Number:
- 737.05.07.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Satire on George II and Robert Walpole, based on a "Visio"n described in "Commonsense, or the Englishman's Journal", 19 March 1737. The king is represented as a satyr, seen from the rear, standing on an altar kicking his left leg and breaking wind; Queen Caroline, as a priestess wearing a bell on her wrist, approaches from the right to administer an enema of "Aurum potabile" (a flavoured brandy); Bishop Hoadly stands behind her followed by men carrying on their heads vessels of gold, several of which have been deposited at the foot of the altar, square pieces of gold having spilled from one. On the left; Robert Walpole dressed as the Chief Magician, dressed in a coat embroidered with dragons and the words "Auri Sacra fames" and carrying a rod, looks up at the satyr; behind him is a procession of couriters with the insignia of the golden rump embroidered on their shoulders; in the foreground Walpole's brother Horatio Walpole holds out a pair of scales, an allusion to his concern to preserve the balance of power in Europe which earned him the nickname, the "Balance Master". A curtain hanging across the top is embroidered with golden rumps."--British Museum online catalogue
- Description:
- Title engraved above image., Printmaker identified as Gerard Van der Gucht by Mark Hallett in Caricature in the age of Hogarth, see p. 137., Design on which this print is based, was attributed to the Earl of Chesterfield by the curator., "Price 1s."--Lower right corner., and Several subjects identified in a later hand below image.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain
- Subject (Name):
- George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Hoadly, Benjamin, 1676-1761, Fielding, Henry, 1707-1754, and Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773
- Subject (Topic):
- Politics and government, Bribery, Corruption, Medical procedures & techniques, and Theaters
- Found in:
- Lewis Walpole Library > The festival of the golden rump rumpatur quisquis rumpitur invidia / [graphic]
5. Burlesque sur le burlesque, ou, le grand progres du doguin dans l'arts de peinture ... [graphic].
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- priuilege du Roy decembr. 1753.
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's 'Analysis of Beauty'.
- Description:
- Title etched above image., Printmaker from British Museum catalogue., The first state of this plate; in the second state the title changed to 'The Burlesquer burlesqued'. See Bindman, D. Hogarth and his times., Sheet trimmed to plate mark., and On page 290 in volume 3.
- Publisher:
- publisher not identified
- Subject (Name):
- Hogarth, William, 1697-1764
- Found in:
- Lewis Walpole Library > Burlesque sur le burlesque, ou, le grand progres du doguin dans l'arts de peinture ... [graphic].
6. The order for the installation of the Ladies of the most noble Order of the Needle instituted in 1761 ; The rules of the most Noble Order of the Needle instituted on July the 25th 1761 : manuscript
- Creator:
- Frankland, Miss, author
- Published / Created:
- 1761.
- Call Number:
- LWL Mss Vol. 282
- Image Count:
- 5
- Resource Type:
- text
- Abstract:
- Two works in two separate hands, recording the orders and rules of a fictitious noble order created for ladies' amusement, presumably by someone well acquainted with the customs and using her knowledge to arrange a masque for the amusement of her circle of friends in the months leading to the coronation of George III, possibily at her home in Yorkshire. The first work entitled "The Order for the installation of one of the Ladies of the most noble Order of the Needle instituted in 1761" (pages 2-4) is followed by "The Rules of the most Noble Order of the Needle Instituted on July 25th 1761" (pages 4-8), both written in black ink
- Description:
- Miss Frankland remains unidentified but is likely a descendant of the family of Lady Elizabeth Russell Frankland (1666-1733), the granddaughter of Oliver Cromwell, and her husband Sir Thomas Frankland (1665-1726) of Thirkleby Park, North Yorkshire. Lady Frankland was the sister of John Russell (-1735), the stepfather of Mary Joanna Russell., Mary Joanna Cutts Revett Russell (1707-1764) was the daughter of Colonel Edmund Revett (-1709) and Joanna Thurlbarne Revett (-1764), the step-daughter of John Russell (-1735), and the wife of Lieutenant Colonel Charles Russell (1701-1754). The Russell family acquired Chequers, their family home in Buckinghamshire, through John Russell's 1715 marriage to Joanna Revett., In English., Titles from captions at the head of each of the two works., "By Miss F-nkl-d" on first page, upper right corner, suggests the author of the first manuscript, "The Order for the installation," as a member of the Frankland family., The second work is attributed to Mary Joanna Russell based on a manuscript also entitled "The rules of the most Noble Order of the Needle" in the British Library (Add MS 69390). The online record for that copy states that it was drawn up by Mrs. Russell for her daughter and nieces and their friends., One signature, sewn and unbound, with watermarked laid paper, horizontal chainlines; crowned watermark with lion rampant, countermark 'EH'. Pages with text are unnumbered; final 8 pages are blank., and For further information, consult library staff.
- Subject (Geographic):
- England.
- Subject (Name):
- George III, King of Great Britain, 1738-1820
- Subject (Topic):
- Coronation, Amateur theater, Masques, and Satire, English
- Found in:
- Lewis Walpole Library > The order for the installation of the Ladies of the most noble Order of the Needle instituted in 1761 ; The rules of the most Noble Order of the Needle instituted on July the 25th 1761 : manuscript
7. The b**utifyer a touch upon The Times. Plate 1. [graphic]
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- published as the act directs Sepr. 1762.
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
- Alternative Title:
- Butifyer
- Description:
- Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., Sheet trimmed within plate mark., and On page 288 in volume 3. Sheet trimmed to: 25.3 x 19.5 cm.
- Publisher:
- publisher not identified
- Subject (Name):
- Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
- Subject (Topic):
- Crowds
- Found in:
- Lewis Walpole Library > The b**utifyer a touch upon The Times. Plate 1. [graphic]
8. The b**utifyer a touch upon The Times. Plate 1. [graphic]
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- published as the act directs Sepr. 1762.
- Call Number:
- Hogarth 762.09.23.01.2 Impression 2 Box 111
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire on Hogarth's plate of 'The Times', attacking him as an apologist for Lord Bute, showing the gatehouse of St. James's Palace
- Alternative Title:
- Butifyer
- Description:
- Title etched above image., Attributed to Paul Sandby. See British Museum catalogue., "With what judgement ye judge, ye shall be judged. Matt. Chap. 7.2"--Centered immediately below image., "Mr. Hogarth, In justice to [blank space] the engraver of this plate: declares to the publick, he took the hint of the B**utifyer, from a print of Mr. Pope White washing Lord Burlingtons Gate, at the same time bespatring the rest of the nobility.", "Price 1s"--Lower right edge., and Sheet trimmed within plate mark.
- Publisher:
- publisher not identified
- Subject (Name):
- Bute, John Stuart, Earl of, 1713-1792, Hogarth, William, 1697-1764, Murphy, Arthur, 1727-1805, Newcastle, Henry Fiennes Pelham-Clinton, Duke of, 1720-1794., Pitt, William, 1759-1806, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Smollett, T. 1721-1771 (Tobias),
- Subject (Topic):
- Crowds
- Found in:
- Lewis Walpole Library > The b**utifyer a touch upon The Times. Plate 1. [graphic]
9. O' the roast beef of old England &c. [graphic]
- Published / Created:
- [not before 1766]
- Call Number:
- Hogarth 766.00.00.03+ Box 200
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding a large sirloin of beef carried by a cook, on either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef; on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier’s hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais
- Description:
- Title engraved below image., Date of publication based on publisher's street address; Sayer's premises in Fleet Street were not numbered until ca. 1766. See British Museum online catalogue., Text of Theodosius Forrest’s cantata 'The Roast Beef of Old England' printed in letterpress beneath image in two columns., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 180., and Watermark.
- Publisher:
- Printed for Robt. Sayer, No. 53 Fleet Street
- Subject (Geographic):
- England
- Subject (Name):
- Hogarth, William, 1697-1764.
- Subject (Topic):
- Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O' the roast beef of old England &c. [graphic]