Campbell, E. Simms (Elmer Simms), 1906-1971, creator
Call Number:
BrSides Double Folio 2016 34
Image Count:
1
Resource Type:
cartographic image
Description:
BEIN BrSides Double Folio 2016 34: Mounted on board. Stamp in upper left corner, "Manhattan." Scant manuscript annotations at bottom. and North oriented towards the lower right.
Subject (Geographic):
Harlem (New York, N.Y.), New York (State), and New York
Subject (Name):
Cotton Club., Connie’s Inn (New York, N.Y.), Small’s Paradise (Nightclub : Harlem, New York, N.Y.), Lafayette Theater (New York, N.Y. : 132nd Street), Club Hot-Cha (New York, N.Y.), Yeah Man (Nightclub : New York, N.Y.), Tillie's (Nightclub : New York, N.Y.), Radium Club (New York, N.Y.), Calloway, Cab, 1907-1994, Bentley, Gladys, Robinson, Bill, 1878-1949, and Tucker, Snakehips
Subject (Topic):
Social life and customs, African American neighborhoods, Nightclubs, and Harlem Renaissance
A group of Chinese men in traditional attire stand and sit around a table, smoking and apparently gambling, with two Chinese women standing in a nearby doorway
Views of natives, landscapes, and ethnographic objects of the Northwest Coast of America, Pacific Islands, China, and South America. Half of the drawings are fully rendered watercolors, others are rough sketches with detailed notes on coloring, dates of anchorages, and occasionally events on board ship or shore. Ten watercolors are of Native Americans of the Northwest Coast, eight of them signed by Bacstrom and fully executed after his return. There are ten views of the Northwest Coast of America, including Nootka Sound and Queen Charlotte's Island, and Native American villages at Norfolk Sound and Fitzhugh Sound. There are two maps of Queen Charlotte's Island, six watercolors of canoes from the Northwest Coast and the Pacific Islands, and four drawings of Native American and Pacific island ethnographic objects and There are eighteen watercolor sketches and drawings of the coast of South America and the islands in the Pacific, including Hawaii and Staaten Island near Cape Horn. Other drawings include ten watercolors of Chinese men and women, a pencil drawing of a Chinese junk, and a watercolor of an American tea plant. The drawings are accompanied by a highly finished watercolor of the Greenland Whale Fishery not made during the voyage, and a manuscript catalog of "some accurate and characteristic original drawings" made on the voyage with prices; not all of the drawings listed correspond to drawings present in the collection
Description:
Bacstrom, a protégé of Sir Joseph Banks, served as surgeon on a private fur-trading ship which sailed around Cape Horn to the South Seas, Nootka Sound, the East Indies, and the Cape. Bacstrom left the ship at Nootka Sound and later served as surgeon on several ships, visiting China, India, the Cape, and the Americas., Accompanied by a container list., Manuscript captions., and View a digital version in the Beinecke Library's Digital Images Online database
Subject (Geographic):
Northwest, Pacific, Hawaii, China, Islands of the Pacific, Queen Charlotte Islands (B.C.), South America, and Greenland
Subject (Topic):
Indians of North America, Social life and customs, Clothing and dress, and Whaling
"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
Two scrapbooks containing a collection of mostly 18th century engravings and etchings, some of which are purported to have belonged to Horace Walpole, organized thematically. With four original drawings, including a watercolor and wash drawing of the Neapolitan painter Luca Jordano signed by J.B. Catenaro, an unsigned portrait in red crayon of Cornelius Jansen, a pencil portrait of an unknown woman, and another small pencil drawing of a landscape. The first volume contains etchings and engravings of English villages and rural scenes including the farm house and printing house at Strawberry Hill and two vignettes of Strawberry Hill; topographical scenes in Surrey and Twickenham; etchings of Roman scenes; portraits of eminent historical and contemporary political figures and The second volume begins with a series of 192 small French engravings of women, which document the hair styles and hat fashions in the 17th and 18th centuries, all engraved by Dupin or Desrais. A second series of the 48 engravings from Wenceslaus Hollar's Theatrum mulierum depict the costumes of 17th century women (mostly) in Europe. These prints are followed by 29 small engravings by C. Heath of prominent British politicians and writers of the 18th century. The final pages include several portraits of contemporary British and French figures as well as the plates drawn and engraved by Henry Moses for A series of twenty-nine designs of modern costume published in London by E. and C. M'Lean in 1823
Description:
In English and French. and Recovered in cloth with marble boards.
Subject (Geographic):
Europe, Great Britain, Europe., Great Britain., and England
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828., Giordano, Luca, 1634-1705, and Janssen van Ceulen, Cornelius, 1593-1661.
Subject (Topic):
Costume, History, Hairstyles, Authors, English, Politicians, Fashion, Clothing and dress, and Social life and customs
A satire on Madame Mara: She sits in an armchair decorated with Masonic symbols which is in the center of a concert room, with a boarded floor and low platform along the back for the performers. She sings the lines "Oh, Oh, de roasta beef-a de charmante pudding O"; in her hands is an open music book titled "Oh the road beed of Old England, Fieldings popular song. The plebeian audience sit or stand along the right and left foreground. On the left a lady asks her neioghbor, "Did she sing this sogn at the Abbey?" He responds, "She never sung so well as the Abbey in her life." In the center foreground sits a dog who watches the vocalist. The wall is decorated with candle-sconces and a placard with the "Rules to be observed in this meeting" which jabs at the plebeian audience. One man performs on a salt-box, another with marrow-bone and cleaver while yet another puts a Jew's harp in his mouth; a fourth plays a bladder bridge. See British Museum catalogue for further discussion
Description:
Title etched below image., Seven lines of descriptive prose inscribed below title., Possibly engraved by Henry Wigstead (d. 1793). See attribution in British Museum catalogue to Mr. Hawkins., and Watermark in center of sheet: J Whatman.
Publisher:
Publish'd Feby. 28th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Subject (Geographic):
Wapping (London, England)
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833
Subject (Topic):
Social life and customs, Masons, Audiences, Concerts, Dogs, Etiquette, Harps, Musical instruments, and Musicians
Cries of the city of London drawn after the life, Cris de la ville de Londres dessignez apres la nature, Arti communi che uanno per Londra fatte dal naturale, and Tempests cryes of London
Description:
All engraved. Includes two t.-p., Title-pages and captions in English, French, and Italian; the second t.-p. is not dated., Place of publication follows publisher's address., Date altered in plate from 1711 to 1733., Plates, including t.p., are signed: M. Lauron delin: P. Tempest exc. ML form a monogram., Probably engraved by John Savage (cf. pl. 71) though sometimes the engraving is attributed to Tempest or to Laroon., First ed. 1688 (50 pl.); 2d ed. 1711 (74 pl.), Plates 33, 67, 72 are wanting; duplicates of plates 26, 23, 68, laid in., Unidentified manuscript notes and numbers (in another hand) on versos of many of the hinged plates, giving detailed histories of the people depicted., and A made-up copy, formerly owned by Sir William Augustus Fraser and by C.W. Dyson Perrins. Some of the prints may have belonged to J. Gulston. Each plate bears Fraser's stamp.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Subject (Geographic):
England, London, and London (England)
Subject (Topic):
Cries, Peddlers, Social life and customs, and Street vendors
Title engraved below image., Sheet trimmed within plate mark., Below title: Engraved after an original picture painted by Mr. John Collet., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Jno. Smith, No. 35 Cheapside, & Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Social life and customs, City & town life, Dogs, Fishmongers, Musical instruments, Playbills, Sedan chairs, Street children, Street musicians, Street vendors, and Violins
The frontispiece is dated 1795 and is included in the Contents list., Frontispiece of William Hogarth, 2 leaves (letterpress title page and "A catalogue of the original works of William Hogarth contained in this volume"), and 110 engravings on 85 leaves., and Bound in full contemporary calf, spine richly gilt in compartments, red morocco lettering piece, rebacked. For further information, consult library staff.
Publisher:
Sold by John and Josiah Boydell, at the Shakespeare Gallery, Pall-Mall, and No. 90, Cheapside, London
Subject (Geographic):
England and England.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
English wit and humor, Pictorial, Social life and customs, and Manners and customs