Manuscript on paper containing 1) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Manuale (preface and chapters 1-24). 2) Pseudo-Augustine, Soliloquia animae ad Deum, large final part of chapter 2. 3) Arnulphus de Boeriis (ca. 1200 (?), Ps.-Bernardus Claraevallensis), Speculum monachorum. 4) Ps.-Bernardus Claraevallensis, Sermo de vita et passione Domini. 5) Vita S. Iohannis Calybitae or Vita S. Iohannis monachi. 6) Flores ex operibus S. Bernardi de dignitate et excellentia beatae virginis Mariae. 7) Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), Epistola 111, written in the name of the monk Elias to the latter's parents. 8) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 9) Ps.-Bernardus Claraevallensis, Formula honestae vitae. 10) Ps.-Bernardus Claraevallensis, Octo puncta perfectionis assequendae. 11) Ps.-Bernardus Claraevallensis, Varia et brevia documenta pie seu religiose vivendi. 12) Bonaventura OFM (1221-1274), Regula novitiorum, 3. 13) Bonaventura, Regula novitiorum, 4.1-3. 14) Matthaeus de Cracovia (c. 1335-1410; Ps.-Thomas de Aquino, Ps.-Bonaventura; here ascribed to Iohannes de Capistrano OFM, 1386-1456), De modo confitendi et de puritate conscientiae (Speculum munditiae). 15) F. Carboni, Incipitario della lirica italiana dei secoli XIII e XIV, v. 1, Studi e Testi, v. 277 (Vatican City, 1977), 863. 16) Carboni 212. 17) Carboni 96. 18) Religious poems in Venetian dialect. 19) Lamentatio Virginis Mariae ad Crucem, attributed to Philippus de Grevia (Philippus Cancellarius, Philippe de Grève, d. 1236). 20) Zeno Veronensis (d. before 380), Tractatus, 1.1.7.20-21. 21) Moral sentences and quotations by or ascribed to St. Bernard of Clairvaux. 22) Ps.-Bernardus Claraevallensis, Sermo 12.
Description:
Binding: the two covers and the spine are covered with a fragment from a large Italian choirbook in Southern Gothica Textualis Formata; parts of two 4-line red staves with notation in Nota Quadrata and two lines of text are preserved., Red headings and paragraph marks. 2-line red and blue plain initials, with guide letters., Script: Copied by two similar hands: A, writing a rapid Southern Gothica Textualis Libraria, copied ff. 2r-56v and 69r-104v; B, writing a more formal version of the same script, under slight Humanistic influence, copied ff. 57r-68v. The Latin of both scribes is very defective., and Second preliminary leaf included in foliation.
Subject (Name):
Mary, Blessed Virgin, Saint--Devotion to
Subject (Topic):
Asceticism, Christian hagiography, Christian poetry, Italian, Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Manuscripts, Medieval--Italy--15th century
Manuscript on parchment of astrological texts drawn largely from Arab astrology of the early Middle Ages, and transmitted in medieval Latin translations; in addition Ptolemy's Centiloquium is present, transmitted not in Greek but through the Arabic, along with a single contemporary component, the Astrolabium planum of Johann Engel.
Description:
Binding: Nineteenth century, English. Marbled paper boards, green calf back with six heavy (false?) bands, the compartments with patterns of small tools impressed in gold and with gold-stamped titles, a small rectangular label with the printed number 1037 and a small round label with the inked number 894 glued to the bottommost compartment. All edges gilt. Preserved in a modern green cloth folding box, probably French, with leather label., Collection of Sir Thomas Phillipps. Mellon MS 155, acquired from C. A. Stonehill, Inc. (bookseller), New Haven. Gift of Paul and Mary Mellon, 1965., Rubrics, and occasional headlines in red, diagrams in the text in brown and red inks. Full illuminated border, outlined in red, on f. 1r of leafy sprays in colors and gold, the white spaces filled up with black dots and small burnished gold circles each with three or four small tendrils; a large initial in burnished gold and colors at the beginning of the text in the first column, with gold band extending downward and then around three sides of the page forming an inner border, completed by a red line at top; a lozenge at the center of the lower band of the border containing a pattern of platelike discs, quatrefoils, and a leafy spray on a dull gold ground, this segment almost certainly a later replacement of an original coat of arms which has been erased. Elsewhere in the manuscript smaller illuminated initials in the style of the first frequently occur, and larger ones with descenders to partial borders at the foot of the page occur. Each of the ninety-six pages from f. 191r through 238v has four drawings in colors (six on those pages which open each of the signs of the Zodiac), placed within diagrams accompanied by slight text., and Script: Written by a single scribe in a large and clear hand in Gothica textualis formata and Bastarda.
Subject (Name):
Ptolemy,--2nd cent
Subject (Topic):
Astrology, Arab, Astrology--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Bible.--Latin--Versions, Bible--Paraphrases, Christian poetry, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment of Matthew 20.14-22.10; 25.11-28.20, with glossa ordinaria ending: qui diuina mansione sint. Crayon notes throughout in an unskilled hand, now mostly erased.
Description:
Modern pagination. and Only selected leaves scanned.
Subject (Name):
Bible. N.T. Matthew XX, 14-22, Bible. N.T. Matthew XXV, 11-28, Bible. N.T. Matthew--Commentaries--Early works to 1800, Bible. N.T. Matthew--Manuscripts, Latin, and Glossa ordinaria
Subject (Topic):
Bible.--Latin--Versions, Bible.--N.T.--Matthew, Glossa ordinaria, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome, and interpretations of the Hebrew names.
Description:
Binding: 19th century: calf over cardboard; both covers and spine, in six compartments, gold-tooled. Purple silk doublures., Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome; interpretations of the Hebrew names: Interpretationes nominum Hebraicorum, with additions in the margins and at the end; an alphabetical list of words with explanations and/or ethymologies; a table of Epistles, Gospels and other readings for the ecclesiastical year: Temporale, Sanctorale and Common of the Saints; and a list, in two columns, of the kings of Juda and Israel., and Script: probably copied by one hand in extremely small Gothica Textualis Libraria (Perlschrift). Article 3 is by a contemporary hand. Numerous historiated initials of various sizes with long vertical extensions.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Durand of Huesca (ca. 1160-1224?), Biblical Distinctiones, an early 13th-century revision of Peter of Capua's (d. 1214) Alphabetum in artem sermocinandi. Marston MS 266 is apparently the only known witness to Durand's revision. With Rhymed life of Peter of Capua , in quatrains, composed by Durand of Huesca.
Description:
Beginning and end of codex worm and rodent damaged., Binding: Date? Fragmentary binding. Resewn with a chain stitch and the spine lined with coarse cloth. Plain, wound endbands and paste boards (composed of paper and parchment fragments of manuscripts), that once were covered with brick red tawed skin. Traces of two ties. Outline of rectangular label, now missing, on upper cover., Nice penwork initials, 7- to 3-line, for each letter of the alphabet, blue with red or vice versa. Smaller initials, 2-line, in similar but less intricate designs for chapter divisions. Chapter numbers, some initials, plain line fillers, and text divisions in red. Ornamental border, in red, encloses common ending for verses on f. 1r-v. Spaces for rubrics left unfilled. Majuscules in text stroked with pale yellow., and Script: Written in a fine early gothic bookhand by several scribes, above top line.
Subject (Name):
Durand ,--of Huesca
Subject (Topic):
Bible--Commentaries, Biography--Middle Ages, 500-1500, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on parchment containing 1) Bonaventura OFM (1221-1274), Breviloquium. 2) Bonaventura, Lignum vitae. 3) Four short texts, the last one by a different hand.
Description:
Binding: Contemporary parchment. On the flat spine and partly on the covers, a label with the handwritten 18th century inscription "Ancien / Manuscrit / sur **** / pr**** / Lo*****.", Headings, paragraph marks and heightening of the majuscules in red. Numerous 2-line (rarely 3-line) flourished initials in red with black penwork; in art. 4 the seven parts of the text in principle open with a similar initial with diagonal penwork spreads in the margin: ff. 23v (II), 49r (IV), 64v (V), 81v (VI), 103v (VII). The two principal texts open with a littera duplex in red and blue, with black penwork and marginal extension: ff. 4r (art. 2), 5 lines, and 120r (art. 5), 3 lines with diagonal penwork spreads., Running headlines in artt. 2-4 only: up to f.29r they consist of an indication of the page's content and, at right on the recto pages, also in the upper margin, the number of the part dealt with ("I", "II"); thereafter the number only is given., and Script: Copied by two hands: the main part (artt. 2-5) is by hand A (the Celestine monk Jean Gerson, colophon on f. 119v) , who writes a small Gothica Cursiva Libraria, the evolution of which during the copying of the present book and especially its second section (art. 5) has been studied by Ouy ("Le Célestin", pp. 287-288); hand B, who uses a small Gothica Semitextualis Libraria (rarely adopting Textualis "a"), copied art. 1, the note on f. 119v (see below), most of the headings in art. 5, and the final texts on ff. 140v-141v (artt 6-7); he also made a few corrections in the text copied by hand A. The very last text (art. 7.4) has been added by a third hand in tiny Gothica Cursiva Libraria.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism