Alternately red and blue paragraph marks. Alternately red and blue 2- or 3-line (sometimes 4- or 5-line) flourished initials, half inset, with penwork in the opposite colours extending in the left margin or in the intercolumnar space. On f. 1r at the beginning of the text a 9-line littera duplex with penwork, badly rubbed. Guide letters., Binding: Undecorated cardboard cover, sewn on three leather thongs., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 192). Purchased from him on the Edwin J. Beinecke Fund., Script: Copied by one hand in Southern Gothica Textualis Libraria., and The leaves are badly soiled and rubbed, making reading often difficult or impossible (especially f. 1, which is waterstained and misses the lower corner).
Manuscript on parchment containing 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 Febr., f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation. and Manuscript on parchment.
Alternative Title:
Ceremonial and processional and Liturgy and ritual
Description:
Binding: ca. 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps.The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443. It is a chirograph in documentary cursive script, stating that before the court of Geraardsbergen ("Gheerondsberghe", Fr. Grammont, East Flanders) parties have promised to pay a debt of £ 200 in eight instalments over the next four years, 1443-1446. Among the persons mentioned are Heinrik den Haec (?), the lady de Tiennes, the aldermen of Edingen (Enghien, Hainaut?), Collaert van den Foreeste, alderman of Geraardsbergen and Coppenole, counciller of the same city. The design and letters appearing at the top and at the bottom of the document prove that it was made in three copies., Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue ; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r (art. 1), 18r (art. 5), 40r (art. 6), 46v (art. 7) and 86r (art. 11)., and Script: The main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text.
Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques.
Alternative Title:
Comment on the 3rd book of sentences of Peter Lombard
Description:
Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover)., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., and Some folios mended with chartreuse thread.
Manuscript on paper of Didymus' interpretation of the Odyssey.
Description:
Binding: Nineteenth century. Wooden boards. Quarter bound in brick-red goatskin. Bound for the convent of San Marco, Florence; title in gold on spine with number "232"., Collection of Sir Thomas Phillipps (no. 10371), who purchased it from Payne. Acquired in 1953 by Thomas E. Marston from C. A. Stonehill. Gift of Thomas E. Marston in 1959., Script: Written and signed by the scribe Ioannes Skoutariotes, who finished the manuscript 4 October 1453., Simple initials and headings, in red, at the beginning of each book., and Watermarks: Harlfinger Fleur 108, from a manuscript dated 4 Nov. 1445 and attributed to Ioannes Skoutariotes.
Manuscript on parchment, composed in two parts of different age and origin, of 1) Macer Floridus (Odo of Meung, c. 1070), De viribus herbarum. 2) Fragments of a Missal: (a) Third Sunday of Lent. (b) Saturday after the first Sunday of Lent. (c) Second Sunday of Lent.
Description:
Binding: Twentieth century. Wooden boards and brown calf spine. Endleaves are fragments of a Missal (Italy, 15th century)., Part I: Red (?) chapter headings in larger script written at the right of the text. Red paragraph marks. Red heightening of majuscules on ff. 1r and 10 v only. 2-line (exceptionally 1- or 3-line) early flourished initials in red with red flourishing (red filling on f. 10r). 5-line red, blue and white initial with strapwork decoration on f. 1r. Part II: Chapter headings in red, centered. Red 2-line plain initials (Capitalis)., Part II adapted to the size of part I by pasting strips of parchment to the bottom of the bifolios. The five outer bifolios (ff. 11-15 and 18-22) are palimpsest: leaves from a manuscript in two columns, the text transversal to the textus rescriptus; the inner bifolium (ff. 16-17) is of bad quality; the upper corners of ff. 11 and 22 are missing with loss of text and have been repaired with blank parchment., and Script: Part I (ff. 1-10): Copied by one hand writing Praegothica with wide distance between the lines. Part II (ff. 11-22): Copied by one hand in Gothico-Humanistica Libraria.
Manuscript on parchment containing 1) Two diagrams with accompanying text. 2) Note on vows. 3) Petrus Cantor (d. 1197), De tropis loquendi. 4) Table of the subdivisions of anima. 5) Theological note. 6) Note on merit. 7) Theological treatise in four books. 8) Notes in plummet. 9) Treatise on vision and gifts ("dotes").
Description:
Binding: Original (?) binding in ... over wooden boards, sewn on four split leather thongs. Remnants of four pairs of leather ties, two at the front and one at the top and at the tail., Script: Copied by various small hands, writing highly abbreviated Gothica Textualis Currens or Libraria. In some sections documentary cursive influence is visible (especially in looped d)., and The decoration is unevenly spread. Red paragraph marks, underlining and headings; some plain red initials; alternating red and blue flourished initials with penwork in the contrasting colour in art. 7; initials missing in art. 9.
Manuscript bifolium fragment pasted on a wrap-around binding. 1r contains 4 Alleluia verses (Schlager 27u, 28a, 71d, 203a). 2v contains the Eia recolamus from the Liber hymnorum of Notker Babulus.
Description:
Bound with: Acta apostolorum Græce et Latine (Monachii, 1622). Upper cover marked with monogram PAZL 1671 (Placidus Heber Abt zu Lambach)., From the Lake Constance region?, From the library of the Benedictine monastery of Lambach., and Rubricated.