"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Three couples and a young boy are picnicking outdoors. The large women with exaggerated sleeves and large bosoms exclaims: "Lauk, how hot the sun is to my back!" Everyone is oblivious to the fact that a fire is raging under the kettle behind her
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Numbered in ms. at top of sheet: 269.
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., and Watermark, trimmed.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"Outside a thatched cottage, partly visible on the left, Paris, a loutish peasant, hands the apple to an old harridan holding a fan and wearing a very wide hoop. Cupid, a hideous boy, holding a bow, is partly concealed by her petticoat. Juno (?), a hideous hag, strides towards them, brandishing a bottle. Minerva (?) in a soldier's coat and grenadier's cap, inscribed "J.R." [?Juno Regina], walks away to the right. looking over her shoulder; one fist is clenched, she carries a bottle and is smoking a pipe. One sheep (left) stands behind Paris who is holding a crook. A basket and his hat are on the ground. In the foreground his dog chases the peacock and the owl. Two doves fly over the head of Venus. Two broadsides are pasted on the cottage wall: one headed "Gods . . ." the other, "Thos the Wood Lous" (?). Mountains are indicated in the background."--British Museum online catalogue
Description:
Title etched above image., Publisher's name and month of publication in imprint have been mostly burnished from plate., Text in upper left margin, preceding title: Jun: But to bestow it on that trapes it mads me. Min: Hang him jackanapes., Temporary local subject terms: Mythology: Venus., Mounted on page 83 of: Bunbury album., 1 print : etching on laid paper ; sheet 17.9 x 20.9 cm., and Sheet trimmed to plate mark.
Publisher:
Pub. accor. to act by [...]
Subject (Name):
Cupid (Roman deity), and Juno (Roman deity),
Subject (Topic):
Paris (Legendary character), Minerva, Dwellings, Peasants, Fans (Accessories), Military uniforms, Bottles, Pipes (Smoking), Sheep, Baskets, Dogs, Peacocks, Owls, and Doves
"A broadside satirising a quack in London; with an engraving showing a street scene, a varied crowd of people surrounding "Waltho Van Claturbank, High German Doctor", on horseback, offering packages of remedies; behind him is his zany or fool, also on horseback; among the crowd are a number of children, including boy with a monkey, and two women selling fruit, one from a wheelbarrow the other from a basket on her head; with ... text in three columns; late impression of a print first published in 1713."--British Museum online catalogue
Description:
Title from British Museum catalogue., Printmaker from statement of responsibility "T. Slater sculp." on original issue of the print, which also bore the title "Pharmacopola circumforaneus, or, The horse doctor's harangue to [the] credulous mob" that is not present of this reissue; cf. Wellcome Collection online catalogue, reference: 575019i., "The plate would have been published by T Harrison in 1713 (information from Malcolm Jones based on impressions in the Wellcome Institute and Library of Congress) and later acquired by John Bowles who was in business from 1729; this impression was published after his son Carington Bowles went into business in St Pauls Church Yard c. 1766."--Curator's comments, British Museum online catalogue, registration no.: 1868,0808.13211., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum., and Three columns of engraved text beneath image, printed from a separate plate: Gentlemen, I Waltho Van Claturbank, High German doctor, chymist & dentifricator ...
Publisher:
Printed for Jno. Bowles at the Black Horse in Cornhill & Carington Bowles in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Claturbank, Waltho van, pseud.,
Subject (Topic):
City & town life, Quacks, Fools & jesters, Medicines, Crowds, Peddlers, Wheelbarrows, Baskets, Fruit, and Monkeys
