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2.
- Creator:
- Dighton, Richard, 1795-1880, printmaker
- Published / Created:
- [ca. 1821]
- Call Number:
- 821.10.15.04+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from caption below image., First issued by G. Humphrey. Cf. No. 14292 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Watermark: J. Whatman Turkey Mill 1827.
- Publisher:
- Pubd. Thos. McLean 26 Haymarket
- Found in:
- Lewis Walpole Library > A pleasant way to lose an eye [graphic]
3.
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [July 1821]
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
- Alternative Title:
- Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
- Description:
- Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., Sheet trimmed within plate mark., 1 print : etching ; sheet 23.1 x 32.8 cm., Printed on wove paper with watermark "Fellows"; hand-colored., Window mounted to 24.6 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George Canning" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of eleven lines from the British Museum catalogue description is pasted below print.
- Publisher:
- Pubd. July 1821 by S.W. Fores, Piccadilly
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
- Subject (Topic):
- Interiors, Coronations, Spectators, Crowns, Scepters, Bishops, Miters, Robes, Kneeling, Feathers, and Fools & jesters
- Found in:
- Lewis Walpole Library > Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
4.
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [July 1821]
- Call Number:
- 821.07.00.04
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
- Alternative Title:
- Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
- Description:
- Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., The identification of the jester as Canning is wrong. The jester has been identified as Admiral Sir Edmund Burke Nagle., and Sheet trimmed within plate mark.
- Publisher:
- Pubd. July 1821 by S.W. Fores, Piccadilly
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Nagle, Edmund, Sir, 1757-1830
- Subject (Topic):
- Interiors, Coronations, Spectators, Crowns, Scepters, Bishops, Miters, Robes, Kneeling, Feathers, and Fools & jesters
- Found in:
- Lewis Walpole Library > Adulation, or, A coronation oration by the Jack Pudding of the nation [graphic].
5.
- Creator:
- Alken, Henry Thomas, 1784-1851, printmaker
- Published / Created:
- July 1, 1821.
- Call Number:
- 821.07.01.01
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Billingsgate Tom and Bob taking a survey after a nights spree
- Description:
- Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
- Publisher:
- Published by Jones & Co.
- Found in:
- Lewis Walpole Library > Billingsgate Tom & Bob taking a survey after a nights spree / [graphic]
6.
- Creator:
- Cruikshank, Robert, 1789-1856, printmaker
- Published / Created:
- [1 June 1821]
- Call Number:
- 821.06.01.03
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Jerry Hawthorn handing a lady into a coach, Corinthian Tom following with a lady on his arm, both gentlemen dressed in dark coats, holding opera hats, both ladies wrapped in shawls with feathers in their hair, a coachman standing at the door to the coach, two link boys with flaming torches offering their services to Tom, a large crowd behind them in the colonade outside of the opera house, a beadle pushing his way through the masses and two infantrymen on guard at the near door, one chatting to a young girl, a man shouting to the right; illustration to Egan's "Life in London" (1821)."--British Museum online catalogue
- Description:
- Title from caption below image., Plate from: Egan, Pierce. Life in London., Imprint statement erased from sheet. Publication information from British Museum catalogue., and Sheet trimmed wtihin plate mark.
- Publisher:
- Sherwood, Neely & Jones
- Subject (Name):
- Egan, Pierce, 1772-1849.
- Found in:
- Lewis Walpole Library > Outside of the opera house at night gallantry of Tom and Jerry / [graphic]
7.
- Creator:
- Dighton, Richard, 1795-1880, printmaker
- Published / Created:
- [1821]
- Call Number:
- 821.10.15.01+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from caption below image., First issued 15 Oct. 1821, by G. Humphrey. Cf. No. 14289 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Watermark: J. Whatman.
- Publisher:
- Pubd. by Thos. McLean 26 Haymarket
- Found in:
- Lewis Walpole Library > Passing a mud cart [graphic]
8.
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [September 1821]
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Sir Watkin Williams Wynn (Taffy), Lord and Lady Conyngham, and the King all approach the door of Wynnstay, part of the façade of which is accurately depicted on the left Lady Conyngham rides a stag with the head of her husband; she wears a coronet in which are the feathers of the Prince (or Princess) of Wales. Sir Watkin, in the foreground, gallops up on a goat with a collar inscribed Wynn St[ay]; he wears a leek in his hat and is further identified by a letter in his pocket: To Sir Wat ... He shouts to the porter: Porter! Shut all the W .... s out!! The man obeys by closing the door, saying, You shan't come in I tell you!! She answers: What do you mean fellow I belong to the Family. Just behind are the four horses of the King's travelling chaise. He looks from the window to ask: What's the matter?--but on hearing Sir Watkin's words, adds: I say Coachee! turn about and drive me to Plymouth! There is a background of trees and mountains."--British Museum online catalogue
- Alternative Title:
- Hint to well regulated families
- Description:
- Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 24.1 x 34.2 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sir W.W. Wynn" and "Geo. IV" identified in ink below image; date "Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
- Publisher:
- Pubd. Septr. 1821 by S.W. Fores, Picadilly [sic]
- Subject (Geographic):
- Great Britain.
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Williams-Wynn, Watkin, 1772-1840, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wynnstay Theatre,
- Subject (Topic):
- Adultery, Theaters, Doors & doorways, Crowns, Feathers, Goats, Porters, and Carriages & coaches
- Found in:
- Lewis Walpole Library > Taffy's honor at stake, or, A hint to well regulated families vitae via virtus. [graphic]
9.
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- [1 November 1821]
- Call Number:
- 821.11.01.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Thomas Raikes sits on a divan between two courtesans, his head in profile to the right. On the right is a round table spread with a luxurious dessert, pine-apple, peaches, decanters, &c. The centre-piece is a figure of Mercury (cf. British Museum Satires No. 7592) poised on a globe and holding up a second globe, perhaps a lamp. A long bill hangs from the table . . . Dr to Mrs Wood--Bed--10-- Brandy 5--coffee 1--Eggs--Brandy 2--Oysters 1--Eggs--20, 0 Ham--10-- Coffee 11--Beds 5--Brandy 2--Bed 1-- to show that the establishment is a brothel run by Mrs. ('Mother') Wood (cf. British Museum Satires No. 13734). On the wall are two pairs of crossed rakes tied with ribbons, and pictures, with punning titles: Siege of Belle Lisle, Wood Deamon [cf. British Museum Satires No. 10796], Babes in ye Wood, The Rakes Progress, Burn em Wood, Deity of the Woods, Wood Pigeon Wood Cock."--British Museum online catalogue
- Alternative Title:
- The commercial dandy and his sleeping partners
- Description:
- Title from caption below image., "Dr. E.D." pseudonym of George Cruikshank?, Sheet trimmed within plate mark., Temporary local subject terms: Costume: male, female, 1821 -- Furniture: round table -- Divan -- Food: pineapple, fruit -- Decanters -- Lighting: candlestick -- Mythology: Mercury -- Rakes -- Mrs. "Mother" Wood, fl. 1821., Manuscript "256" in upper center of plate., and Watermark: J. Whatman.
- Publisher:
- Pubd. Novr. 1st, 1821 by G. Humprey [sic] 27 St. James's St.
- Subject (Name):
- Raikes, Thomas, 1777-1848
- Subject (Topic):
- Brothels, Courtesans, Dandies, British, and Prostitutes
- Found in:
- Lewis Walpole Library > The commercial dandy & his sleeping partners [graphic]
10.
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- [February 1821]
- Call Number:
- Folio 724 835G v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A section cut from British Museum Satires No. 11888, with alterations. The King (apart from the removal of the coral and bells), Lord and Lady Hertford, and Yarmouth are as before, though the former Hertfords now stand for Conynghams (see British Museum Satires No. 13847), and Yarmouth (presumably) becomes Lord Francis Conyngham. The other adjacent figures are removed. The pavilion is still inscribed 'He[rtford] Nursery'. The design extends from the middle of the left support of the pavilion, which is however removed, except for the head and shoulder of the woman supporting the drapery, to the right edge of the right support of the pavilion, which is as before, with satyrs, infant Bacchus, and nude women; the emblem of fool's cap, &c., is unaltered. The King says to Lady Conyngham: "My dear Coney you are my life, my soul, my only Joy if business did not call me from hence--I would never leave you, what with my Wife and the Cabinet together I have no peace except in your dear arms." She answers: "Really my love you give way to fear take another glass--you have nothing to dread, we shall soon dispose of that vile woman--in my arms you are safe, continue with me at the Nursery, and we will soon form a new Cabinet if it is necessary." The antlered Lord Conyngham, grovelling on the ground behind his wife, says: "I have got into snug quarters, Lady C-- knows how to manage him--he is welcome to occupy my premises as long as he pleases.""--British Museum online catalogue
- Description:
- Title etched below image., Printmaker and date of publication from the British Museum catalogue., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "George IV" identified in pencil at bottom of sheet; date "1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
- Publisher:
- publisher not identified
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876
- Subject (Topic):
- Adultery, Nurseries (Rooms & spaces), Infants, Crowns, Draperies, Sculpture, and Bottles
- Found in:
- Lewis Walpole Library > Things as they are in February 1821 [graphic].
