"Satire on the ministerial changes and payments made to out-going ministers; Admiral Byng is shown in chains holding the dispatches referring to his withdrawal from action at Minorca; Earl Sandwich concerns himself only with opera and theatre."--British Museum online catalogue
Alternative Title:
Council of expedients and Byng returned
Description:
Title etched above image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Six lines of verse below image: The quacks of government who sate at the unregarded helm of the state ..., Temporary local subject terms: Trials: court-martial of Admiral Byng -- Reference to the Battle of Minorca, 20 May 1756 -- Fetters -- Literature: quotation from Hudibras by Samuel Butler, 1612-1680., Watermark., and Mounted, for further information consult staff.
Publisher:
publisher not identified
Subject (Geographic):
Minorca (Spain)
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Byng, John, 1704-1757, Holland, Henry Fox, Baron, 1705-1774, Anson, George Anson, Baron, 1697-1762, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
"Satire on differences among parliamentary constituencies instructing their members variously to insist on an investigation into the conduct of Robert Walpole's administration, or to desist and to support new government measures. In a large compartment at the top, a balance hangs from the ceiling in which a glove representing the challenge from the City of London to allow the investigation outweighs two men representing Bristol and Nottingham who oppose it. The City challenge is supported by members for Stafford, Dorset, Edinburgh, York and Westminster, standing to left, while behind them the old Tory Opposition now supporting City interests; in the centre, City tradesmen wave their hats and cheer. On the right, a servant pulls down on the scale containing Bristol and Nottingham, turning back to answer a group of unhappy government double-faced supporters. In the centre foreground, a large dog urinates on two small dogs; on the wall behind, a picture of Liberty or Britannia on the left, is juxtaposed with one, on the right, showing a man chained by the foot to a block. In the compartment at lower left, "A M[inisteria]l Forge", a blacksmith stands at an anvil hammering out the "Lie of the day". Ready-forged lies hang on the wall, "Hanov[er] Spurs", "Party Scissars", "Debt Bridles", "Tax Skrens" (a mistake for screws), "State Forks", "Law Pincers", "Eccles[iastical] Hooks", "Parl[iamentary] Bars" and "Session Fetters". On the right, an assistant hands two journalists, "Representat[ion]" and Art[icle] ag[ains]t West[minste]r" saying "to be every day in the Gazetteer", to which the journalists reply, "I want a Hook for Bristol" and "this is fit for Nottingham". On the left, a man pumps the bellows at the forge; a monkey on the beam, cries, "my Guts are coming out" as it defecates papers labelled, "Repres[entation]", "Gazetteer", "False Return", "Indict[ment]" and "Season Export". A man sits on a latrine labelled, "T[reasur]y Bog house/Repres[entations] Bristol/Repres[entations] Notting[ha]m", saying "I'll do thir Business for them" and writing on a paper headed "West[minste]r". In the compartment at lower right, "The Worcester Magician", a large fool stands in the centre, saying "Alls done in my Name, ha! ha! Am n't I a clever fellow", another fool standing at a table to left weighs "Instructions" and "Cringes", the latter brought in a basket by a servant; to right, an official holds out a purse and with his staff splits, "in the name of Corruption", a double-headed figure representing Samuel Sandys and Thomas Winnington, the two members of parliament for Worcester, one holding out "Cringes" and saying "I obey your Wand", the other, holding "Instructions" and exclaiming, "Delicate Guardians!"."--British Museum online catalogue
Alternative Title:
Bristol & Nottingham weighed in the balance & found light and Bristol and Nottingham weighed in the balance and found light
Description:
Title etched above large compartment at top., Compartment in lower left captioned "A M-l Forge" below; compartment in lower right captioned "The Worcester Magician" below., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Armorial watermark.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745. and Ombersley, Samuel Sandys, Baron of, 1695-1770
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Alternative Title:
Triumph of innocence over perjury, persecution and ministerial oppression
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 33.3 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.9 x 24.1 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 11 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Leach," "Eldon," "Sidmouth," and "Liverpool" identified in ink below image; date "6 Nov. 1820" written in lower right corner. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
