"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
A collection of theatrical costume drawings from a variety of sources in a variety of mediums on paper and pasteboard, mostly unidentified but some signed: two by Lucien Besche, one by Herbert Norris, one by C.A. Stothard, two by Charles Wilhelm and two idenitified only by the initials T.O., with dates ranging from the last quarter of the 18th century through 1925. Also includes one print of Charles Kean. The 18th century drawings show women's costumes for a variety of unidentified productions in a variety of period dress, including a group of five drawings of classical Roman figures and deities, a drawing for a costume for Lady Macbeth, and Stothard's drawing for Henry V. Later costume drawings include three pen drawings of mid-19th characters, one of whom is in a train carriage, a "Wood Gatherer" costume from London Lyceum Theatre's 1893-1894 production of 'Cinderella' , Bosche's 1892 drawing of a female warrior for "The 40 thieves". Some drawings include notes about the fabric and colors to be used, address of vendors, etc
Description:
For further information, consult library staff.
Subject (Geographic):
Great Britain.
Subject (Name):
Garrick, David, 1717-1779. and Kean, Edmund, 1787-1833
Subject (Topic):
Costume design, Actors, English, and Costume design drawings
George IV and three of his ministers (Castlereagh, Liverpool, and Wellington) struggle to pull on a rope tied a mortar, which is shaped like a fantastical winged creature. Their targets are apparently the "Satirists" in the sky in the upper right, who wield pens and banners; an additional satirist, with the beaked face of a bird, is seen in the sky in the upper left, sitting on a wheeled hobby horse and ready to shoot an arrow inscribed 'Cradle Hymn" from a bow. Additional depicted figures included Gifford, wearing a wig and gown and holding a scourge; Sidmouth, using a clyster pipe to shoot at the satirists in the sky; and Canning, holding a cudgel above his head, ready to strike a fleeing Burdett. Following behind the mortar are several men, one wearing a liberty cap, two of them holding a banner inscribed "Life and amours of Madam Hunn[?]" between them. A monkey in military uniform rides a donkey towards the left edge of the design, exclaiming "Clear the way for his most gracious Majesty!" From the foreground on the left George III watches the scene; he wears a black shroud, and only his head and shoulders are visible
Alternative Title:
His Most Gracious Majesty Hum IVth and his ministers going to play the Devil with the satirists and His Most Gracious Majesty Hum the Fourth and his ministers going to play the Devil with the satirists
Description:
Title etched below image., Date of publication from the online catalogue of the National Portrait Gallery, London (NPG D48670)., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. III," "Castlereagh," "Liverpool," "Wellington," "Geo. IV," "Gifford," "Sidmouth," "Canning," and "Burdett" identified in ink below image; date "Sep. 1820?" written in pencil in lower right.
Publisher:
Pubsed [sic] by T. Dolby, 299 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, George III, King of Great Britain, 1738-1820, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Gifford, Robert Gifford, Baron, 1779-1826, Canning, George, 1770-1827, and Burdett, Francis, 1770-1844
Subject (Topic):
Freedom of speech, Pens, Mortars (Ordnance), Pulling, Politicians, Hobby horses, Bows (Weapons)., Arrows, Donkeys, Monkeys, Whips, Medical equipment & supplies, Liberty cap, and Banners
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and 1 print : etching on wove paper, hand-colored ; sheet 29 x 40 cm.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
A Glasgow street vendor “Nosey” (?William Parkinson - the name is partially obscured at the head of the sheet) offering hats for sale but surrounded by his other wares including shoes, bellows, brushes and books. Above the shop: A shop to set. Dealer in Hats. By retail. At the top on the right and left: Ready Money for old shoes. Old and New Books Bought Sold & Exchanged
Alternative Title:
Mr. Parkinson and A shop to set
Description:
Title from item., Caption below image: All trades he tried, but none could find: To yield a profit to his mind., and Approximate publication date and identification of the figure as "Nosey" from: Strang, J. Glasgow and its clubs ... London and Glasgow : Richard Griffin and Company, 1857, page 203.
Print shows George Canning standing on the left holding a broom and a bag of money labeled "Gold" which he is giving to Henry Brougham who wears the dress of a German broom-girl over his parliamentary clothing and "Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister's wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here's Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less."--British Museum online catalogue
Description:
Title etched below image. and Matted to: 45 x 31 cm.
Publisher:
Pubd. July 1827 by T. McLean, Hay-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Canning, George, 1770-1827, Brougham and Vaux, Henry Brougham, Baron, 1778-1868., and Canning, George, 1770-1827.
