"A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: "Are you satisfied Gentlemen?" The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: "Is that my Grandson Jack? what a skeleton!!!"; "Ah mon Cousin, vat you eat de Beef & Plum Pudding!!" Their surprised successors exclaim: "Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!" Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog."--British Museum online catalogue
Alternative Title:
Review of old times
Description:
Title etched below image.
Publisher:
Pub. by T. Williamson, N. 20 Strand, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Magicians, Daggers & swords, Globes, Ethnic stereotypes, and Obesity
"Probably based on G. Cruikshank's 'Boney's Meditations . . .', British Museum Satires No. 12593 (1815), an adaptation of Gillray's 'Gloria Mundi', British Museum Satires No. 6012. The place of Napoleon is taken by George IV (right) who stands on the globe, staggering back from the rays of the sun which contains (in place of his own head) a bust portrait of the Queen (left). He repeats a parody of Milton's lines from 'Paradise Lost': "--To Thee, To Thee, I call!!! but with no friendly Voice & add thy Name oh Queen!! To tell thee how I hate those beams that bring to my Rememberance from what state I'm fallen." On the globe is a map with lines of latitude and longitude; the King's left foot is on a frontier between 'England' and 'Hanover' (towards which he staggers), as if to suggest that he will retire to Germany, cf. British Museum Satires No. 13974. A cherub flies above the Queen holding up a ribbon inscribed 'Innocent', and frowning down at the King. A woman resembling Mrs. Quentin in British Museum Satires No. 13897, emerging from behind the globe, tugs anxiously at the King's coat-tail."--British Museum online catalogue
Alternative Title:
Address to the Sun
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 32.8 x 22.4 cm., Printed on laid paper with watermark; hand-colored., Window mounted to 34.2 x 23.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "George IV," and "Princess Charlotte" identified in pencil at bottom of sheet; date "20 Oct. 1820" written in ink in lower right corner. Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Oct. 20, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Quentin, Georgina
Title from letterpress text below image, in Spanish. and Date of publication inferred from variant edition with letterpress text in English, published by J.B.G. Vogel and dated to 1808 in the British Museum catalogue. Cf. No. 11057 in the Catalogue of prints and drawings in the British Museum, v. 8.
Publisher:
Printed by Harding and Wright ...
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Enghien, Louis-Antoine-Henri de Bourbon, duc d', 1772-1804, Pius VII, Pope, 1742-1823, Wright, John Wesley, 1769-1805, Ferdinand VII, King of Spain, 1784-1833, and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
Coats of arms, Devil, Pitchforks, Flags, French, Globes, Daggers & swords, Liberty cap, Roosters, Crucifixes, and Hourglasses
"Episode from Butler's 'Hudibras', after Hogarth; four men around table in interior, one in rich clothes sitting beneath canopy and writing document, gesticulating at the three others, who look shocked; globe and papers in centre at base of table."--British Museum online catalogue
Description:
Title engraved below image., Early state, with text "from an original in the possession of Mr. Vincent" present. For a later state with this text removed and with imprint statement re-engraved, see British Museum online catalogue, registration no.: Cc,3.154., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Oct. 1, 1782, by T. Gaugain, No. 4 Little Compton Street, London
Hudibras confronts the astrologer Sidrophel in an apothecary's laboratory; on his desk is a globe, an ink well with quill pen, a book and sheets of paper with a horoscope; from the ceiling and wall hang a stuffed crocodile (from which hangs a shell-shaped lantern with a high flame), swordfish, turtle, a bat, frogs, a snake, and other creatures; to left, a cupboard door is open to reveal a skeleton with an owl on its shoulder; on the floor, are a glass jar containing a homunculus or foetus, another globe decorated with the signs of the Zodiac, various scientific instruments including a telescope, a quadrant and plumb line, and a cat and a mouse-trap. Sidrophel has an amulet around his neck, "Homo sacarus museo Cheru[...]."
Alternative Title:
Hudibras and Sidrophel
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "8" in upper left corner., Fifteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., Copy of no. 511 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 89., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
England. and Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
Puritans, History, Amulets, Astrologers, Cats, Dead animals, Fighting, Globes, Mousetraps, Owls, Pharmacists, Scientific equipment, and Skeletons
A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War - after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain... He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen... his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).
Description:
Title from text above image., Text below image begins: Noticioso Napoleon de qe sus exercitos de España ..., and Copy of a print by James Gillray; for the original, see no. 9998 in the Catalogue of prints and drawings in the British Museum, v. 8. For a more simplified Spanish copy, see no. 11058.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Gillray, James, 1756-1815
Subject (Topic):
History, Foreign public opinion, Spanish, Political satire, Spanish, Anger, Globes, Chairs, Documents, Fire, and Smoke
Moore, James, active approximately 1761-1763, printmaker
Published / Created:
[before 1765]
Call Number:
765.00.00.98+
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback riding to left and pointing ahead of him with his whip, accompanied by a man on foot who carries a gun and gestures with his hat at a globe, palette and dividers on the ground in the foreground; classical ruins and a large building in the background."--British Museum online catalogue
Alternative Title:
See Europe here! for Arms, and Arts renowned
Description:
Title from the first line of verse below image., Printmaker from Chaloner Smith., Before 1765 (see British Museum online catalogue)., Verse continue: ... Where still they flourish on th' improving plan. If other clines with greater wealth abound, Europe's the Eden of accomplish'd Man., See Smith, J.C. British mezzotinto portraits, volume 3, page 941 for mention of an earlier state of this series of four plates "Quarters of the World": "Sold by I. McArdell at the Golden Head in Covent Garden & R. Sayer opposite Fetter Lane, Fleet Street"., One of a series of four allegorical prints, the others depicting Asia, America, and Africa., and Sheet trimmed to plate mark on three sides; trimmed within plate mark at bottom edge.
Publisher:
Printed for & sold by R. Sayer opposite Fetter Lane, Fleet Street
"Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:
Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:
Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):
Bulldogs, Monkeys, Bears, Masks, Flags, and Globes
A group portrait of George III, Queen Charlotte, and their thirteen surviving children each numbered with a key below. The youngest children play with kites and marbles. In the background Princess Amelia (the youngest) jumps into the arms of her brother, Prince Ernest Augustus. The older members of the family form small groupings that are engaged in conversation. In the foreground are books, charts, and globes, suggesting their education and cultural pursuits
Description:
Title engraved above image., Date of publication inferred from the apparent ages of the children depicted., Sheet trimmed within plate mark possibly with loss of date. Below the key "Published as the act directs August [...]" mostly worn and illegible., Plate numbered "219" in upper right corner., and Laid on ledger paper with red line rulings.
Publisher:
Printed and sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
George III, King of Great Britain, 1738-1820,, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, Augustus Frederick, Prince, Duke of Sussex, 1773-1843,, and Adolphus Frederick, Prince, Duke of Cambridge, 1774-1850,
Subject (Topic):
Family, Marbles (Game), Kites (Toys), Globes, Families, and British
