Opposite page 108. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Abstract:
A man wearing his hat and holding his walking stick is seated in a chair before a fireplace enjoying the embrace of a lady seated to his right and with a high coiffure and feathered hat. A younger man with a tall egg-shaped toupée is being ushered out the door by another woman, perhaps a servant
Description:
Title from item., Monogram in lower left corner of image., Date of publication inferred from costume., Trimmed within plate mark; small hole in upper plate and folding and repairs to lower edge., and Bound in opposite page 108 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
A poet sits at a table, pen in hand, posed to write on the sheet of paper before him. On the floor is a discarded piece of paper. His hat and coat hang from a peg on the wall beside the chimney above which is a shelf of books and a picture of a Greek temple. The only other furnishings in the room are a broken chair, a folding bed tilted up against the wall, and a chamber pot
Alternative Title:
Distressed poet
Description:
Title etched below image., Publication date from Isaac., Sheet trimmed to plate mark at top edge., Plate numbered '32' in upper right corner., After Hogarth's print of the same name, 1740., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 18.5 x 25.5 cm., and Printed in vermillion ink on wove paper.
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : mezzotint on wove paper ; sheet 35.2 x 25.4 cm., Sheet trimmed to plate mark leaving thread margins., and Tipped in at page 243 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Volume 2, page 3. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Alternative Title:
In the collection of James Harris Esqr
Description:
Title devised by curator., Mounted on page 3 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality., and Pasted beneath print is a strip of paper, likely trimmed from the verso of the same sheet, which bears a note in the printmaker's hand: The drawing with a pen and [...?], by A. Ostade in possion. of Mr. Harris.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
published according to act of Parliament, Aug. 1, 1753.
Call Number:
Quarto 724 771N
Collection Title:
Page 173. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Interior view of Westminster Abbey
Alternative Title:
Inside of Westminster Abbey and Neff de L'Abaie de Westminster
Description:
Titles etched below image, in English and French., Titled 'The Inside of Westminster Abbey, by Bowles, 1753' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Imperfect; sheet trimmed within plate mark and mutilated on bottom edge, resulting in slight loss of imprint statement., Title in English and French, with remaining text in English., Folded to 28.3 x 23.7 cm; mounted to 32 x 26 cm., and Mounted on page 173 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Tho. Bowles in St. Paul's Church Yard, John Bowles & Son in Cornhill, Rob. Sayer in Fleetstreet & H. Overton without Newgate