Page 199. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title and date written in ink below image., Unsigned; artist unidentified., and Mounted on page 199 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd May 29th, 1773.
Call Number:
Folio 75 B87 770 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"An illustration to Scarron's 'Roman Comique' (1651), Book II, ch. xx. The scene is the room of an inn. Ragotin, almost bald, sits in an upright chair wearing a long sword and jack boots; his legs do not reach the ground. The ram (left), on its hind-legs, is about to butt him. The encounter is watched by a man who leans on the back of his chair, by another seated behind the ram, and by a third standing between Ragotin and a group of two ladies and a man on the right, one being Inezilla, who had just been reading her novel. Behind this group are the curtains of a bed."--British Museum online catalogue
Description:
Title etched below image; letter "n" in "interrupted" is etched backwards., Sheet trimmed within plate mark., Temporary local subject terms: Literature: Scene from Roman comique (1651), Book II, by Paul Scarron, 1610-1660 -- Clowns: Ragotin., Mounted on page 75 of: Bunbury album., 1 print : etching with drypoint on laid paper ; sheet 22.5 x 33.0 cm., and Sheet trimmed to plate mark.
Bretherton, Charles, approximately 1760-1783, printmaker
Published / Created:
date.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 83. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: the interior of a barber who
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Second state, with shading added to the floor and to other parts of the image. See British Museum catalogue., Sheet trimmed to plate mark., and Mounted on page 83 of: Bunbury album.
Publisher:
Publish'd as the act directs, April 1772, by J. Bretherton, No. 134 New Bond Street
Opposite page 108. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Abstract:
A man wearing his hat and holding his walking stick is seated in a chair before a fireplace enjoying the embrace of a lady seated to his right and with a high coiffure and feathered hat. A younger man with a tall egg-shaped toupée is being ushered out the door by another woman, perhaps a servant
Description:
Title from item., Monogram in lower left corner of image., Date of publication inferred from costume., Trimmed within plate mark; small hole in upper plate and folding and repairs to lower edge., and Bound in opposite page 108 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Volume 2, page 3. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Alternative Title:
In the collection of James Harris Esqr
Description:
Title devised by curator., Mounted on page 3 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality., and Pasted beneath print is a strip of paper, likely trimmed from the verso of the same sheet, which bears a note in the printmaker's hand: The drawing with a pen and [...?], by A. Ostade in possion. of Mr. Harris.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
Volume 2, page 12. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Alternative Title:
From an original drawing by Isaac Ostade
Description:
Title devised by curator., Mounted on page 12 in volume 2 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality., and Pasted beneath print is a strip of paper, likely trimmed from the verso of the same sheet, which bears a note in the printmaker's hand: The drawing with a pen by I. Ostade in possion. of J.T.
Volume 1, opposite page 180. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole lengths, standing in a library, King on left, his hands clasped, before him a fallen screen, behind which, her back to a window, stands Mrs. Abington, elegantly dressed, holding fan before her face, Palmer points towards her with right hand whilst addressing Smith, who is just entering at door to right"--Smith, J.C. British mezzotinto portraits
Description:
Title from text below image., Sheet trimmed to plate mark leaving thread margins., "Price 1s. 6d."--Following imprint., Window mounted to 36 x 51 cm., and Mounted opposite page 180 (leaf numbered '218' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs, 12th May 1778, by John Harris, map & printseller, Sweetings Alley, Cornhill
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., King, Thomas, 1730-1805,, Abington, Mrs. 1737-1815, (Frances Barton),, Palmer, John, 1742?-1798,, and Smith, William, 1730-1819,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 January 1778]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 137. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on Cambridge. The interior of
Description:
Title etched below image; the letters "n" in "Athens", "inheritress", and "University" are etched backwards., Sheet trimmed within plate mark., and Mounted on page 137 of: Bunbury album.