"The interior of a church or crypt, indicated by a stone wall with funeral monuments, and a flagged floor in which old graves have been violated. A soldier tramples on a skeleton, another levers up a flag-stone. Behind, a boy in military uniform, in back view, urinates upon a skull. A citizen raises a mallet in both hands to deface a large monument against the wall, on which is the figure of a bearded man in sixteenth-century armour, which partly obscures the lettering on the tomb: 'Wil. . . [F]riso Princ .... Araus Na ...'. A tomb beside it (right), headed by a pyramid of skulls, is 'F. W: \ com: Nassov. \ Obiit \ Anno . . \.' There are other broken tombstones, one inscribed 'Princ: Araus'. A plumed helmet and blazoned shield lie on the ground. 'C'est ainsi qu'en Frise les amis de la liberté ont détruit jusqu'à la mémoire de leurs anciens tyrans. . . .' Text, 'Leviticus', xviii. 27."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "16" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: removal committee -- Churches: Dutch churches -- Tombs -- Skeletons -- Military uniforms -- Graves: violation of graves -- Monuments: destruction of monuments., and Letterpress explanation lacking.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "12" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., and Letterpress explanation lacking.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "9" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., and Letterpress explanation lacking.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "15" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., and Letterpress explanation lacking.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "5" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., and Letterpress explanation lacking.
Title from text engraved above image., Attributed to Berge in an unverified card catalog record., Publication date from book in which this print was published., Earlier lettering burnished from plate and replaced with title and verse of this edition., On sheet with five columns of letterpress., Four lines of verse in Dutch below the design: Het Actiescheepjen , omgeslingerd op de báren ..., Plate 46 from: Het groote tafereel der dwaasheid ...?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: South Sea Bubble., Watermark., Mounted to 46 x 33 cm., and Title translation on verso of mounting: The jolting share-ship of Mme. Company and Mr. Bubbles.
Title from item., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Temporary local subject terms: Royal bedchamber at Richmond Lodge(?) -- Domestic service: black footboy -- Royal arms -- Royal beds -- Crowns -- Courtiers -- Carpets.
Publisher:
P. Schenk?
Subject (Name):
George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., William Augustus, Prince, Duke of Cumberland, 1721-1765., and Suffolk, Henrietta Hobart Howard, Countess of, 1688?-1767.
Title from text engraved above image., Attributed to P.V.D. Berge in an unverified card catalog record., Publication date from book in which this plate was published., Earlier lettering burnished from plate and replaced with title and verse of this edition., On one sheet with five columns of letterpress., Four lines of verse below image: Schoon de eid'le Hoop nog hoopt, het actie boomtze sterft ..., Plate 49 from: Het groote tafereel der dwaasheid ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., Sheet numbered '49' in pencil in an unidentified hand in upper right corner, recto; mounted to 46 x 33 cm., and Title translation on verso of mount: The emanciation and death of the share tree.
In Dutch., Script: Written in gothic bookhand., Four 9- or 8-line historiated initials, blue with white highlights or spiralling acanthus in white and gold, against cusped grounds, with penwork floral sprays in border, tinted red, blue and yellow. Fourteen 5-line initials for the Hours, blue, with leaves in white, filled with flowers or fruit, against gold grounds, square with cusps at corners: each with a three-quarter border, a red, blue and gold bar, some with dragon-head terminals, in outer margin; foliage with flowers, red, blue, green, purple and pink, and animals surrounded by brown and black hair-spray and gold dots. 4 inserted miniatures probably date ca. 1475-85 and differ in style from the manuscript to which they were added. The miniature on f. 55v Angels with Monstrance (Hours of the Eucharist) and most of the overpainted borders around miniatures and pages with historiated initials probably date from ca. 1500-10. The borders consist of pink and/or gold arched frames, cusped in black, with full borders, some compartmentalized, pink, blue and/or gold, with various combinations of gold curling acanthus, red, blue, and green flowers, insects and jewels; one (f. 149v) a damask pattern with jewels and flowers in roundels., Many small initials in red or blue with flourishing in blue or red, often extending the length of the written space. 1-line initials alternating red and blue. Rubrics throughout., and Binding: Seventeenth century. Gold-tooled, green goatskin with a red label and a spine decorated "a la grotesque," possibly by one of the Padeloups, a family active in Paris from ca. 1654 to 1800. Traces of original sewing and paste in gutter and on contemporary parchment flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval