Title from caption below image., Printmaker and publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Street scenes: Spectators of performance by French? family with dancing bear -- Animals: Performing bears -- Costume, ca. 1780 -- French costume: Street performers., Note in an unidentified later hand below image: Engraved by Rowlandson., and Matted to 47 x 62 cm.
Publisher:
Published by Wm. Allen, No. 32 Dame Street
Subject (Topic):
Dogs, Monkeys, Sailors, British, Signs (Notices), and Spectators
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 37.9 x 29.1 cm., Printed on wove paper with watermark "J. Whatman"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 64 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Wood," "Brougham," and "Denman" identified in ink at bottom of sheet; date "16 Ap. 1821" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
"Alderman Wood, as a zany at a fair, stands on a platform outside a booth addressing a crowd of spectators, half length figures in the foreground forming the base of the design. He points with his right thumb to the Queen (left), who is ready to perform, dressed much as in British Museum Satires No. 14103 but more grotesquely. On the right are Brougham and Denman, as beefeaters, with the letters 'C R' on the breast, but with legal wig and bands; each has a trumpet; that of Denman, who blows it, has a banner 'Solicit you in General'. Wood has ass's ears, wears a fool's cap and red and yellow gown (see British Museum Satires No. 14122) over his suit, with big jack-boots. Under his arm is a bulky rolled document; he holds out a placard: 'Signora Diable Humbuggina now exhibiting with most astonishing Effect.' His words are etched on a big tricolour placard above his head: 'Now then Ladies and Gemmen, here ye has Signora Diable Humbuggina, the most wonderfullest conjuress that ever vas seed at home or abroad. The most perfect Amphibrous Nondescript Hannimal that was ever seed before or behind. She has exhibited her Genus to all the crowned Potentaties, and all the principalest Men in all Europe including the Day of Alljeers [Tunis, see British Museum Satires No. 12810] von o' the best Judges in this here Universe. This here living vonder o' the vorld can conjure dunghill grubs and Knights of all sorts [see British Museum Satires No. 13810], ride a Donkey [see British Museum Satires No. 14015] a Zebra [see British Museum Satires No. 14110] and her high-horse at von and the same time. Sleep 40 days & nights under the same Tent vith a man, and never be wicious [see British Museum Satires No. 13818]. She can play with all the grace that ever vas, Columbine, Automaton [see British Museum Satires No. 14120, &c.] Pilgrim [see British Museum Satires No. 14121], or Dragon, and swallow all sorts of Spirity liquors by the Gallon and never be the Vorserer [see British Museum Satires No. 14175]--. So now is the time before this most surprisingest exhibition closes. Blow the trumpet Denny--Valk up Ladies and Gemmen-- Vy dont you blow Broom?' The Queen, very décolletée, with an over-dress displaying frilled and spotted drawers or trousers, wears a barn-stormer's crown with towering peacocks' feathers. At her feet is a notice: 'Juggling taught in all its branches'. At the feet of the beefeaters: 'Books of the travels of this wonderfull Phenomenon to be had within'. Their booth is garlanded with fairy lights and surmounted by a cap of Liberty. In the background on left and right are other attractions of the fair. A beefeater with 'G.R' on his breast blows his trumpet outside a booth flying a Union Jack, and inscribed 'Here's your Works. All from Nature. No connexion with the Jugglers.' Outside it are pictorial placards, all of animals with human heads: an ass with the head of Lieut. Hownam, a creature with the head of Bergami, and an ape with the head of Wood as in British Museum Satires No. 14131. Visitors crowd towards it. Before it is a woman in a swing. On the right are two tents, one inscribed 'Good Strong Caroline Brandy', the other flying a tricolour flag inscribed 'Ale and strong liquors'. In the centre foreground stands John Bull, pointing up at the Queen, and addressing the gaping and amused spectators around him. He is a plump respectable countryman, his words engraved below the title: 'Why dang-it I tell ye that ere business be all Impositioning like--Do na g'in, I mysel war taken in tother day; but blow my wig if I ha any more to do wi that shew like.--do na g'in, It be all my eye [cf. British Museum Satires No. 14180] and Betty-Martin or my neame beant John Bull.--'"--British Museum online catalogue
Alternative Title:
Mat Pudding and his mountebank
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 45 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
John Bull (Symbolic character), Circus performers, Circuses & shows, Stages (Platforms)., Spectators, Honor guards, Trumpets, Banners, Fools' caps, Boots, Documents, Signs (Notices), Crowns, Feathers, Liberty cap, Donkeys, Swings, Show tents, and Flags
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., Sheet trimmed within plate mark., 1 print : etching and engraving with stipple on laid paper ; sheet 22 x 25 cm., and Sheet trimmed within plate mark on top and bottom edges.
John Gilpin galloping through Edmonton, north London, on an out of control horse, passing the Bell Inn, his intended destination; his hat and wig have flown off behind him; a dog and pig scamper out of the way of the charging horse; as he passes, Gilpin glances longingly up towards his wife and children waiting for him in the inn. Two men sit on a bench outside the pub and observe the commotion; another man leans on a trestle table. A lamp hangs above the tavern entrance
Description:
Title etched below image., Plate from: William Cowper's ballad, John Gilpin, in The wit's magazine, 1784, v. 1, p. 271-3., and Sheet trimmed within plate mark.
"A stout farmer rides (left to right) past an inn on a cow. The cow befouls and tramples on a paper inscribed 'Tax on Ho[rses]'. The farmer looks triumphantly over his right shoulder at a group of spectators standing at the door of the inn, and snaps his fingers, saying, "Pitt be D------d". A basket containing poultry hangs from the saddle. Part of the inn is on the left of the design, its sign is a stout man holding a foaming tankard gazing at three sacks, inscribed 'Joe Jolly 1784' (a '7' appears to have been etched over the '4'). Five amused spectators stand by the door; from a window above two men applaud the farmer."--British Museum online catalogue
Description:
Title etched below image., Reissue of a print originally published in 1784., Pitt's budget of 1784 imposed an annual tax of 10s. on saddle- and carriage-horses, exempting those used for trade and agriculture. On 27 November 1784 one Jonathan Thatcher rode his cow to and from the market of Stockport in protest against the horse-tax. See Chambers, 'Book of Days', ii. 627, where there is a copy of a similar print., and For a variant state, see no. 6672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
"Scene outside a posting inn. A man (right) riding right to left clutches his horse round the neck, he has lost his stirrups and his hat flies off. The horse is rearing, startled by the drum and fifes of a recruiting party in Guards' uniform led by an officer with a drawn sword, and followed by three recruits wearing ribbon favours in their hats. The rider is fashionably dressed in riding clothes, a pair of curling tongs falls from his pocket, a box which he was carrying has fallen to the ground, where various articles of the barber's trade have fallen from it: tresses of hair, a packet of "Powder", a comb, razor, &c. In the background is a three-storied inn, with bay-windows on all floors. Spectators watch from the windows. The sign is hung from a standard (right); behind (left) are outhouses inscribed "Licensed to [hire] post horses"; a coach stands in front of them."--British Museum online catalogue
Description:
Title from item. and Plate numbered '474' in lower left corner.
Publisher:
Printed for & sold by Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Margate (England)
Subject (Topic):
Barbers, Carriages & coaches, Taverns (Inns), Military uniforms, British, Musical instruments, Outbuildings, Signs (Notices), and Spectators
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: Portal & Bridges.
Publisher:
Published by S.W. Fores, No. 3 Piccadilly, April 12th, 1785 & F. Clarkson, No. 73 St. Paul's Church Yard
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on laid paper ; plate mark 24.6 x 34.3 cm, on sheet 25.9 x 26.5 cm., and Mounted on leaf 7 of volume 2 of 14 volumes.
Publisher:
Published by S.W. Fores, No. 3 Piccadilly, April 12th, 1785 & F. Clarkson, No. 73 St. Paul's Church Yard
"A semicircle of spectators, seated and standing, crowded one behind the other, watch the performance of the pig, who stands before a row of initial letters, one of which he holds in his mouth. Over the chimney-piece is a placard, 'The Surprising PIG well versed in all Languages, perfect Arethmatician Mathematician & Composer of Musick'. On the right wall of the room hangs a large shoe."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., State with only one publisher statement., Sheet trimmed partially within plate mark., and Watermark: fleur-de-lis in center of sheet.
