An astounded-looking elderly man peeks into a room where a young woman reposes on a couch. Kneeling in front of her is a young man who reaches up and draws with a piece of chalk two horns on her husband's portrait above them
Description:
Title from item., Eight lines of verse in two columns on both sides of title: To one alone I cannot constant be, because the life I love is to be free ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Cuckolds -- Pictures amplifying subject -- Letters: billets doux -- Furniture: couch.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Verse - "You women in city and country I pray". - In four columns with the title above the first two; the columns are separated by ornamental rules., In four columns with the title above the first two and imprint below the last two; the columns are separated by columns of type ornaments., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Title ends with a comma., Mounted on leaf 50. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold in Aldermary Church-yard, Bow-Lane, London
Subject (Topic):
Husband and wife, Pregnancy, Adultery, Domestics, Men, Sexual behovior, Women, Sexual behavior, Sex, Farmers, Astrology, and Physicians
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; plate mark 27.6 x 22.5 cm, on sheet 27.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 73 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet; date "20 May 1821" written in ink in lower right corner.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Caroline, wearing a chemise and high-strapped shoes, stands admiring herself in front of a full-length mirror. With her right hand she adjusts a feather in her elaborate headdress, which is adorned with the Prince of Wales's feathers on the far side and several pointed feathers on the near side, two of which resemble horns; her left hand rests on her hip. Bergami stands behind her in astonished delight, his hands raised in the air; a garment hangs from his left arm, and several towels or pieces of clothing marked with the initials "B B" are strewn on the floor. A man and a woman peer in on the scene from an adjoining room, the man with a pleased look on his face and the woman with one of surprise. On the wall behind Bergami hangs an oval mirror, the decorative frame of which includes a figure of Cupid standing atop a goat while shooting an arrow. A book with "History" on its spine lies on its side in the left foregraound; a burning candle in its holder sits upon the book
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17917a)., Sheet trimmed within plate mark., Four lines of verse in two columns below title: Dressing for a masquerade, see the chaste Historic Muse, having whiskered Bergi's aid, feathers, gause-chemise and shoes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1821.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Clothing & dress, Adultery, Mirrors, Headdresses, Feathers, and Cupids
Print showing George IV, horned and with wings which are spread to provide a protective, umbrella-like shell for his supporters, a gouty foot well wrapped, a ribbon around the other labeled "Infidelity - Honi Soit," holding a bottle labeled "Peoples Tears," and sitting with his mistress, "Care-away Cunningham" i.e., Lady Conyngham. In the background, to the left is a line of armed cavalry "Civil Gentleman or a Rod in Pickle," at center sits Britannia covering her face in shame, and on the right, beneath "A Storm gathering," are huddled "The People."
Alternative Title:
Royal cock and chickens and Father of his people!!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 31 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "12 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 12, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Britannia (Symbolic character), Adultery, Politics & government, Gout, Bandages, Horns (Anatomy), Wings (Anatomy), Bottles, Mistresses, and Cavalry
Date of publication from ESTC., Verse begins: "You gallant beaus of pleasure,"., In five columns with the title above the first three and the imprint below the first three; the columns are separated by ornamental rules., Mounted on leaf 73. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold at Sympson's warehouse, in Stonecutter-Street, Fleet Market
Subject (Topic):
Husband and wife, Man-woman relationships, Money, Prostitution, Adultery, Wealth, and Deception
"The Princess of Wales, on a chair-like saddle, sits sideways on a braying ass. She is amorously supported by Bergami, who stands behind her, raising a whip. Her head rests against his, and she ogles him, taking his chin. Behind is the door of a house flanked by pillars. Below the title: 'One of the Points wherein Protestants and Roman Catholicks differ, is that the latter invoke--supplicate, Saints; whereas the former hold it sufficient to honor them, and propose their good example for our imitation. Chamber's Dictionary.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Mounted on page 4 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"The Princess of Wales, on a chair-like saddle, sits sideways on a braying ass. She is amorously supported by Bergami, who stands behind her, raising a whip. Her head rests against his, and she ogles him, taking his chin. Behind is the door of a house flanked by pillars. Below the title: 'One of the Points wherein Protestants and Roman Catholicks differ, is that the latter invoke--supplicate, Saints; whereas the former hold it sufficient to honor them, and propose their good example for our imitation. Chamber's Dictionary.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark on three sides., 1 print : etching with roulette ; plate mark 26.1 x 21.3 cm, on sheet 26.5 x 21.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 29 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami" and "Caroline" identified in ink below image; date "9 Dec. 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Two head-and-shoulder portraits in separate ornamental oval frames numbered 'i' and 'ii'.
Description:
Titles engraved below images., Plate from: "Histories of the téte-à-téte annexed" in the Town and country magazine, 1787, v. xix, page 33., Temporary local subject terms: Chamber maid., and Mounted to 20.5 x 28 cm, with p. 33-34 from Town and country magazine, 1787, vol. xix.
"Lady Conyngham sits on a chair under which crouches the King; his head, larger than life, draped by her skirts, and hands project (left). She holds a fan, on which is depicted the 'Regent's Bomb', see British Museum Satires No. 12799, with (?) the King seated astride it. In her left hand is a tulip. She wears evening dress, jewels, and feathers. On the back of her chair is a (baron's) coronet. She says: "You're Old Quarters how do you like now, My Angel." He says: "O! what a mess I am in, this part of the Country is hotter, than in Hertford!""--British Museum online catalogue
Alternative Title:
Shelter for the destitute, removed to Cunningham Lodge
Description:
Title from text below image., Questionable printmaker attribution to Vowles from the British Museum catalogue., Mounted to 58 x 39 cm., Mounted on leaf 84 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Lady Conyngham" identified in ink below image; date "13 Sep. 1820" written in lower right corner.
Publisher:
Pubd. 13 Septr. 1820 by S. Vowles, 31 St. Johns Square
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
Subject (Topic):
Adultery, Mistresses, Chairs, Fans (Accessories), Tulips, Jewelry, Feathers, and Crowns
