Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 29.4 x 21.9 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
Caricature with Queen Caroline (left) as Lady Macbeth in the mad scene, standing in the street before two shops; she holds a candlestick raised in her right hand as she holds out her dress with her left hand, looking down horror at her skirt which is decorated with three panels with images of men and labeled "Man B", "Austi", "Sapio", "Mat ...", and "Bat". The initials "C.B" are embroidered on the trim of her knickers. Standing to her right is an astonished John Bull who holds his hat in front of his face, arm extended in horror. The shop on the left is identified by a sign below second story windows with broken glass: Wholesale Dealer in Brass Forges, Ranges, &c N.B. Odd jobs in general. The street level is shuttered, its doors covered in graffiti: Gone away, Gone abroad, Empty, M.T. The one door has a knocker in the shape of a ram's head. John Bull stands before the second door which stands open as if he has just emerged. The windows are curtained and the building well maintained. The large sign above reads "Time & Common-Sense Occulists. N.B. Films expeditiously removed &c. Below this sign (left) is a pair of large spectacles with the two eyeballs turned towards the shop on the left and a smaller sign (right) that reads "No connexion with the next shop."
Alternative Title:
John Bull with his eyes opened
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Five lines of quoted text below the figure of Queen Caroline: "Out damned spots, out I say! "One, two, -- fie! fie! "All the perfumes of Arabia will not sweeten me!" Abroad! Abroad! What's done can't be undone!" "To B[ergam]i to B[ergami]i to B[ergam]i!!!, Four lines of text below the figure of John Bull: "To a nunnery go! "To a nunnery! "A nunnery!" Finale, exit with a flourish!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Illegible signature in brown ink in lower right corner of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Bergami, Bartolomeo Bergami, Baron.
Subject (Topic):
John Bull (Symbolic character), Adultery, Signs (Notices), and Stores & shops
"A section cut from British Museum Satires No. 11888, with alterations. The King (apart from the removal of the coral and bells), Lord and Lady Hertford, and Yarmouth are as before, though the former Hertfords now stand for Conynghams (see British Museum Satires No. 13847), and Yarmouth (presumably) becomes Lord Francis Conyngham. The other adjacent figures are removed. The pavilion is still inscribed 'He[rtford] Nursery'. The design extends from the middle of the left support of the pavilion, which is however removed, except for the head and shoulder of the woman supporting the drapery, to the right edge of the right support of the pavilion, which is as before, with satyrs, infant Bacchus, and nude women; the emblem of fool's cap, &c., is unaltered. The King says to Lady Conyngham: "My dear Coney you are my life, my soul, my only Joy if business did not call me from hence--I would never leave you, what with my Wife and the Cabinet together I have no peace except in your dear arms." She answers: "Really my love you give way to fear take another glass--you have nothing to dread, we shall soon dispose of that vile woman--in my arms you are safe, continue with me at the Nursery, and we will soon form a new Cabinet if it is necessary." The antlered Lord Conyngham, grovelling on the ground behind his wife, says: "I have got into snug quarters, Lady C-- knows how to manage him--he is welcome to occupy my premises as long as he pleases.""--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Lady Conyngham," and "George IV" identified in pencil at bottom of sheet; date "1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876
Caption title above first two columns., Date of publication from ESTC., Verse - "All you that delight in a frolicksome song.", In four columns with the title and two woodcuts above the first two; the third and fourth columns each contain a woodcut; the columns are not separated by rules., Mounted on leaf 54. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at the printing office in Stonecutter-street, Fleet Market
Subject (Name):
Hervey, John Hervey, Baron, 1696-1743.
Subject (Topic):
Sailors, Adultery, Cuckolds, Ballads, English, Husband and wife, and Women
Caricature of Queen Caroline sleeping side by side with Bergami as seen through the window of an elegant stage coach as they are observed by an astonished postillion. On the top of the carriage are two cases with the initials CB (Caroline of Brunswick) and on the carriage door, a coat of arms with a sleeping lion and unicorn
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Sheet trimmed within plate mark., Two lines of quoted text below title: "Ha! Ha! by gar, vat dat I see yonder, dat look so tempting red and vite?", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple ; sheet 27.7 x 22.6 cm.., Printed on wove paper., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 87 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified in pencil at bottom of sheet.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sleeping, Carriages & coaches, and Coats of arms
Caricature of Queen Caroline sleeping side by side with Bergami as seen through the window of an elegant stage coach as they are observed by an astonished postillion. On the top of the carriage are two cases with the initials CB (Caroline of Brunswick) and on the carriage door, a coat of arms with a sleeping lion and unicorn
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Sheet trimmed within plate mark., Two lines of quoted text below title: "Ha! Ha! by gar, vat dat I see yonder, dat look so tempting red and vite?", and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sleeping, Carriages & coaches, and Coats of arms
"The King (right) and Queen (left) hurl mud at each other. By the former (who wears jack-boots) is a bucket of 'Italian Filth' [see British Museum Satires No. 13762, &c.]; the Queen's (similar) bucket is inscribed 'Filth from St Giles's, St James, Portman Sqr, Hamilton Place [the Conynghams' address, see British Museum Satires No. 13847] &c &c &c.'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 22.3 x 32.1 cm., Printed on laid paper with the watermark "G. Pike 1820"; hand-colored., Window mounted to 23.5 x 33.5 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 79 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Caroline" identified in ink below image; date "5 Sept. 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 5th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"The King (right) and Queen (left) hurl mud at each other. By the former (who wears jack-boots) is a bucket of 'Italian Filth' [see British Museum Satires No. 13762, &c.]; the Queen's (similar) bucket is inscribed 'Filth from St Giles's, St James, Portman Sqr, Hamilton Place [the Conynghams' address, see British Museum Satires No. 13847] &c &c &c.'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Sep. 5th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Temporary local subject terms: Female costume: over-dress, drawers -- Wigs: queue -- Postilion whips -- French windows -- Trellises -- Couriers -- Guns: pistols -- Powder flasks -- Holsters -- Saddles -- Portmanteaus -- Male costume: spurs., 1 print : etching with stipple ; plate mark 30.2 x 22.8 cm, on sheet 30.5 x 23.1 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 59 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" identified in pencil below image; figure of "Bergami" identified in ink. Date "17 Feb. 1821" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
"Bergami, moustachioed, whiskered, and alluring, in a tight-fitting harlequin's suit over which is a short gold-laced jacket, sits on a tall stool, holding up a life-like puppet representing the Queen. He grasps it by the waist, and pulls a ribbon, making arms and legs fly up. She smiles delightedly down at him, her ringlets flying. She wears the décolletée over-dress of British Museum Satires No. 14103, open to show frilled and spotted drawers. Bergami, part courier, part Harlequin, has a heavy queue of hair hanging from his black curls, and wears a peaked cap with a big gold tassel. A heavy postilion's whip projects from his pocket. He is directed to the left, towards an open French window and a vine trellis, with a view of Lake Como (see British Museum Satires No. 13857). He raises his right leg, looking over his left shoulder, away from his puppet. On the floor are the courier's discarded pistol, powder-flask, holster, and saddle; behind his chair are portmanteaus, one inscribed 'B B'. A large book propped against a decanter inscribed 'A Boire' is: 'Hop Step and Jump, or, every man his own Courier. List of Postes on the high road from Dunghill, to Barona' [see British Museum Satires No. 14119]. A partly dropped curtain (right) reveals two figurines embracing below a shelf of books. The carpet is patterned with hearts."--British Museum online catalogue, description of a variant state
Alternative Title:
Harlequin courier's delight
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Variant state lacking "London" at beginning of imprint statement. Cf. No. 14120 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 6 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Harlequin (Fictitious character), Adultery, Fools & jesters, Puppets, and Whips
