Satire on the the criminal conversation between the Duke of Cumberland and Lady Grosvenor with Cumberland wearing a fool's cap; a servant spills a glass of wine on the Duke. The scene takes place in a bedchamber with a curtain around the bed, with a table set with a meal including wine bottles, wine glasses, and roasted fowl. On the wall hangs a large mirror
Description:
Title etched below image., Date of publication from that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 75., Text above image: For the Oxford mag., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790 and Grosvenor, Henrietta Grosvenor, Countess, -1828
Title from item., Printmaker from unverified data from local card catalog record., One of a series of "Drolls.", Four lines of verse below title: The old Booby half muzzy to a bagnio reel'd ..., and Watermark: armorial shield with initials G R below.
Publisher:
Published 1st May, 1790, by Robt. Sayer, 53 Fleet Street, London
Title etched below image., Top margin of print contains the text 'Characters on board' followed by a list of ten names., Two columns of verse below design: So we made t'other tack and lay gunnel to, which soon gave a damp to our joy ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Jany. 2, 1804 by John Fairburn, 146 Minories
"God above that made all things,". - In three columns with the title and two woodcuts above the first two; the columns are separated by ornamental rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In three columns with the title and two woodcuts above the first two; imprint at the foot of the third, below a single rule; the columns are separated by columns of type ornaments., Mounted on leaf 46. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Aldermary Church-yard, Bow Lane, London
Subject (Topic):
Drinking of alchoholic beverages, Tobacco pipes, Drinking vessels, Wine, Bottles, and Smoking
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., First of two plates on leaf 41., and 1 print : etching on laid paper ; plate mark 17.4 x 24.6 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., and Watermark: countermark I V.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
Title from item., Date supplied by curator., Publisher derived from logo on poster: TMC., Original health poster., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Thatcher Manufacturing Company
Subject (Topic):
Milk, Milk in human nutrition, Bottles, Drinking vessels, Roosters, Clocks & watches, and Moon
Volume 2, page 7. Etchings by Henry William Bunbury, Esq. and after his designs. Page 57. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Design in a circle. Three men sit by a rectangular supper-table, a grandfather-clock behind them points to XI. The man on the left is having his jack-boots pulled off by a small boy; the boy stands astride his right leg pulling hard, his back to the man, who is scowling and pushes his other booted foot against the boy's back; on the floor are a pair of spurs, a pair of slippers, and a boot-jack. A man (right) wearing a night-cap, but otherwise completely dressed and wearing spurred boots, leans one elbow on the table, his face contorted as if in pain, he holds his hand to his thigh. On the table beside him is a small packet inscribed "Diaculum". In the centre, and on the farther side of the table, the third man leans both elbows on the table, his hair is tousled and his eyes are shut. A man-servant behind, yawning, is carrying off a square box, probably a wig-box, while a maidservant stands on the right, a candle in one hand, a warming-pan in the other, watching with amusement the efforts of the boy to pull off the boot. Three hats hang on the wall; a bottle, a plate, three wine-glasses, and a guttering candle, burnt down to the socket, stand on the table."--British Museum online catalogue
Alternative Title:
Man of feeling
Description:
Title engraved below image., Sheet trimmed to plate mark., Companion print to: Morning, or, The man of taste., Temporary local subject terms: Domestic service: Maid -- Man-servant -- Male hats, 1780 -- Night-cap -- Medical: Packet of 'diaculum' -- Male costume, 1780 -- Jack-boots -- Boot-jacks -- Boot-boy., and Mounted on page 7 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Octbr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels
Title engraved below image., Reissue, with altered imprint statement, of a print originally published 10 October 1781 by J.R. Smith. Cf. No. 5920 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Morning, or, The man of taste., 1 print : stipple engraving with etching on wove paper, hand-colored ; circular image 28.7 cm, on sheet 34.9 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Apl. 5, 1802, by Jno. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Subject (Topic):
Dining tables, Longcase clocks, Boots, Slippers, Boys, Candles, Servants, Women domestics, Hats, Bottles, and Drinking vessels