Title from item., Two lines of verse on plate below image: Though parsons often patience teach ..., Illustration to ballad The Patient Parson. The text of the ballad is printed below the plate., Publisher's advertisement at bottom of sheet: Just published in this manner, Mrs. Thrale's Three Warnings, The Greenwich Pensioner, Poll and My Partner Joe, and many other esteemed songs and pieces. In Fores's exhibition, No. 3 Piccadilly may be seen the compleatest collection of caricatures in Europe. Admittance one shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ballads -- Clergy wives --Parsonage -- Pictures amplifying subject: 'Job in his distress' -- Wall clock -- Furniture: dinner table., and Watermark: fleur-de-lis.
Publisher:
Publish'd as the act directs, by S.W. Fores, N. 3 Piccadilly
At one end of a long table, a cleric with crossed eyes and mortar board drinks tea. He appears to be suspended in the air (the chair is not drawn) and leans with his elbow on the Morning Herald on the table. At the other end, a yawning academic in an unbuttoned coat under his robe, is doing up his stockings. His loose garter draws the attention of a playful cat while a dog watches him impatiently. Next to him on the table is an open volume of Euclid's Elements. The maid standing behind the table looks at the cleric on the left and pours hot water on the floor missing the teacup. Above the fireplace hang two muskets and three silhouette portraits of women. The bookshelves on the right display works of English authors and philosophers; on the left hangs a painting of a reposing nude and a satyr
Description:
Title etched below image.
Publisher:
Publish'd Octr. 21st, 1783 by J. Harris, Sweetings Alley, Cornhill, London
Leaf 31. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An ugly parson holding a small slice of meat speared on a fork, angrily berates his gardener (right), pointing behind him to a vast round of beef on the table (left). He bawls: 'Tis my Beef you rascal I'll swear to the Complexion of it--& my Bread too! & I'll have you hanged for stealing it. The gardener, a young man holding a spade, draws back in astonishment, saying, Lord love your Reverence my Aunt gave me that slice of Bread & Beef for my dinner to day!! The comely cook holds up her hands and turns up her eyes, exclaiming: O L--d O L--d what a x x x !!!!! it is no more like his Beef than I am--. A mouse scampers off, saying, Besides, if it was Cookee, what a d--d mean wretch to take notice of it-- 'tis time for me to be off! On the table are also a huge loaf, a slice of bread, and a knife. A leg of mutton is on a shelf; a large dresser with dishes, drawers, pots, &c, and a roller towel form a background."--British Museum online catalogue
Alternative Title:
Vialls of wrath!!
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 14407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Plate originally published in 1822; see British Museum catalogue., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 714., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1059., and On leaf 31 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. by J. Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Vialls, Thomas, 1768?-1831 and Sharp, Joseph, active 1822
"A young lady at confession; on the right, a monk leans on his elbow, right hand resting on a Bible, lecherously looking sideways at a young girl beside him, who stands holding a rosary, looking down sorrowfully with tears running down her cheek, she wears a veil on her head. On the ledge are various symbols of mortality, and a paper, lettered "...From fornication and all other deadly Sins Libera nos Domine! 'Tis better to Marry than burn...", to the far left stands an altar; after Millar; scratched-letter state."--British Museum online catalogue, description of a later state
Description:
Title from the Catalogue of the Society of Artists, 1771, no. 83., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chapel of a Catholic church -- Religious rites -- Rosaries -- Allusion to sins., and Watermark.
On the right a balding man sits at a well-laid table opposite a parson. The bald man has his arm around the waist of a pretty young woman who stands to his right with her one hand on his head. The parson toastst the couple. A dog sits on the floor near the table on the left. In the background are two pictures that amplify the subject of the print: above the hearth is a picture of a horse, and on the wall to the left (beside a ornate mirror) is a portrait of a bald man in an oval frame
Description:
Title engraved below image., Four lines of verse in two columns on each side of title: If I live to grow old, for I find I go down. ... And a clearly young girl to rub my bald pate', and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 26th, 1792, by S.W. Fores, No. 3 Piccadilly
"A fat vicar with pipe and glass standing in a doorway, regarding a nervous thin clerk, who holds another glass and a lantern; scene illustrating the tale of 'the vicar and Moses', in which the clerk came to fetch the vicar to bury an infant but stayed to drink with him till past midnight, when both staggered out to go to the church; verses to the song below."--British Museum online catalogue
Description:
Title etched below image., Numbered '(Plate I)' in lower right below image., First of two plates illustrating a popular song under the same title., Thirty-two lines of verse (first half of the song) printed in two columns below title: At the sign of the horse, old Spintext of course, ..., Sheet trimmed mostly within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published July 17th, 1795, by I. Coard, No. 11 Lisson Street, Edgware Road
"An obese and gouty parson (left) reclines in an arm-chair, inspecting through an eye-glass a sucking-pig which a buxom maidservant brings in on a dish. She shows it to the clerk, who sits beside the parson, with a paper: 'An Estimate of the Tythes of this Parish'. The latter sniffs at the pig's snout. Two dogs eagerly fawn on the maid. Through the doorway (right) a lean yokel sourly scratches his head, waiting for the verdict on his pig. The parson's swathed leg is supported on a stool; beside him are a bottle and glass, a crutch and chamber-pot. On the wall is a picture of a group of church spires, suggesting that he is a pluralist, though the room is bare and old-fashioned."--British Museum online catalogue
Description:
Title etched below image., For an earlier version of this design, see Lewis Walpole Library call no.: 786.00.00.06+., and Temporary local subject terms: Tighe pig -- Gout -- Wine bottles -- Wine glasses -- Pictures amplifying subject.
Title from caption below image., Numbered "481" in lower left corner., No. 24 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London