Two lovers in a room with a shuttered window and floral wallpaper. The young woman wearing a bonnet sits in a chair holding the hand of the young man who has arrived disguised as a woman. The huge hat he has removed is lying on a table in front of a pole screen, together with a paper on which is printed "The beau stratagem." A traveling box is before the table on the carpeted floor
Description:
Title from item., Numbered in plate: 340., Date estimated from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles.", and Publication date erased from this impression?
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures. The decor includes an elaborate ormulu clock, chinese porcelain and figures (including a Buddha), a bust of a Roman matron, old master paintings (one, evidently erotic, is screened by a curtain).
Alternative Title:
Marriage a-la-Mode. Plate 2
Description:
Title engraved below image., State from Paulson, and After the painting "Tête à Tête" in the National Gallery, London.
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
A very fat gentleman on the left paying court to an ugly old lady on the right; both are seated with the gentleman with a small dog beneath his chair and a cat near his feet; the lady is holding a fan and wearing the towering hairstyle of the period. Behind them draperies are pulled aside revealing shelves of books
Description:
Title etched below image., Place of publication follows publisher's street address., Numbered in lower left of plate: 382., Variant of George 4557, without verses below design, but with imprint date present., and Contemporary pencil ms. notation identifying subjects: Mr. Mason & Mrs. Montague.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Name):
Montague, Elizabeth Robinson, 1720-1800. and Mason, William, 1725-1797.
"Satire: a prosperous citizen seated in a chair fondling his mistress who sits on his knee, with a decanter and glass on the table beside them and a bed in the background."--British Museum online catalogue, description of a later state
Alternative Title:
Business at an end till Monday
Description:
, 1772 -- Interiors: bedchamber -- Furniture
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Four scenes in one plate, each with a separate title, each showing a marital or courtship scenes with monkeys and cats and pictures on the walls that amplify the domestic scene
Description:
Title from caption below image., Text following imprint: Folios of caricatures lent for evening., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title engraved below image., Numbered '137' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark in lower right corner, partially obscured by design.
Publisher:
Printed for Robert Sayer, No. 253 Fleet Street as the act directs
Depicts a young lady, elegantly dressed and coiffed, asleep in an armchair near a round parlour table. A young military officer, his hat on the table, leans over to kiss her, while the serving maid prepares to exit at the door on the right, admiring the ring on her finger with which she has apparently been bribed. In the lady's hand is the leash for her pet squirrel, who investigates a basket of peaches on the table. At her feet lies an open book "The agreeable dream realized" and another on the table is titled "Chloe caught napping". On the wall behind hangs a painting of Cupid
Alternative Title:
Lover's larceny
Description:
Title from item., Date erased from print., Date from British Museum catalogue, v.5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate: 366.
Publisher:
Printed for & sold by Carington Bowles ... No.69 in St. Pauls Church Yard, London