Title etched below image., Plate numbered in upper right, above image: Plate 93., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 229.
Publisher:
Pub. Decr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Title etched below image., Plate numbered in upper right, above image: No. 49., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 2, opposite page 174.
Publisher:
Pub. 1st Jany. 1809 at R. Ackermann's Repository of Arts, 101 Strand
Title etched below image., Plate numbered in upper right, above image: Plate 21., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 191.
Publisher:
Pub. 1st June 1808 at R. Ackermann's Repository of Arts, 101 Strand
Title etched below image., Plate numbered in upper right, above image: Plate 102., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 267.
Publisher:
Pub. Feb. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Title etched below image., Sheet trimmed within plate mark., Plate numbered in upper right corner: Plate 12., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
For No. 3 of Ackermann's Repository of Arts &c., pub. March 1809, 101 Strand, London
Title from text below image., The British Museum suggests that the images may be portraits after the two sisters., Sheet trimmed to plate mark., Ms. note in pencil above image: Original., Ms. note in pencil below image: Sold for £8.8.0. See Biographical anecdotes, p. 417., and On page 3 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741 and Hogarth, Ann, 1701-1771
Title from text below image., The British Museum suggests that the images may be portraits after the two sisters., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, p. 15?., Copy of Hogarth plate. See Paulson, R. Hogarth's graphic works, no. 117., Ms. note in pencil above image: Copy., and On page 3 in volume 1. Plate mark 164 x 111 mm.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741. and Hogarth, Ann, 1701-1771.
Title from text below image., Reissue of plate from: Ireland, S. Graphic illustrations of Hogarth, v. i, p. 15?, and The British Museum suggests that the images may be portraits after the two sisters.
Publisher:
R. Faulder and J. Egerton?
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741, and Hogarth, Ann, 1701-1771,
Title from text below image., The British Museum suggests that the images may be portraits after the two sisters., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, p. 15?., and Copy of Hogarth plate. See Paulson, R. Hogarth's graphic works, no. 117.
Publisher:
R. Faulder and J. Egerton
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741. and Hogarth, Ann, 1701-1771.
"Satire on Wilkes's release from custody in April 1763 and the successful actions for damages by printers of the North Briton, No. 45. A scene in Guildhall with the legs of Gog and Magog visible at top left and the lower parts of two portraits at right: on the left, a prancing devil grasps the collar of Nathan Carrington, King's Messenger (his position identified by his greyhound badge) who complains that he had acted on "Orders from Above" in arresting the printers; two angry men reproach Carrington for having seized their papers, one demanding the return of "my Memoirs", the other, Arthur Beardmore, asking for his journal, the Monitor. In the foreground, two devils attack three other Messengers (Money, Watson and Blackmore) lying on the ground; a devil with type arrayed on his head belabours them with a printer's mallet. Behind this group are Sir Fletcher Norton, by then Attorney-General, and Lord Chief Justice Mansfield, covering their faces with their hands and lamenting their failure; they are sent on their way by a man who alludes to the General Warrant and damns them to make "good Fuel" in Hell. Wilkes takes the hand of Pratt, Chief Justice of the Common Pleas, who had released him from the Tower; Wilkes's advocate John Glynn stands behind and all three are celebrating the triumph of Liberty and English justice; William Beckford (shown with a black face in allusion to his Caribbean wealth) rushes towards them enthusiastically. To the right, a group of printers delight in their good fortune in the substantial sums they have been awarded, one man holding out both hands full of coins."--British Museum online catalogue
Alternative Title:
Messengers in the suds
Description:
: Interiors: Arms: City of London -- Slang: 'coney
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Camden, Charles Pratt, Earl, 1714-1794, Glynn, John, 1722-1779, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Beckford, William, 1709-1770, and Guildhall (London, England),