The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman stands in alarm behind him in the doorway. From the sack projects the terrified head and hands of the woman's lover; his queue indicates a military officer. A white owl flies under the rafters
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., Compare to a print (in reverse) published 16 May 1807 by R. Ackermann: I smell a rat, or, A rogue in grain. See no. 10814 in v. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and For further information, consult library staff.
Subject (Topic):
Hiding places, Adultery, Couples, Hiding, Bags, Pitchforks, and Surprise
Title supplied by curator., Date from National Gallery of Scotland website., In pencil: B.70; Wm. Strang., Place of publication derived from artist's nationality., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Medical education, Human dissection, Physicians, Dead persons, Surgical instruments, and Spectators
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirated editions of his letters."
Description:
Title and state from Paulson., "Price 3 shillings"--Following imprint., Verse etched below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profound! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Sheet trimmed within plate mark., Ms. pencil note in Steevens hand: See Nichols's Book, 3d edit, 235. Repaired losses to corners., and On page 79 in volume 1. Trimmed to: 350 x 397 mm.
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirated editions of his letters."
Description:
Title and state from Paulson., "Price 3 shillings"--Following imprint., Verse etched below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profound! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., and Sheet trimmed within plate mark.
"An untidy garret with a man in a dressing-gown working on a poem entitled 'Poverty' while his wife is confronted by a milkmaid with a lengthy tally who demands payment; a baby in bed is crying; a dog eats meat from a plate on a chair; behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirate editions of his work."--British Museum online catalogue
Alternative Title:
Studious he sate, with all his books around
Description:
Title from Paulson., Two columns each with two lines of verse engraved below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profund! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2309., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 145.
Publisher:
Published Octr. 1st, 1797 by G.G. & J. Robinson, Paternoster Row, London
Drawn for publication in The New Yorker, 14 October 1944., Signed in ink at lower left., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title supplied by curator., Date derived from style of dress depicted., Artist's name on plate at lower left., Place of publication derived from artist's likely nationality., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification)., Mortality, Sick persons, Physicians, Clocks & watches, Coffins, Skeletons, and Medicines
A young woman wraps her arms around an older gentlemen who appears to resist her flirtatious gesture. A young man mischeviously peeks at the embrace from behind a large tree
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title from published state of the print., Ink trasing of the trial proof of: The enraged musician., Inscribed in pencil by the artist above drawing: A sketch from Mr. Crickett's Impression (formerly Mr. Ingham Foster's.) See John Ireland's Hogarth Illustrated, p. 342. & Mr. Nichols's Book, 3d edit, page 257., Tracing of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152., and On page 101 in volume 2.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination