Illustration of the story of Cupid and Psyche; in a bedchamber at night, Psyche holding up a lamp, is startled to discover Cupid lying on the bed
Description:
Title and imprint from Paulson., "V: II. p: 29"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.5 x 7.4 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
The cardinal is talking to a hermit outside his hut in the mountains. Fantasio (as a lap-dog) is in the arms of Donna Angela
Description:
Title, state, and imprint from Paulson., "V: II. P: 100"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed within plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., and On page 21 in volume 1. Plate trimmed to: 14.1 x 7.7 cm.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
An incubus squatting on a sleeping woman, her head and arms falling over the side of the bed at right, with a wild horse behind curtains in the background and a small table with jug and pots beside the bed at left; after the painting by Fuseli (Schiff 757).
Alternative Title:
Nightmare
Description:
Later state with scratched letters, including the title, a quotation from Ermasus Darwin's 'Botanical Garden' "on his Night-Mare, thro the evening fog, Flits the squab fiend o'er fen, and lake, and bog, Seeks some love-wilder'd maid, by sleep opprest, Alights, and grinning, sits upon her breast", and 'Painted by H.Fusely. Engraved by T. Burke. London Publish'd Jany. 30th 1783 by J.R.Smith, No.83 Oxford Street'. From the impression in the British Museum.
A view of the north front of Horace Walpole's home Strawberry Hill with a procession lead by a group of monks proceeding away from the viewer toward the entrance of the villa. Also on the road are a coach and a post-chaise with a dog racing along side, supposedly on their way to Hampton Court. On the far right along the fence that encloses the property opposite, is a fountain whose spout is in the shape of a lion's head
Alternative Title:
North entrance of Strawberry Hill
Description:
Title devised by curator. and Note on back of frame: "Rowlandson, North Entrance of Strawberry Hill."
Subject (Geographic):
Twickenham (London, England), England, and Twickenham.
Subject (Name):
Walpole, Horace, 1717-1797
Subject (Topic):
Homes and haunts, Buildings, structures, etc, Dwellings, Carriages & coaches, Houses, Monks, Fountains, and Religious processions
Artist and printmaker from statements of responsibility on lettered state: J.B.W. Esqr. delin. ; T. Rowlandson etchd., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Proof state of a plate from: McCringer, J. A Compendious Treatise of Modern Education. London : Smeeton, 1802., Publication information based on lettered state with the imprint "Pubd. May 10th, 1802, by T. Rowlandson, No. 1 James Street, Adelphi." Cf. Impression of the lettered state in the Fine Arts Museums of San Francisco, Legion of Honor, Achenbach Foundation., and Title from lettered state.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Rowlandson, Thomas, 1756-1827, publisher., and Williams, J. B., active 1802, artist.
Obedience of a Christen man : and how Christen rulers ought to governe
Description:
Colophon: At Marlborow in the läde of Hesse The seconde daye of October Anno M.CCCCC.xxviij by me Hans luft., Imperfect: cropped with some loss of text., and Signatures: A-X⁸.
Title supplied by curator., Inscribed in plate lower right: Blampied Nov 1929., Place of publication based on artist's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Below image in pencil: E. Blampied.