Manuscript on parchment (low quality), composed of several manuscripts bound together, of mostly unidentified sermons. Produced at the Cistercian abbey of Morimondo
Description:
In Latin., Script: Small early Gothica Textualis or Semitextualis Libraria or Currens script by various hands, some very informal and difficult to decipher, often highly abbreviated., Short running titles are written above the right-hand columns of the recto pages in the following articles: 1, 3, 4, 9, 16, 18-23, which seem to be the original part of the codex; article 14 has running titles of a different type., The first folios are stained., and Binding: Fifteenth century. Brown sheepskin over cardboard, blind-tooled with triple fillets as in MS 517; spine with five raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on parchment of 1) St. Augustine (Aurelius Augustinus), Enarrationes in Psalmos 134-150. 2) First half of Ps.-Iohannes Chrysostomus, Sermo de martyribus. 3) Antiphons for the feast of the Conception of the Virgin (8 Dec.), with neumatic notation
Description:
In Latin., Script: Copied in Praegothica by three hands., Headings in red. Art. 1 has plain initials (Capitalis, ca. 4 lines) in red, followed by a word in Capitalis/Uncialis. The book opens with an 8-line Romanesque decorated initial in red and black. Art. 2 opens with a black capital followed by two words in Capitalis. Art. 3 is decorated with 1-line initials in black with heightening in red and opens with a 4-line red plain initial., Holes, original repairs and sometimes irregular lower edges., and Binding: Early (probably original) binding in pigskin over heavy unbevelled wooden boards. The covers are blind-tooled with fillets. On the front cover the fillets make a St. Andrews cross, at a later time decorated with trees in Lederschnitt, countless small circular stamps and a few stars (?); the rear cover, with fillets in lozenge pattern, has only the circular stamps and the stars. Spine with three raised bands. On each cover marks of five brass and iron bosses. Two clasps attached to the rear cover. At the top of the front cover an original paper library label with the title (partly rewritten) "Expositio beati Augustini super Psalmo CXXXIIII et deinceps usque ad finem". The binding is strengthened by means of parchment strips placed around the first quire and taken from a 13th-century Latin manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Antiphons (Music), Manuscripts, Medieval, and Sermons
Manuscript on parchment composed of two distinct parts. Part I: 1) Brief prologues to the Pauline Epistles, paraphrasing or extracted from the argumenta of Haimo of Auxerre, Expositio in epistolas Sancti Pauli. 2-4) Notes for sermons arranged according to the liturgical year. Part II: 5) Unidentified sermons. 6) John of Wales, Breviloquium
Description:
In Latin., Script: Part I (ff. 1-24): Scribe I copied ff. 1r-6v in small gothic bookhand with southern features; Scribe II copied ff. 7r-24r in a somewhat more angular gothic bookhand; additions by different scribes on f. 24r-v. Part II (ff. 25-78): Arts. 5-6 copied in small neat gothic bookhand, by a single scribe; some marginalia added in anglicana script (e.g., f. 46v); art. 7 added in a less careful gothic bookhand., Part I: Red initials, 3- to 2-line, with crude harping designs in black; headings and paragraph marks (art. 3) in red. Instructions for rubricator. Part II: Flourished initials, 3- to 2-line, alternate red and blue with penwork designs in the opposite color. Paragraph marks alternate red and blue; headings, often added in margin, in red. Remains of guide letters for decorator., and Binding: Nineteenth century, England. Backs of quires cut in for original sewing. Brown calf case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Haimo, of Auxerre, -approximately 855.
Subject (Topic):
Church year sermons, Manuscripts, Medieval, Scholasticism, and Sermons
Manuscript on paper in five parts, containing 1) Mariological interpretation of the first five books of the Bible, comparable to Albertus Magnus, Biblia Mariana, which, however, covers the whole Bible and is much less detailed. 2) Smaragdus (d. c. 830), Diadema monachorum. 3) Gerardus de Leodio (Gerard of Liège, d. 1270), debated authorship, De doctrina cordis, shortened version. 4) A series of interconnected anonymous texts, sermons and short treatises dealing with the love between Christ and the Soul, referring to the Song of Songs. With corrections and annotations. 5) Commentary on Cant. 3:9-10. 6) Collection of quotations from the Bible, the Church Fathers, Bernard of Clairvaux, Hugh of St. Victor, Richard of St. Victor, Petrus Manducator, etc. on the Last Things, the Cross, etc. 7) Invocation to God honouring his benefices. 8) Discussion between the Father and the Son about the fate of the sinners, settled through the intervention of theVirgin. 9) Defensor Locogiacensis (Defensor of Ligugé, 7th century), Liber scintillarum
Description:
In Latin., Script: The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. Scripts include Hybrida Formata, Semihybrida Currens, Hybrida Libraria, and Cursiva Libraria. Part I (ff. 1-84): Copied by four Gothic hands. Part II (ff. 85-215) Copied by several hands. Part III (ff. 216-273): Copied by three hands. Part IV (ff. 274-343): Copied by one hand. Part V (ff. 344-388): Copied by three hands., Headings in red. Part I: The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand. Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v. Part III: The majuscules are stroked in red. 2-3 line plain initials in red. Part IV: Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I. Part V: Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red., The paper at places damaged by the acidity of the ink., Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: "VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V." (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., and Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint., Smaragdus, Abbot of St. Mihiel, active 809-819., and Stephan Bodeker, Bishop of Brandenburg, 1383-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons
Manuscript on parchment composed in two parts. Part I (13th century): Nicolaus Tornacensis [?], Commentaria super Exodum 14.4-15.5; Commentaria in Lucam 1.19-1.33. With Philippus Cancellarius, Sermones de tempore; and unidentified texts on canon law. Part II (15th century): Nicolaus de Lyra, Postilla in Iosuam; Postilla in Iudices
Description:
In Latin., Script: Part I (ff. 1-113): Written by multiple scribes in spiky gothic bookhand, both above and below top line; ff. 59v-60r in a later, less formal gothic script. Part II (ff. 114-165): Written in batarde script, below top line., Part I: Poorly executed initials, 3- to 2-line, in blue or red with designs in opposite color; plain red or blue initials for arts. 1 and 5. Headings and underlining for Biblical passages in red. Part II: Plain initials, 4- to 2-line, headings, paragraph marks, underlining for Biblical passages, initial strokes and punctuation, in red., Rust stains on ff. 109-113 indicate that Part I was once bound separately., and Binding: 19th-20th centuries, France (?). Quarter bound in brown calf, blind-tooled, over oak boards. Bound by the same binder as Marston MSS 119, 214 and 236.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Canon law, Church year sermons, Manuscripts, Medieval, and Sermons
