"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
"The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement. Imprint statement from British Museum catalogue., Temporary local subject terms: Auctions -- Contents of Carleton House -- Pictures amplify subject -- Tatersal's -- Prince of Wales' debts -- Richard Brinsley Sheridan's School for scandal., and On verso in pencil: George Towneley Stubbs?
Publisher:
Published July 18, 1786, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fitzherbert, Maria Anne, 1756-1837, and Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"The Prince of Wales, languid with repletion, leans back in an arm-chair, holding a fork to his mouth. His waistcoat is held together by a single button across his distended stomach. On his right a circular table covered with the remains of a meal, with decanters of 'Port' and 'Brandy', a castor of 'Chian'. Under the table, partly covered by the cloth, are empty wine-bottles. Behind the chair (right) a brimming chamber-pot stands on a table or commode on which are long bills: 'Poulterers Bill . . . unpaid, Butcher's Bill . . . unpaid, Baker's Bill . . . unpaid', and (on the ground) 'Doctors Bill'. In the foreground (right) lie a dice-box and dice with three books: 'Debts of Honor Unpaid', 'Newmarket List', and 'Faro Partnership Account Self Archer Hobart & Co.' On a shelf behind the Prince (right) is a triple stand of jelly-glasses, among which is a small pot: 'For the Piles', and a bottle: 'Drops for a Stinking Breath'. Beside it are a box of 'Leakes Pills', and a bottle of 'Velnos Vegetable Syrup' (see BMSat 7592). On the wall above is a candle-sconce with a burlesque coat of arms for the Prince: a plate with a crossed knife and fork, with his motto, coronet, and feathers; one candle is stuck in a wine-bottle, the other in a wine-glass. Above the Prince's head is a round picture in an elaborate frame inscribed 'L. Comoro, Ætat. 199 [sic]': a half length portrait of a man with a long beard drinking from a glass inscribed 'Aqua'. (Luigi Cornaro of Padua, 1467-1566, published 'Discorri della vita sobria . . .', a treatise on the means of living to extreme old age, describing the ascetic diet by which he had recovered health and vitality when in danger of death at the age of forty. Portrait by Tintoretto, Pitti Palace.) A carpet covers the floor. Through the window is seen the (unfinished) colonnade of Carlton House."--British Museum online catalogue
Description:
Title engraved below image., Companion print to: Temperance enjoying a frugal meal., Sheet trimmed to plate mark., and Temporary local Medical Library subject terms: Gastronomy.
Publisher:
Pubd. July 2d, 1792, by H. Humphrey, No. 18 Old Bond Street
"The Prince of Wales reclines on a sofa, half-sitting, half-lying, and leaning against Mrs. Fitzherbert. He is intent on a circular box or 'bandelure' at the end of a string which he holds round the second finger of his raised right hand, playing with the toy revived in the twentieth century as Yo-yo. Sheridan leans over the back of the sofa, embracing Mrs. Fitzherbert and thrusting his hand inside her decolletage. She puts her left hand on Sheridan's cheek, her right arm is round the Prince. The expressions of all three excellently indicate their preoccupations. On the left a fire blazes in the grate; above it is a decorative panel of a horse-race. On the shelf above is a bust of 'Claudius Rom: Imp:', a dice-box and dice, and the figure of an infant Bacchus, astride a cask and holding up a glass. On the wall behind Sheridan's head is a picture of 'Joseph & Potiphers Wife'. Behind him and on the extreme right is an open door showing a staircase. The Prince is stouter than in earlier prints; he wears his star, but his wrinkled stockings and slippers, like his pose, suggest indolence and domesticity. Mrs. Fitzherbert wears a tiara inscribed 'Ich dien', with three ostrich feathers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of quoted verse on each side of title: "Thus sits the dupe, content! "Pleases himself with toys, thinks Heav'n secure ..., Sheet trimmed to plate mark on top edge and sides., and Temporary local subject terms: Busts: Claudius, emperor of Rome, 10 B.C.-54 A.D. -- Images amplifying subject: Bacchus as an infant -- Images amplifying subject: depiction of horse race on mantelpiece -- Pictures amplifying subject: Joseph and Potiphar's wife -- Toys: bandalore (yo-yo) -- Gambling: dice and dice-box -- Interiors: sitting rooms -- Furniture: sofas -- Fireplaces -- Morganatic marriages: George IV to Mrs. Fitzherbert -- Allusion to Bible: Genesis, 39.7-12 -- Emblems: frivolity (bandalore) -- Prince of Wales's feathers -- Mottoes: Prince of Wales's motto -- Literature: quotation from Sir Richard Blackmore.
Publisher:
Pubd. Feby. 28th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Sheridan, Richard Brinsley, 1751-1816
"Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue
Alternative Title:
Europe's injuries revenged
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Manuscript "187" in upper center of plate.
Publisher:
Pubd. July 28th, 1815, by R. Ackermann, No. 101 Strand
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Blücher, Gebhard Leberecht von, 1742-1819, George IV, King of Great Britain, 1762-1830, Alexander I, Emperor of Russia, 1777-1825, Louis XVIII, King of France, 1755-1824, Frederick William III, King of Prussia, 1770-1840, Ferdinand I, Emperor of Austria, 1793-1875, Ferdinand VII, King of Spain, 1784-1833, and Pius VII, Pope, 1742-1823
"A pugilistic encounter between the Duke of York (left) and Lt.-Col. Charles Lennox (right), both stripped to the waist. The Duke stands with both fists clenched, saying, "Come on my Lad! don't fall without a Blow! I'll tickle your Mazzard, if you dare to stand up like a Man!" Lennox, on one knee, clutches the arm of his second, the Duke of Richmond, saying, "O save me Nunkle! - O Lord! - O Lord! - O Lord! Your H--h--ss is above my Match! - O Lord - I'm not fit to fight any body above your Footman". Richmond puts out a hand to restrain his nephew, saying with an expression of alarm, "For heavens sake, forbear! we are nothing but a brood of Bastards! Bastards begot - Bastards instructed - Bastards in Mind - Bastards in Valour - in every thing illegitimate - we are neither of Blood, or of Honor, to cope with your Hi-h--ss!!" The Prince of Wales, on the extreme left, is his brother's second; he says, with a contemptuous expression, "Fredrick! cant you tip his bottle holder a sly plump in the Bread-basket?" Behind him is a Union flag; behind Richmond are fortifications flying a French flag, symbolizing his French descent and title ..."--British Museum online catalogue
Alternative Title:
Battle of the bloods, pure & contaminated and Battle of the bloods, pure and contaminated
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of verse below image, following title: Oft have I seen a hot o'erweening cur, run back & bark because he was with-held, who being suffer'd in the bears fell paw, hath clap'd his tail between his legs & cry'd., "Price 1 sh.", Sheet trimmed mostly within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- Duke of Richmond's fortifications -- Allusion to Charles II -- Flags -- Union Jack -- French flag -- Boxing., and Watermark: countermark S. Lay.
Publisher:
Pubd. May 23d, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Richmond and Lennox, Charles Lennox, Duke of, 1764-1819
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored, on laid paper ; sheet 274 x 371 mm.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image. and Temporary local subject terms: Orders: Order of the Garter -- Islands: Jersey -- Thunderbolts -- Reference to George III -- Cuckolds -- Kissing -- Emblems: Prince's of Wales's feathers -- Coronets -- Symbols: goat as a symbol of Wales.
Publisher:
Pubd. June 30th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"A scene in Lady Jersey's bedroom. Lady Jersey as an old hag (cf. BMSat 8806) lies in a magnificent bed. Lord Jersey, carrying the Prince of Wales on his back, supports himself by resting his hands on the foot of the bed. The Prince, very fat in his famous Light Horse uniform (see BMSat 8800), wearing helmet, gloves, and spurred boots, and the Garter ribbon, holds Jersey's scraggy queue in the manner of a rein; he holds up two fingers, saying (as in BMSats 8809, 8816), "Buck! Buck! - how many Horns do I hold up?" Jersey, who is very thin, leers towards the Prince out of the corners of his eyes, saying, "E'en as many as you please!" Both are in profile to the right; the Prince's eyes are hidden by the brim of his helmet as in BMSat 8816. The Princess's coronet, with its triple plume, is conspicuous on a circular close-stool (left) which is decorated with a large 'J' and earl's coronet. On the wall above it, in an ornate oval frame, is a picture of Cupid piping to an old sow who dances on her hind-legs. The fringed pelmet of the bed is decorated with earl's coronets from which spring horns."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Interiors: bedrooms -- Furniture: close-stools -- Coronets: earl's coronet -- Cuckolds -- Symbols: coronets with horns -- Emblems: Princess of Wales's coronet -- Furnishing: bed curtain -- Military uniforms: Prince of Wales's Light Horse uniform -- Pictures amplifying subject: Cupid with an old sow -- Furnishings: carpets -- Obesity., and Mounted to 39 x 29 cm..
Publisher:
Pubd. June 1st, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
