A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Alternative Title:
Negroes dance in the Island of St. Dominica
Description:
Titles engraved below image, in French and English., Approximate date of publication from dealer's description. A slightly later date in the 1780s is suggested by the active dates and street address information listed for the publisher Depeuille in the British Museum online catalogue., Sheet trimmed within plate mark., and Dedication engraved beneath titles: ... is humbly dedicated to the Honble. Charles O'Hara, Brigadier General of His Majesty's Army in America ... by his most obedt. & dutiful servt., A. Brunias.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, et au Palais Royal au Pavillon près le bassin
Subject (Geographic):
Haiti.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
A tall, thin old woman receives dance instruction from a small dancing master as he holds a violin in one hand. Above them a painting on the wall shows a monkey and a cat in a similarly engaged. Behind them on the right near the door, two young girls look at the scene smiling and whispering together. The room is empty except for a coat is thrown over a side chair; the wooden floorboards with nails are bare
Alternative Title:
Grown ladies taught to dance
Description:
Title etched below image.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside
Subject (Topic):
Allegories, Cats, Dance, Dancers, Monkeys, and Musical instruments
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 January 1768]
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 79. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on pretensions to elegance showing a fine room in which a thin elderly dancing master teaches a stout young woman to dance, while an older woman sitting behind watches them. A man sits strumming a guitar to the left, books and sheets of music lie on the floor; a monkey plays with a fan; a little dog capers on its hind legs behind the dancing pair. On the wall behind are two pictures in ornate frames, one of a dancing couple and the other of a bear dancing with its keeper."--British Museum online catalogue
Description:
Title etched below image., Printmaker and publisher identified as Matthias Darly in the British Museum online catalogue, registration no.: J,5.80., Initial letters of publisher's name in imprint form a monogram., Imperfect; sheet trimmed within plate mark with loss of imprint statement and plate number. Missing text supplied from impression in the British Museum., Plate numbered "66" in upper right corner., Temporary local subject terms: Dancing lessons -- Music-books -- Bear-leaders -- Pictures amplifying subject -- Female costume -- Male costume -- Dancers., and Bound in opposite page 79 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue
Alternative Title:
Dance a l'eveque
Description:
Title etched below image, in lower left., Printmaker from British Museum catalogue., Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Sheet trimmed within plate mark., and Temporary local subject terms: Theatre: stage -- Opera: dancers -- Musical instruments -- Stage lighting -- Devil -- Dancing -- Newspapers: reference to Morning Herald.
Publisher:
Pubd. March 14th, 1798, by H. Humphrey, St. Jamess [sic] Street
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"Satirical broadside: an etching of a scene in Hell with the Devil playing a violin while devils and judges dance around the Green Bag, and the Cabinet roast; surrounded on all sides by letterpress."--British Museum online catalogue
Alternative Title:
There never were such times!!
Description:
Title from letterpress text above image., Date of publication from the British Museum online catalogue, registration no.: 1990,1109.62., One column of verse printed on either side of plate; the heading "The Devil's ball" is printed at head of leftmost column, beneath which are the instructions "Devil. -- Recitative accompanied." The verses begin: Huzza! There never were such times, not even in th' infernal climes ..., Imperfect; sheet trimmed with minimal loss of letterpress text from lower left corner., "(Entered at Stationers' Hall)"--Lower left., Publisher's advertisement and price statement above imprint: The new version of The cradle hymn, with a humourous engraving representing Goody Sid rocking the great baby! The Devil's ball, 1s. 6d. coloured. -- The cradle hymn, 1s. coloured., Publisher's announcement below imprint: N.B. More "good things" are in preparation. The next will be "John Bull and the gamblers, or, The King, the knave, and the Queen of Hearts," with some humourous poetry by the author of the "Cradle hymn" and the "Devil's ball.", Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 15 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With the figures of "Sidmouth, Liverpool, Eldon, Londondery [sic]" identified in black ink below image. The text "2d." in price statement has been crossed out in black ink. Various blank spaces in the printed verses have been filled in using red or black ink, to complete the censored names and to write out the word "Hell" in the intended spot.
Publisher:
Published by T. Dolby, 299, Strand, and 34, Wardour Street, Soho
Subject (Geographic):
Great Britain.
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
