"A procession of Queen Caroline on a carriage through central London, with six horses pulling the carriage to the left, followed by another coach, two cavalries in the right foreground, the public along the street in the background, all cheering towards the Queen."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 19 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
London (England)
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Parades & processions, Carriages, Crowds, Cheering, and Cavalry
"The Queen and Alderman Wood head a procession through the City, all riding asses (cf. British Museum Satires No. 13918, &c.). They advance towards a group of Radical Reformers with placards who wave their hats. Notes below the design divided by vertical lines indicate the characters; these are centred by a description of the Queen, enclosed in an oval: 'Her most Gracious M.....y Columbine B--i, alias Mother Red Cap 2nd [cf. British Museum Satires No. 13975], Queen of all the Radicals, Whigs, Hoaxers &c B......i in all her looks and Brandy in her eye [see British Museum Satires No. 14175].' Wood is dressed as a jester in party-coloured clothes, red and yellow, here indicating the royal liveries used by the Queen; he takes the Queen's right hand; his right hand is on his breast, and he looks with eager anticipation at the Reformers. Behind him is the profile of Lady Ann Hamilton, who plays a fiddle; she wears a much-feathered (military) Scots cap. They are: 'Absolute Wisdom [see British Museum Satires No. 13899] alias Mathew Jackall Master of the Ceremonies--A rare specimen of disinterestedness--a keen eye for the Loaves & Fishes', and 'Lady Ann Bagpipe principal Scotch Fiddler [cf. British Museum Satires No. 14110, &c.] to her M.....y with an accompaniment of All round the Rad pole how we Flock.' The Queen wears a red cap with the décolletée over-dress with frilled trousers of British Museum Satires No. 14103, a large miniature of Bergami (see British Museum Satires No. 13858) hanging from her waist. She holds the tail of the ass which she bestrides with ungartered stocking, her shoe having fallen to the ground; on her saddle-cloth: 'B B Knight of St Columbine' [see British Museum Satires No. 14120]. A fat décolletée woman, also in a red cap, rides just behind her; she is Countess Oldi, Bergami's sister (who was with the Queen in London), described as 'Countess Patois Bourgois The Elegant & Accomplished Sister of Bart.....o The Fancy-Man.' On the Queen's left rides a thin young man, Wood's son, in quasi-dandy dress with red and yellow jacket, holding a banner inscribed 'All Majesty & Grace'; he registers alarm at a small barking dog which causes his ass to stop and kick. He is 'The Dandy Standard Bearer alias Young Absolute'. Just behind a youth, Willy Austin, rides, holding two children before him: 'Billy By-Blow of Black-heath [see British Museum Satires No. 12027] in charge of the Nursery.' Next him is a man wearing a braided coat or tunic and holding up a flag inscribed 'Innocence'. He is not described, and is perhaps Keppel Craven. Close behind him is a turbaned Moor or negro (cf. British Museum Satires No. 13929), in red and yellow. They are followed by two naval officers, one in civilian dress and wearing a Maltese cross. They hold a banner between them: 'Rights and Privileges.' They are 'Lieutt Humm'en [Hownam] 1st Champion & Knight of St Columbine' and 'Lieutt Flim Flam [Flinn] 2nd Champion & Knight of the Smelling Bottle'. The last ass in the procession is ridden by a naked Bacchus, a wine-bottle in each hand, and a half-draped Woman who puts an arm round his neck. They are: 'Two Proteges and Bosom Friends of her M.....y'. The procession continues, receding in perspective to the extreme right, as a dense crowd with bludgeons, banners, and staves supporting caps of Liberty. The banners are 'Anarchy', 'Riot' (both tricolour), 'Disaffection', 'Immorality', 'Indecency'. Description: 'A long Train of concomitant Blessings to add to the Peace, Comfort, Relief, and Happiness of that first rate Martyr Broad-shouldered and patient Bull.' The radicals face the procession in the foreground (left) and are more realistically drawn than the other figures. On the extreme left is Hunt, smartly dressed, but with a chain dangling from one wrist. He is 'The Hero of Spa and Peters Fields with a day rule from Ilchester'. Next him is Wilson: 'Sir Robert Lavalette [see British Museum Satires No. 12706, &c.] of Southwark KMT [sic] & MP'. Beside him is Hobhouse: 'Jack Cam Westminster's Darling' [see British Museum Satires No. 13501]. In front of Wilson is Sir Charles Wolseley, wearing a striped straight-jacket over fashionable dress, his arms (compulsorily) folded. He is 'The Legislatorial Attorney for Brummigum [see British Museum Satires No. 13251] with a day rule from St Lukes' [a lunatic asylum]. Behind him is Cobbett: 'William Tompaine [see British Museum Satires No. 13525] Cobt Weathercock' [see British Museum Satires No. 14032, &c.]. In front of him is Burdett (now with frontal baldness in place of the former prominent lock of hair), standing between Waddington, a ragged, dwarfish fellow holding up a placard inscribed 'Long Live Mother Red Cap', and Harrison, a man with chained wrists holding up a cap of Liberty on a staff. These three are: 'Sir Frank Demagogue Westminster's Jewel'; 'Little Wadd' [see British Museum Satires No. 14261]; 'Parson Har . . s . n Founder of the Sect of Radical Methodists, with a day rule from Durance Vile' [see British Museum Satires No. 13254]. The last also supports a tall pike which dominates the group, its head inscribed 'Rallying Point'; to this are tied a cap of Liberty and two banners: 'Revolution' (red) and 'Radical Reform' (blue); the shaft transfixes a wig (emblem of the Whigs). Hunt, Wilson, Cobbett, and Burdett wave white top-hats (emblem of Hunt and the radicals) with red favours; Wilson and Waddington wear similar hats. All wear large red disks on the left breast. From the crowd standing behind them emerge placards: [1] a Harlequin pattern inscribed 'Q Columbine for ever' [see British Museum Satires No. 14120]; [2] a wig, inscription: 'Q a handle to the Wig'; [3] 'Automaton for ever' [see British Museum Satires No. 14120]; [4] 'Poll Acre [polacca, see British Museum Satires No. 13818] for Ever'. All the banners of both contingents are topped with caps of Liberty, and other caps of Liberty are supported on staves. On the cobbles in the foreground a woman and a sailor sit drinking together, she holds out her arm towards the Queen. On the right ragged men run forward, cheering the Queen. The farther side of the route is lined with butchers shouting and making rough music with marrow-bones and cleavers, as at Westminster elections. Behind these a dense crowd of spectators is indicated. Behind are the houses and (shuttered) shops of 'Bridge Street'; cheering spectators lean from all the windows and watch from the roofs. Placards on two houses are: 'Adam and Eve', two nude figures, cf. British Museum Satires No. 14120, and 'Gill Tea Figs, &c.' This block is divided from the more distant houses by 'Cannon Row'. From the roofs of the latter buildings cannon are firing at three winged figures in the air; all three fall, wounded; they are 'Decency', 'Modesty', and 'Delicacy'. In the distance (right) are dark clouds, an owl, and a violent flash of lightning."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Bergami, Bartolomeo Bergami, Baron., Wood, John Page, Sir, 1796-1866, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, Broughton, John Cam Hobhouse, Baron, 1786-1869, Wolseley, Charles, Sir, 1769-1846, Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Waddington, S. Ferrand 1759- (Samuel Ferrand),
Subject (Topic):
Politicians, Parades & processions, Donkeys, Dogs, Crowds, Arms & armament, Spears, Military officers, Banners, Flags, Miniatures (Paintings), Liberty cap, and Lightning
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved above image., Title from Paulson: Hudibras and the Skimmington., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "7" in upper left corner., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., Eighteen lines of verse in three columns, below image: Then Hudibras, with face and hand, Made signs for silence which obtained, ... O'th sudden clapp'd his flaming cudgel Like Linstock to the horse's touch-hole., and From a set of twelve prints, all with two sewing holes along left edge.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode a dog-trot through the bawling crowd ...", Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark., and On page 34 in volume 1. Plate trimmed to:
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., State, publisher, and date from Paulson., Caption on either side of title, begins: "This said, they both advanc'd, and rode a dog-trot through the bawling crowd ...", and Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark.
A riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbors, cuckold's horns and a petticoat are held aloft while "rough music" is played; Hudibras rides into the crowd to protest at what he describes as a Devil's Procession
Alternative Title:
Hudibras and the Skimmington
Description:
Title engraved below image., Title from Paulson: Hudibras and the Skimmington., Caption on either side of title, begins: This said, they both advanc'd, and rode a dog-trot through the bawling crowd ..., Description based on imperfect impression; loss of text on lower edges and second section of verse; sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 510., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 88., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 79.
A view of wartime merriment: A procession of sailors and their women, escorted by fiddlers, passes a background of shops towards a gateway across the end of the street (left). The purveyor of the jollification, a sailor who has inherited money, sits astride a cask of 'real Jamaica' supported on poles carried by sailors, who wave hat and tankard towards the crowded first-floor windows. Men and women dance along the street. There are many incidents. A Jew, talking to another Jew outside a shop placarded 'Moses Slop-Shop', has his hat twitched off by the cane of a sailor who leans from above the doorway. The sailors carry an Ensign flag and a flag inscribed 'Leander, and are making for the Point
Alternative Title:
Coxswain's carousal
Description:
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Year of publication altered. Ms. '6' added over last digit of 1825.
Title etched below image., Place and date of publication inferred from those of the magazine for which this plate was engraved., Sheet trimmed within plate mark., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 38 (1769), p. 393., and Temporary local subject terms: Buildings -- Personifications: Liberty -- Personifications: Truth -- Military: sentry -- Animals: muzzled mule -- Aldermen -- Effigy of Thomas Harley -- Sir Robert Ladbroke, 1713-1773 -- Samuel Turner, Lord Mayor of London, 1769 -- Petition of the Livery of London, 1769 -- Allusion to the American colonies.
Publisher:
publisher not identified
Subject (Name):
Beckford, William, 1709-1770, Holland, Henry Fox, Baron, 1705-1774, Harley, Thomas, 1730-1804, Trecothick, Barlow, 1718?-1775, and Saint James's Palace (London, England)
A scene outside the Ram Inn (with a ram above the sign "Dealer in foreigh wintes"), part of whose front forms a background. Yokels are crowded in a wagons with banners, fiddlers, and trumpeter, all wearing favors, and accompanied by many pedestrians (including women and children with dogs) and one or two mounted men. They are witnesses, &c., in a lawsuit on the claim of the vicar of Berkeley, Mr. Carrington, to the great tithes of Gloucester; on a verdict against the vicar they are about to go in procession to Berkeley for a celebration near the vicarage, with a roasted ox, firing of small cannon, &c.
Description:
Title from caption below image., Sheet trimmed within plate mark., and Watermark: J Whatman Turkey Mill.