Title from text above image., Print caption: Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A bishop (right) standing behind an altar-rail, holds out both hands over the head of a kneeling clergyman. A demon kneels on the ground beside the latter; another has crept under his cassock, from which the tips of two wings project. Over the door is a picture of the Last Supper with Judas as a prominent figure. The lid of a large chest (left) is slightly raised, from it hangs a paper inscribed: "I Suit of Scarlet & Gold, I Suit White & Silver, I Suit Blue & Silver, i Suit Flower'd Silk, i Suit Black Silk, I Black Velvet Surtout." On the Chest is pasted a label: "Left to Messrs Panchauld & Fo . . ." Paris. On the ground is a book, 'A Course of Humanity on Miss S------rs'."--British Museum online catalogue
Description:
Title from text above image., One line of text below image: It is true I have suffered the infectious hand of a bishop to be wav'd over me, whose imposition like the sop given to Judas is only a signal for the devil to enter, &c., Temporary local subject terms: Benediction -- Parson -- Coffers., and Watermark: J Whatman.
Publisher:
Publish'd as the act directs, April 14, 1772, by W. Darling, engraver, Great Newport Street
Title engraved below image., Second state, with the Prince's fob added. For descriptions of the states as recorded in the Lennox-Boyd database, see Curator's comments for British Museum online catalogue, registration no.: 2010,7081.1947., and Companion print to: The first interview of the Prince and Princess of Wales.
Publisher:
Publish'd May 16th, 1795, by John Fairburn, No. 146, Minories, London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, George III, King of Great Britain, 1738-1820,, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, and Moore, John, 1730-1805,
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
"Satire: a poor country curate at home, reading the Bible while peeling turnips for the evening meal, rocking a cradle on the right, and listening to his son's schooling; verses beneath record that his wife is "at washing" (perhaps for other families) and compares him with the lazy "proud Prelate"; on the wall hangs the popular image of 'Shon Ap Morgan' (see 1983,0625.9).""British Museum online catalogue
Description:
Title from item. and Eight lines of verse are inscribed in two columns on either side of title: "Tho' lazy, the proud prelate's fed... And rocks the cradle with his foot."
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Title from item., After a designed by Dighton., Numbered in lower left 343., A probable reduced version of no. 3753, originally issued ca. 1760. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Imperfect; hole in upper right corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard
Title from item., Imperfect; trimmed to design with loss of imprint., Afger a design by Dighton., Place of publication and publisher from British Museum online catalogue., and Date estimated from British Museum. catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles."