"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
Augt. 1, 1778.
Call Number:
778.08.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A scene before an American fort and palisade, perhaps depicting the indifference of Congress to the sufferings of American soldiers and the pro-slavery attitude of the Americans. A black man lies wounded in the foreground, surrounded by cannon balls. An officer gestures towards him with his hat, turning to a man on the left (possibly meant to represent a Congressman) who is wearing a fur coat, large feathered hat, and is smoking a pipe. To the right of the officer an American soldier points and smiles towards three "Death or Liberty" men, all with grim features and ragged clothes
Description:
Title from item., Signed in lower left of image, MD, i.e. Matthias Darly., and Imperfect; later ink scribbles.
Publisher:
Pubd. by M Darly
Subject (Geographic):
Great Britain, America., United States, and Great Britain.
Subject (Topic):
Slavery, Colonies, History, Forts & fortifications, and Blacks
Title etched below image., Sheet trimmed to plate mark on bottom., Publication date erased from this impression and supplied in contemporary hand as 'Decr. 1, 1812'., One of the series of prints depicting Suvorov's Russian Army., Printseller's announcement following publication statement: Prints and drawings lent to copy., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 1st, 1799, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Bayonets, Flags, Russian, Forts & fortifications, Military uniforms, Rifles, and Spears
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
"A newly invented French telegraph (semaphore) stands on the coast, with the head of Fox, in back view but looking to the right with a fiercely determined expression. The crossbeam represents his arms and the arms of the semaphore; the raised right hand holds a lantern which lights up the French fleet (in full sail for England) and a fort on the French coast flying a large tricolour flag inscribed 'République'. The left hand points downwards and to the left to a dark cluster of roofs and spires dominated by St. Paul's. The base of the telegraph is circular and of brick. An arched opening shows the interior, in it is a pile of daggers. In the sky is a waning moon."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 26th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Flags, French, Forts & fortifications, Lanterns, Ships, and Telegraph
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 36.8 x 27.6 cm.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on wove paper ; plate mark 24 x 16.4 cm, on sheet 26.1 x 18.3 cm., and Mounted on leaf 30 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 47 with one other print.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
An example of the extreme torture against Christians: a half-naked man, his left hand and left foot empaled on hooks is suspended by chains from a gallows
Alternative Title:
Inhuman and barbarous lingering torture, inflicted on an European, in Barbary
Description:
Title etched below image., Printmaker from dealer's description., Numbered '19' in upper right corner from: The mariner's marvellous magazine, or, Wonders of the ocean; containing the most remarkable adventures and relations of mariners in various parts of the globe. [London] : Published by Thomas Tegg ..., 1809., and Sheet trimmed within plate mark with slight loss of imprint.
"John Bull sits in a double pair of stocks, his ankles heavily shackled. His wrists are linked by a huge padlock inscribed Million £800 000 000 [National Debt]. He sits on bales of Taxes; to his back is tied a huge bundle of Last Wars Taxes. His clothes are tattered; three pockets hang inside out, inscribed To Let. At his side (left), and in profile to the right, kneels a noble Spaniard, in very theatrical dress, with trunk hose, cloak, and ruff. He has a spear from which hangs a pennant inscribed Libertas. He puts his hands together in a gesture of prayer: I come once again, and on my kneens [sic] to implore your Aid, we are indeed grateful for former Services, and beleive that you fought purely for Spain and not for yourselves--Save us from our pretended Friends they are worse then Enemies--Save us, and the World, from the destruction of Liberty--. John bites his thumbs despairingly; he answers: I pity you, but I can only give you advice, when you came to me before, I was a Strong Man, and free, but I am now exhausted in saving you, and destroying your great Enemy--See how I am fetter'd--! My Creditors enchain me--! look at my Debt and pity me!-- At his feet a heavy pair of leg-irons lies across many papers inscribed Debt and Taxes. He sits under an oak-tree; from a partly-withered bough hang his cartouche-box and bayonet-belt. In the middle distance (right) Louis XVIII sits astride a cannon (cf. British Museum Satires No. 12797), on a gun-carriage drawn rapidly up a slope by the Tsar and the Emperor of Austria. Both wear uniform and crowns, that of the latter topped by a fool's cap. Both cry: War! War!! War! and blood!! Alexander holds a sword in one hand, a bayoneted musket in the other; Francis holds a sword and a pistol, against his shoulder is the shaft of a flag inscribed Holy Alliance. Louis XVIII leans back, flannelled legs extended, two pistols in his belt, a sword in one hand, a musket in the other. Before him on the cannon is a bowl of soup, &c. The Pope walks at his right, holding a string attached to his nose. The King: By the Powers I shall fall, and lose my Balance Stop!! Stop! I say don't pull so hard you'll rupture [your scored through] Eu rope, this is not suited to my Taste [scored through] Gout I am already crippled and cannot bear it Stop!!!-- The Pope, who wears his tiara and holds his crosier against his shoulder, answers: Fear not, I'll let you into Heaven, through the back door my dear Son. Keys hang from his neck. Behind the cannon runs the Devil pushing at the King's posterior with a trident; he says: They cannot go on without me so I bring up the rear!! Beside the cannon run tiny frogs in uniform with muskets, &c. A slightly bigger one holding a sword may represent Angoulême. Cannon fire at them from a fort on a hill."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull flourishing in a dignified attitude of strict neutrality
Description:
Title etched below image., Later state, with initials "A.J." added in lower right and the words "with Spain" added to speech bubble immediately to the right of the stocks in center of image. For an earlier state lacking these additions, see no. 14520 in the Catalogue of prints and drawings in the British Museum, v. 10., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 1823 by G. Humphrey, 24 St. James's Street & 74 New Bond Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, and Pius VII, Pope, 1742-1823
Subject (Topic):
John Bull (Symbolic character), Public debt, Taxes, Trees, Rocks, Stocks (Punishment), Forts & fortifications, Cannons, Devil, and Frogs
