"Scene within the office; an assortment of colourful figures within office, which is separated into different sections; an open fire at far end."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 11., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 82., and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 23.6 x 27.4 cm, on sheet 26.6 x 33.8 cm.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Great Britain. Magistrates' Court (London : Bow Street)
Title from item., Printmaker identified in the British Museum online catalogue., Four lines of verse in two columns below title: There was a laugh & a craw ... ., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Variant state, with verse below title, of No. 8785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Nurseries -- Pets -- Furnishings: window curtain tassles., and Watermark: E & P 1794.
Publisher:
Pub. Febry. 13, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte Augusta, Princess of Great Britain, 1796-1817
Title printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale printed in three columns below title: Hazard, a careless fellow, known at every gambling house in town was oft in want of money, yet could never bear to run in debt ..., One of the series of Laurie & Whittle drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dining room -- Glass: decanter -- Pictures amplifying subject -- Ancestral knights -- Genealogy -- Young women -- Domestic service: footmen -- Reference to marriage contract., and Watermark: 1796.
Publisher:
Published 12th October 1798 by Laurie & Whittle, 53 Fleet Street, London
"View inside the Great Hall of the Bank on Threadneedle Street; a full length classical statue in a niche at far end, men and women crossing hall or attending to business."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 7., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 40., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 23.3 x 27.4 cm, on sheet 26.4 x 33.7 cm., and Watermark: J. Whatman 1807.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
"View inside the Great Hall of the Bank on Threadneedle Street; a full length classical statue in a niche at far end, men and women crossing hall or attending to business."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 7., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 40., and Watermark: J. Whatman 1807.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Title from item., Place of publication from other prints by Baldrey., Plate numbered '3' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Office -- Law : justice -- Clerks -- Game: hare.
Perspective interieure de la Chapelle du College du Roi a Cambridge
Description:
Titles in English and French etched below image., Date based on time period (1746-1755) when Canaletto worked in England and produced the original painting., Text below English title: N.B. This building is esteem'd the most perfect and finest piece of Gothic architecture now remaining in Europe., Text below French title: Cet edifice est regardé comme le plus beau monument d'architecture gothique qui soit en Europe., Sheet trimmed within plate mark., and Mounted on page 24 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Title below image., Engraved for the 1842 "Catalogue of the classic contents of Strawberry Hill"; with caption added., and With an embossed ownership stamp of Thomas Mackinlay.
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.