Manuscript on parchment of Persius, Satirae 1.22-6. With argumenta added in the 15th century.
Description:
Binding: 20th-21st centuries, not digitized. Plain brown leather over cardboard. Yellowish paper endleaves., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Script: Copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft.
Curlo, Giacomo Griffolini, Francesco, 1418-1483 Phalaris, Tyrant of Agrigentum, 6th cent. B.C Pliny, the Younger Plutarch
Published / Created:
[ca. 1450]
Call Number:
Marston MS 51
Image Count:
538
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (slightly polished) of 1) Giacomo Curlo, Preface addressed to Ferdinand I of Naples. 2) Giacomo Curlo, Epitoma Donati in Terentium. 3) Antonio Cassarino, Preface addressed to Giacomo Curlo. 4) Plutarch, Apophthegmata, Latin translation by Antonio Cassarino. 5) Phalaris, Epistolae, translated by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 6) Phalaris, four additional Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to King Alfonso I of Naples. 7) Pliny, Epistolae I.1-III.15.
Description:
Acquired from C. A. Stonehill in 1954 by Thomas E. Marston., Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower., F. 140 lacking., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., and Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622.
Subject (Name):
Curlo, Giacomo, Donatus, Aelius, Ferdinand--I,--King of Naples,--1423-1494, and Terence
Manuscript on parchment of Peter Lombard, Sententiarum libri IV. With a Commentary on Eccles. 38.
Description:
Binding: 1837, England. Bound by Gough in London. Dark brown goatskin, blind-tooled with a light brown gold-tooled label with title "Liber Sententiarum"., Purchased in 1957 from Quaritch, London, by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Red and blue divided initials, 4- to 3-line, for prologue and beginning of books, with penwork designs in the same colors. For other text divisions, 3- to 2-line initials in red or blue with flourishes in opposite color. Distinctio numbers and running headlines in red and blue; rubrics in red. Initial letters of each entry in chapter lists alternate red and blue., and Script: Written in gothic bookhand, below top line; annotations added in less formal, later hands.
Manuscript on parchment of St. Bonaventure's Commentary on Book IV of the Sentences of Peter Lombard.
Description:
Binding: Eighteenth century, Germany. Cream colored pigskin, blind-tooled. Gilt edges. Green and cream endbands. Title on spine: "De septem/ Sacrament. Tract. Mst."., One historiated initial, f. 1r, 6-line, beige with foliage serif, red, against blue ground with white filigree, containing an apothecary (unguentarius) mixing ingredients in a mortar with two pestles. Numerous flourished initials, 3- to 2-line, alternate in red with blue, and vice versa, or often plain initials in red or blue. Running headlines in red and blue. Paragraph marks, alternating red and blue, appear sporadically (ff. 1r-36v)., and Script: Written by several scribes in small gothic bookhand.
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only.
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., Purchased from Enzo Ferrajoli through Nicolas Rauch of Geneva in 1958 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., and Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617.
Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212., Contemporary accounts on f. 49v refer to one Jordanus de Walchelina, and to Rotbertus, Liulfus and Leofric. Partially effaced inscription on f. 49v indicates that Stefano Guarnieri (d. 1495) bought the manuscript in Rome in 1465 (see U. Nicolini, "Stefano Guarnieri da Osimo cancielliere a Perugia dal 1466 al 1488," L'umanesimo umbro: atti del XI convegno di studi umbri-Gubiio 22-23 settembre 1974 [Perugia, 1977] pp. 307-23)., On parchment., Purchased from Lathrop Harper in 1953 by Thomas E. Marston., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Written by multiple scribes in cramped early gothic bookhand.
Subject (Name):
Victorinus, Marius and Victorinus, Marius. Explanationes in Ciceronis rhetoricam
Manuscript on parchment (rough, poorly prepared) of Petrus Quesvel, Directorium iuris. With Eleven short blessings at Easter for meat, cheese, bread, salt, and lard, added in the 15th century.
Description:
Binding: Twentieth century. Brown calf over wooden boards, with the leather sewn around the endbands., Part of outer column of f. 189 cut off, no loss of text., Red and blue split initials, 18- and 16-line, with elaborate penwork designs and plain full border in red and blue mark beginning of Books 1 and 2 (ff. 1r, 91r); smaller initial with partial border at beginning of Books 3 and 4 (ff. 191r, 297r) and for the two parts of art. 3 (ff. 428r, 439r). Numerous initials, 5- to 2-line, alternate blue with red flourishes and vice versa. Running titles in red and blue, paragraph marks alternate red and blue. Notes to rubricator, but rubrics never supplied. Initial strokes and underlining, in red, for arts. 2 and 3., and Script: Written by a single scribe in a hasty cursive schoolhand.
Dionysius, de Burgo Sancti Sepulchri, Bishop, d. 1342 Paris, Julius Valerius Maximus
Published / Created:
[between 1350 and 1400]
Call Number:
Marston MS 37
Image Count:
296
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium libri novem. With Dedication to Giovanni Colonna of the commentary of Dionysius de Burgo Sancti Sepulchri; Commentary on Valerius Maximus by Dionysius de Burgo Sancti Sepulchri; Julius Paris, Epitome of Valerius Maximus.
Description:
Binding: Fifteenth century, Spain. Own parchment endleaves, one cut out in back. Original sewing on five tawed skin slit straps laid in channels on the outside of wooden boards and fastened. Yellow edges. The natural color, plain wound endbands are sewn through the spine lining on tawed skin cores which are laid in grooves on the outside of the boards. The spine is lined with vellum extending inside the boards between supports. Covered in red-brown goatskin blind-tooled with an X in an outer frame and crosses made of decorated circles in the divisions. Four fastenings, truncated diamonds at head and tail and shields at the fore edge, on the lower board. The clasp straps are attached with star-headed nails. Traces of five small round bosses on each board. Traces of incised inscription near the head of the lower board. Spine leather missing., In Latin., Large historiated initial, f. 5r, 17-line, mauve with white filigree and stylized foliage in red and green against gold ground, thickly edged in black. Initial filled with a half-length portrait in profile of a man in black robes and a black cap, probably Dionysius de Burgo Sancti Sepulchri. Foliage serifs, blue, red, mauve, and green with gold balls thickly edged in black extending into the upper and inner margins to form a partial border, which extends as stylized foliage scrolls, blue and purple into the lower margin. Gold balls partially or completely flaked. Numerous illuminated initials, 9- to 4-line, mauve with white highlights, filled with stylized foliage, green, red and blue on blue grounds with white filigree. Initials for the text against gold grounds, thickly edged in black; initials for commentary against blue ground with white filigree. Some initials with foliage serifs, pink, red and/or blue and gold balls thickly edged in black extending into margins. Pen and ink initials, 3-line, alternate blue and red with red and purple penwork. Headings in red. Plain initials touched with yellow., and Purchased from C. A. Stonehill in 1955 by Thomas E. Marston.
Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only.
Description:
Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274