"Satire on the popularity of the Beggar's Opera in the form of a medley print. At top left a print shows two oval portraits, Lavinia Fenton as Polly Peachum on the left and Thomas Walker as Macheath on the right, two short columns of verse beneath. In the centre lies a print depicting a debased Parnassus: in the foreground muses drink from a barrel, one vomiting; a woman wearing a hat hands a basket to a muse sitting in a dust-cart drawn by a Pegasus; a cornucopia lies upended on the ground: in the background, is a boxing match surrounded on two sides with a temporary stand from which flies the flag of St George and to the right of which a bull and a bear are preceded by Apollo playing a fiddle; beneath are four lines of verse describing the scene. Behind the Parnassus print another shows the ghost of Jeremy Collier rising from his grave holding the pamphlet in which he had condemned "The Immoratlities of the English Stage", four lines of verse beneath. This print is overlaid by a smaller oblong print with four verses and portraits of Caleb D'Anvers (Nicholas Amhurst) Jonathan Swift, Alexander Pope and Lavinia Fenton (as Polly Peachum). On the left is a print in which Democritus and Heraclitus examine a globe together, eight lines of verse beneath. In the centre is an engraved address 'To Polly Peachum' quoted, according to the earlier state from The Daily Journal, April 19, 1728. At lower left is a print with a stage where a Apollo descends on a cloud to judge between rival singers (Faustina and Cuzzoni) to whom a group of gentlemen with asses' ears listen without judgement, two columns of verse beneath explain the scene. On the right, a scene by a river where a balance has been set up in which the Beggar's Opera outweighs Shakespeare, Ben Jonson, Addison, Nicholas Rowe and Thomas Otway; the personification of trade collapses in the arms of George II, assisted by Queen Caroline; verses beneath claim that the popularity of the Beggar's Opera is indicative of the sorry state of the country. At bottom right is a scene in Newgate with men and women sitting round a table on which is a punch bowl and pipes; they are toasting a laureated John Gay who sits at the centre, saying 'The Beggers Opera for yr', 'G(a)y for ever', 'Let's vote him King of the Beggers' and he responds, 'Yov'e done me too great an honour but I'll -'; a small child stands beside the table; two columns of verse beneath."-- British Museum online catalogue
Description:
Title from text engraved above image., "Poet G-" refers to John Gay., Later state, lacking references to 'Daily Journal April 19th. 1728' below the verses "to the Tune of the Soldier and ye Sailor" and to 'Daily Journal April 10 1798' below those "To Polly Peacham". Cf. Compare no. 1806 in v. 2 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark., and Mounted to 45 x 34 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Gay, John, 1685-1732, Gay, John, 1685-1732., Fenton, Lavinia, 1708-1760, Walker, Thomas, 1698-1744, Collier, Jeremy, 1650-1726, Bordoni, Faustina, 1697-1781., Amhurst, N. 1697-1742. (Nicholas),, George II, King of Great Britain, 1683-1760., Caroline, Queen, consort of George II, King of Great Britain, 1683-1737., Swift, Jonathan, 1667-1745., Pope, Alexander, 1688-1744., Heraclitus, of Ephesus., Democritus, approximately 460 B.C.-approximately 370 B.C., and Cuzzoni, Francesca, 1696-1778.
Subject (Topic):
Social life and customs, Anecdotes, facetiae, satire, etc, Pegasus (Greek mythology), Apollo, Muses (Greek deities), Parnassus, Mount (Greece), Prints, Prisons, and Theaters
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Corwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue for the History of the Westminster election, 1784, p. 48. See British Museum Catalogue., Sheet trimmed within plate mark with partial loss of imprint., and Mounted to 30 x 41 cm.
Publisher:
Pubd. March 26th by W. Humphrey No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., Thurlow, Edward Thurlow, Baron, 1731-1806., Cornwall, Charles Wolfran, 1735-1789., and Melville, Henry Dundas, Viscount, 1742-1811.
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Cornwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 26th by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwall, Charles Wolfran, 1735-1789, and Dundas, Henry, 1742-1811
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
Charles Fox, shown in profile, with a fox's head, rides his horse towards the left holding a goose by the neck over his shoulder. Two bags stuffed with geese are suspended from his saddle. He says, "I have Burgoyn'd the geese at last by coming North about" [i.e., surrendered them to the enemy as Gen. Burgoyne did at Saratoga, by forming a coalition with Lord North].
Alternative Title:
State goose catcher and St. James's market-man
Description:
Title from item., Sheet trimmed., and Mounted to 36 x 30 cm.
Publisher:
Pubd. by J. Barrow Septr. 11, 1783. White Lion, Bull Stairs, Surry Side Black Friars Bridge
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Horseback riding, Foxes, Geese, and Clothing & dress
Behind the bar of the "Pro bono publico" stand Charles Fox and Lord North, advertising their mixture. Several displeased customers sitting at tables in front of the bar complain about the punch's appalling quality and "The interior of a punch-house. In an alcove or bar (right), behind a counter, stand North and Fox mixing punch. Over the alcove is inscribed "Pro bono Publico | The Coalition Punch-house by Charles & Co." North (left) holds a kettle in his right hand, in his left a ladle with which he mixes the contents of the bowl. He says, "Gentlemen I can supply you with accid having had 6 or 7 years constant practice in making of it for 3 kingdoms & 13 provinces". Fox (right), his right hand resting on a wine-bottle, his left outstretched, says "Gentlemen tho' I have enlarged my connections I can still serve you with good Liquor & give you Good Words as usual & if that wont please you may go & be Dm---d". Each has an expression of anxiety mixed with defiance, anxiety the more prominent in North, defiance in Fox. The guests sit on low benches in front of narrow tables, their backs to the punch-makers. Immediately in front of the bar sits a stout man in a bob-wig holding up his bowl and saying, "Coalition Punch do you call it? Phow! tis nauseous as Salts or Jalap". Next him (right) is a tall, thin military officer, wearing a cockaded hat and epaulettes and holding a tasselled cane. He holds a bowl in his left hand, saying, "Aye Friend they that drink it must take it down at a Gulph". Three men sit at a table on the left: a roistering buck wearing the fashionable riding-dress of the day, a favour in his hat, stands up, legs astride, holding out a bowl in his right hand, the contents spilling, he says, "Right sort Charley Damme!" Next him a man with a melancholy expression leans his elbows on the table, supporting his head in his hands and saying "You may say poisonous indeed for it has thrown the whole Nation in a fermentation & by the addition of that cursed C° he will loose all his good old Customers". Next him, and on the extreme left, a trim-looking citizen smoking a long pipe, his bowl on the table, says "When Charles was on his own bottom, he sold wholesome tipple, but now C° is added to his name we get a poisonous Compound.""--British Museum online catalogue
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pubd June 18th, 1783 by W. Wells, No. 132 Fleet Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
North, Frederick, Lord, 1732-1792 and Fox, Charles James, 1749-1806
Subject (Topic):
Politics and government, Bars, Alcoholic beverages, and Clothing & dress
Leaf 12. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from text below image., Attributed to Rowlandson in the British Museum catalogue., Restrike, with erroneous signature "J. Gillray fecit" added below image in lower right. For original issue of the plate, see no. 5856 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 105., and On leaf 12 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by I. Jones and Field & Tuer
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
"A circular design. George III (or Lord North) asleep on a sofa. He is in profile to the left, his head falling forwards, his right arm resting on the back of the sofa, his right leg extended on the sofa, his left leg on the ground. Behind the sofa stand two figures: Britannia (left) holding the cap of liberty on its staff, while her right hand rests on the back of the sofa. An oval medallion ornamented with a St. George's cross hangs from her wrist, probably respresenting the arms of the City of London. She says "Am I thus Protected?" A small man leans on the back of the sofa saying "Hollo Neighbour! what are you asleep"."--British Museum online catalogue
Alternative Title:
State watchman discovered by the genius of Britain studying plans for the reduction of America
Description:
Title from item., Attributed to Rowlandson in the British Museum catalogue., Place of publication from British Museum catalogue, which identifies the publisher as J. Jones of 103 Wardour Street, Soho., and Sheet trimmed to plate mark.
Publisher:
Pubd. by I. Jones
Subject (Geographic):
Great Britain, America., United States, and England
Subject (Name):
George III, King of Great Britain, 1738-1820 and North, Frederick, Lord, 1732-1792.
Subject (Topic):
Colonies, History, Britannia (Symbolic character), Sleeping, and Clothing & dress
A man with a stag's head in a bag wig, saying "Alas my Friend Fox, We are in the wrong Box," shakes hands with a man with a fox's head, also in a bag wig, who responds "Indeed my true Buck. We have very bad luck." They represent, respectively, Lord John Cavendish and Charles James Fox who both resigned their posts after the collapse of the Rockingham administration
Description:
Title from item., Sheet trimmed within plate mark., and Sheet inlaid to 27 x 22 cm.
Publisher:
Pubd. by J. Barrow Jany. 21, 1783. White Lion Bull Stairs Surry side Black Friars Bridge
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Cavendish, John, Lord, 1732-1796
Subject (Topic):
Foxes, Deer, Clothing & dress, and Politics and government
Verse begins: "In a tavern kitchen, the cook's territories,"., In three columns with the title above the first two and the woodcut above the first; the imprint at foot of the third, below a row of type ornaments; the columns are separated by columns of type ornaments., There is no punctuation at the end of the title., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 52. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold at the Printing-Office, in Aldermary Church-Yard, Bow-Lane, London
Subject (Geographic):
Great Britain
Subject (Topic):
Broadsides, Ballads, English, Taverns (Inns), Household employees, Women, Social conditions, and Man-woman relationships