"Portrait, three-quarters length seated directed to left, looking towards the viewer, left elbow on the arm of his chair, his hand on the edge of his robes, right hand on the chancerial burse, propped on his knee, with the mace on a table beside him, wearing robes decorated with gold brocade, lace bands and long white wig; a column and curtain behind to right."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed within plate mark on three sides., For an earlier state with scratched production details only, see British Museum online catalogue, registration no.: 1868,0808.1768., and Bound in opposite page 371 (leaf numbered '187' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1800 by John Jeffryes, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
Title from text within woodcut illustration; remainder of title from letterpress text beneath illustration., Woodcut illustration of a hot air ballloon with two flag-waving gentlemen seated in the basket. The flag to the left reads "No blanks"; the flag to the right, "All money.", Printed in red and blue ink., and Mounted to: 25 x 18 cm. With a sticker in upper left corner with blue crayon annotation "11-". For further information, consult library staff.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Drop-head title., An account of the foundation meeting of the Hull Armed Association, set up by the 'Merchants, Ship-Owners, and other Inhabitants' in February 1798 to 'assist the Magistrates in support of Civil Society, and for the Defence of the Town, in case the Military should be ordered away, to oppose the landing or resist the progess of the Enemy'., Not in English short title catalogue., and Dated "1798" in ink at head of title. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Hull (England)
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Civil defense, and Militia
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
BEIN 1973 +103 and 1973 Folio 98: Bookplate of Frederick W. Williams., BEIN Osborn fpc24 and BEIN 1973 +103: Large issue; v. 1-2 are 30 cm. tall, and v. 3 58 cm., BEIN 1985 139: Bookplate: Alford Book Club., BEIR Bj17 23: Bookplate of Frederick Wells Williams., The maps are on folded leaves., and Volume 3 is an atlas of plates.
Publisher:
Printed for G. Nicol, bookseller to His Majesty, Pall-Mall
Subject (Geographic):
China, Great Britain, China., and Great Britain.
Subject (Topic):
Description and travel, Foreign relations, and Voyages and travels
BEIN 1973 +103 and 1973 Folio 98: Bookplate of Frederick W. Williams., BEIN Osborn fpc24 and BEIN 1973 +103: Large issue; v. 1-2 are 30 cm. tall, and v. 3 58 cm., BEIN 1985 139: Bookplate: Alford Book Club., BEIR Bj17 23: Bookplate of Frederick Wells Williams., The maps are on folded leaves., and Volume 3 is an atlas of plates.
Publisher:
Printed for G. Nicol, bookseller to His Majesty, Pall-Mall
Subject (Geographic):
China, Great Britain, China., and Great Britain.
Subject (Topic):
Description and travel, Foreign relations, and Voyages and travels
"An election procession of thirteen patriots walking from right to left wearing the colours of Sir Watkin Lewes, elected M.P. for the City, 29 Sept. 1781, see British Museum satire no. 5849. Two flags are carried, one "Lewes & Freedom", the other, "No Ministerial Influence", in reference to Lewes' speech on his election on 29 Sept. Two of the men are playing flutes, a third blows a horn. The figures are probably portraits; two are butchers wearing aprons, their steels hanging from their waists; beside one of them walks a muzzled dog with a collar inscribed "Liberty"; this butcher is eating as he walks. One man drinks a glass of wine, holding a lump of food in his left hand. One with a swathed and gouty leg walks on crutches. All have election favours in their hats, these are inscribed respectively "Lewes for ever"; "Sr Watkin for ever"; "Freedom"; "Lewes"; "No Bribery"; "Lewes"; "No Corruption". In the hat of the butcher with the dog is "Freedom's my plan Sr Watkin is the Man". The background is formed by the lower part of the façade of two houses in a street, the front of two shops being indicated. On the pavement (left) four little chimney-sweeps are shouting and waving their hats and brushes."--British Museum online catalogue
Alternative Title:
Electioneering procession from the Mansion House to Guildhall
Description:
Title etched below image. The 'o' in 'electioneering' has been inserted above the line., Signed in the image "J.N." JN is the monogram of John Nixon., and Verses following title: These stanch friends to freedom you here do behold, Will be bribe'd with good eating tho' they spurn at yr gold. For offer them money it's such a disgrace, 'Tis a thousand to one they dont spit in your face. But give them pudding & beef with compliments civil, To serve you they'll go ay e'en to the devil."
Publisher:
Pubd. Octr. 25, 1781 by W. Wells No. 132 Fleet Street
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Great Britain. Parliament
Subject (Topic):
Political activity, Elections, Butchers, City & town life, Chimney sweeps, Clothing & dress, Corruption, Dogs, Muckraking, Musical instruments, Political parades & rallies, Slogans, and Staffs (Sticks)
