Manuscript, on paper, of Ustuvani Mehmet Efendi, a treatise on Islamic jurisprudence which also discusses principles of faith, worship, and prayer
Description:
In Ottoman Turkish and Arabic., Title from text heading (f. 1b)., Romanization supplied by cataloger., Layout: Single column of 11 lines. Catchword on each verso., Script: Naskh., Binding: Flap binding, blind-tooled leather, repaired and rebacked. Covers with blind-tooled central mandorla and other decoration; spine in six compartments with blind-tooled flowers., Decoration: Text frames throughout, rubrication., Mathematical calculations in contemporary hand on front pastedown. Pen trials on rear pastedown., and Some loss of text due to repairs.
Aḥmad bin ʻAlī Saʻīd, -1717 أحمد بن علي سعيد، -1717
Call Number:
Arabic MSS 428
Image Count:
652
Resource Type:
unspecified
Abstract:
Commentary on Manār al-anwār (principles of law) of ʻAbd Allāh al-Nasafī. and Beginning and end missing. Probably with lacunae
Description:
Leaves misbound; the concluding part of the incipit, with the title, appears on leaf 278 recto., Fair modern (18th century?) naskhī., and Islamic binding, in black.
Subject (Name):
Aḥmad bin ʻAlī Saʻīd, -1717. and Nasafī, ʻAbd Allāh ibn Aḥmad, -1310.
Wāʻiẓ al-Makkī, ʻAbd al-Raʼūf ibn Yaḥyá, -1556 واعظ المكي، عبد الرؤوف بن يحيى، -1556
Call Number:
Arabic MSS 293
Image Count:
53
Resource Type:
unspecified
Abstract:
Versification of al-Nuqāyah (concise encyclopedia) of Jalāl al-Dīn al-Suyūṭī. and Followed by 2 leaves of notes
Description:
Available on microfilm, The title, scrawled in a later hand on leaf 217 recto, confused the author with ʻAbd al-Raʼūf al-Munāwī., The author's full name is given in the colophon (explicit)., Kâtip Çelebi (ed. Flügel) misprinted ʻAbd al-ʻAzīz as covering fann al-tafsīr only., Kâtip Çelebi gives the author's surname as al-Zamzamī al-Makkī. Brockelmann, S II, p. 509, lists a Naẓm ʻilm al-tafsīr under ʻAbd al-ʻAzīz ibn ʻAlī al-Zamzamī, d. 1568, possibly the same work. (But Hitti, 7, gives his death date as A.H. 963 / A.D. 1556)., Kâtip Çelebi gives the death date as A.H. 963 (A.D. 1555 or 1556)., According to the colophon the author was a pupil of Ibn Ḥajar al-Haythamī (d. 1565?)., Incipit: "Bismillāh al-Raḥmān al-Raḥīm ... Yaqūlu muḥtāj al-Ghanī al-Ḥāfiẓ ʻAbd al-Raʼūf najl Yaḥyá al-Wāʻiẓ: Aḥmadu man ajāda bi-al-aḥkām ...", Modern (18th century?) Yemenite naskhī, in red and black, sparsely pointed., Islamic binding, in brown, with flap., and No. 3 of 3 titles bound together.
Subject (Name):
Suyūṭī, 1445-1505., Wāʻiẓ al-Makkī, ʻAbd al-Raʼūf ibn Yaḥyá, -1556., Zamzamī, ʻIzz al-Dīn ʻAbd al-ʻAzīz ibn ʻAlī, -1568., and Zamzamī, ʻAbd al-ʻAzīz ibn Yaḥyá, -1556.
Subject (Topic):
Encyclopedias and dictionaries, Arabic and Islamic learning and scholarship
Mārūnī, Anṭūniyūs ibn Mubārak, active 18th century ماروني، أنطونيوس بن مبارك، ناشط قرن 18.
Call Number:
Arabic MSS 351
Image Count:
778
Resource Type:
unspecified
Abstract:
Forty-six sermons, composed at Rome, in 1720 and Preceded by 2 leaves of notes
Description:
Author's colophon at end gives his name, place and date of composition., Graf, III, 436, composed in 1976, is presumably another collection of sermons., Of the two manuscripts referred to by Graf, the first (ʻAyn warqah), composed in 1716, contains only 16 sermons; the other contains sermons also by other authors, and the number of Antonius' sermons and the date of composition are not given., Incipit: "al-ʻIẓah al-ūlá: Fī fāʼidat al-waʻẓ wa-sharafihi wa-fī istimāʻ kalām Allāh wa-ẓarūrīyatih [wa-ḍarūrīyatih] ...", Fair modern (18th century) Karshūnī/Garshūnī (Arabic in Syriac script), in red and black., Islamic binding, in black., Author's colophon: "Ḥurrira bi-Rūmiyah al-Kubrá, fī Madrasat al-Mawārinah, fī al-yawm al-thāminʻashar min shahr Kānūn al-Awwal, sanat sabʻimiʼah wa-ʻishrīn baʻda al-alf lil-tajassud al-Ilāhī. Anṭūniyūs ibn Mubārak al-Mārūnī.", and Translation of the author's colophon: "Written in Great Rome, at the School of the Maronites, on 18 Kānūn al-Awwal [December], the year 1720 after the Divine Incarnation. Anṭūniyūs ibn Mubārak al-Mārūnī."
Subject (Name):
Mārūnī, Anṭūniyūs ibn Mubārak, active 18th century.
Manuscript, on paper, of a mec'mua containing prayers and mystical poems: (1) unidentified Sufi theological text, ff. 1b-20b; (2) Münācāt-ı der tevhīd-i yā Rabbī teālā 'azze ve celle (مناجات در توهيد يارى تعالي عز و جل), ff. 21b-30b; (3) 'İbtidā-i Ġazeliyāt-ı fī ḥarf-i elif (ابتدائي غزليات في حرف الألف), ff. 31a-70a; (4) unidentified poem, ff. 71b-76a
Alternative Title:
Ṭariḳat-ı Bektāşiyye'den Divān-ı Ṣāfī and طريقات بكتاشيهدن ديوان صافي
Description:
In Ottoman Turkish and Arabic., Title assigned by cataloger. Variant title from contemporary manuscript annotation at head of text., Romanization supplied by cataloger., Layout: Single column of 15 lines (ff. 1b-20b). Double columns of 15 lines (ff. 21b-76a). Catchword on each verso., Script: Nasta‘līq., Binding: Modern three-quarter binding in light brown leather with marbled paper over paper pasteboards., Decoration: Rubrication., and Manuscript annotations in a later hand include a prayer (f. 90b) and a petition (f. 91b). Protective charm against bookworms: Yā Kebīkec (يا كبكج) (f. 1b).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Turkish, Sufi poetry, Turkish, and Sufism
Illuminated manuscript, on paper, of Maktabī Shīrāzī's Laylī va Majnūn, a poem in mathnawi style tells the romantic love story of Layla and Majnun
Alternative Title:
Laylī va Majnūn.
Description:
In Persian., Title assigned by cataloger., Romanization supplied by cataloger., Layout: Double columns of 10 lines. Catchword on each verso., Script: Nasta'līq., Binding: Dark brown leather over paper pasteboards; gold-tooled inlaid central mandorla with pendants, cornerpieces and frames; light brown leather doublures., Decoration: Volume is paginated, so Illuminated miniatures with scenes from the story are on "pp. 9, 47, 158, 174, 194, 212. Illuminated headpiece, cloudbands, floral page decorations; text frames in blue and gold., and Contemporary pagination.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Turkish, Manuscripts, Persian, and Persian poetry
Vocabularies, Arabic-Turkish-Italian (in Arabic letters); apparently based upon al-Shudhūr al-dhahabīyah wa-al-qiṭaʻ al-Aḥmadīyah fī al-lughah al-Turkīyah of Ibn Muḥammad Ṣāliḥ., Followed by 1 leaf of notes, and Copied in A.H. 1143 (A.D. 1731).
Alternative Title:
Shudhūr al-dhahabīyah fī al-lughah al-Turkīyah wa-al-ʻArabīyah and شذور الذهبية في اللغة التركية والعربية
Description:
Available on microfilm, In Arabic, Turkish, and Italian (in Arabic letters)., For Ibn Muḥammad Ṣālih's work see also British Museum, Turkish Mss., pp. 150-51; and Munich catalog 768, which agrees with the British Museum copy., The incipit is the same as in Ibn Muḥammad Ṣāliḥ's work, but the latter is divided into 4 rukns, not faṣls, and has an extensive introduction, etc., Incipit: "Bismillāh al-Raḥmān al-Raḥīm. Kitāb al-Shudhūr al-dhahabīyah fī al-lughah al-Turkīyah wa-al-ʻArabīyah. al-Ḥamdu lillāh alladhī sharrafa al-insān wa-zayyanahu bi-al-nuṭq wa-al-lisān ...", Fair naskhī, in red and black., Islamic binding, in brown., Colophon: "Wa-kāna al-farāgh minhu yawm al-khāmis ʻashar min shahr Kānūn al-Thānī, min shuhūr sanat wāḥid wa-thalāthīn wa-sabʻimiʼah wa-alf, al-muwāfiq li-niṣf Rajab, sanat 1143.", and Translation of the colophon: "Completed on 15 January, 1731, corresponding to the middle of Rajab, 1143 [of the Hijrah]."
Subject (Name):
Mawlānā ibn Muḥammad Ṣāliḥ.
Subject (Topic):
Arabic language, Italian language, and Turkish language
Menteşzâde, Abdürrahim, -1716 منتشزاده عبد الرحيم
Published / Created:
1700-1799.
Call Number:
Turkish MSS suppl. 255
Image Count:
670
Resource Type:
text
Abstract:
Illuminated manuscript on paper of Fetāvā-yı ‘Abdürraḥīm Efendi by Menteşzāde ‘Abdürraḥīm Efendi, a collection of fetvās (legal opinions). Includes a table of contents (ff. 1a-11a). Extensive marginal commentary throughout including responses to legal questions
Alternative Title:
Fetāvā-yı Yaḥyā Efendi, Fetāvā-yı Minḳārīzāde, and Fetāvā-yı ‘Aṭā’ullāh
Description:
In Ottoman Turkish with some Arabic., Title assigned by cataloger., Romanization supplied by cataloger., Layout: Single column of 33 lines. Catchword on each verso., Script: Nasta‘līq., Binding: Brown leather over paper pasteboards, gold-tooled and painted, with central mandorla and pendants covered in embossed paper, now damaged., Decoration: Illuminated text frames throughout, rubrication., Pagination added by a later hand to folios bearing text, with f. 12a numbered p. 1, f. 13a numbered p. 2, and so on., Contemporary manuscript notes on related legal opinions tipped in (ff. 47-48, 181-182)., Contemporary manuscript annotations in at least three hands, including notes on Fetāvā-yı ʻAbdürraḥīm Efendi (front pastedown, recto front flyleaf) and on legal matters (recto front and rear flyleaves). Protective charm against bookworms: Yā Kebīkec (يا كبكج) (ff. 1a, 12a)., and Accompanied by notes on legal questions (2 leaves).
Subject (Geographic):
Turkey, Connecticut, and New Haven.
Subject (Topic):
Fatwas, Illumination of books and manuscripts, Turkish, Islamic law, and Manuscripts, Turkish
Būnī, Aḥmad ibn ʻAlī, -1225 بوني، أحمد بن علي، -1225
Call Number:
Hartford Seminary Arabic MSS 93
Image Count:
700
Abstract:
Shams al-maʻārif wa-laṭāʼif al-ʻawārif (also called "Shams al-maʻārif al-kubrá" to distinguish it from the author's two other smaller treatises: al-wusṭa "the middle one" and al-ṣughrá "the little one"), a treatise on magic, alchemy, astrology, devination, Islamic occultism, the name of God and the magical use of the Arabic alphabet by Abū al-ʻAbbās Aḥmad ibn ʻAlī al-Būnī (d. 1225), a famous sufi scholar from the city of Būnah (Bône) now ʻAnnābah (Annaba, Algeria), died in Cairo, Egypt. Name of copyist and place of copying are not mentioned; the date of copying is mentioned enigmatically in the 12th century H (18th century M).
Alternative Title:
Shams al-maʻārif al-kubrá and شمس المعارف الكبرى
Description:
In Arabic., Incipit: "Bismillāh al-Raḥmān al-Raḥīm wa-ṣallá Allāh ʻalá Sayyidinā wa-Mawlānā Muḥammad wa-ṣaḥbihi wa-sallam. al-Ḥamdu lillāh alladhī aḥāṭa bi-kull shayʼ ʻilman wa-ʻallam al-insān mā lam yaʻlam wa-ashhadu an lā ilāh illā Allāh waḥdah lā sharīka lah wa-ashhadu anna Muḥammadan rasūl Allāh ṣallá Allāh ʻalayhi wa-sallam, shahida Allāh an lā ilāh illā huwa shahādat azal, fa-min nūr hādhihi al-shahādah ightaraf al-muṣṭafūn ʻilman, fa-ifham dhālika. Wa-al-tartīb al-abadī fī al-shahādatayn al-muttaṣilatayn bi-al-malāʼikah al-kirām wa-ulī al-ʻilm fa-hādhihi shahādat al-abad, fa-man fahima sirra hātayn al-shahādatayn shāhada al-malakūtayn ...", 20 x 29 cm; written surface: 14 x 22 cm, ca. 30 lines per page., Bound., In fair naskh script, on yellowish paper; keywords and markings in red; some notes and corrections on the margins; magic squares and illustrations; text within double red frames; catchwords., Includes table of contents at the beginning of the manuscript: "al-Faṣl al-awwal fī al-ḥurūf al-muʻjamah wa-mā yatarattabu fīhā min al-asrār wa-al-iḍmārāt. al-Faṣl al-thānī fī al-kasr wa-al-basṭ wa-tartīb al-aʻmāl min al-awqāt wa-al-sāʻāt. al-Faṣl al-thālith fī aḥkām manāzil al-qamar al-thamāniyah wa-ʻishrīn al-falakīyah ...", and Colophon: "... Wa-Allāh asʼalu an yulhima li-fahm mā ramaznāh wa-kashf mā satarnāh akh ṣadīq wa-khill ḥaqq [i.e. akhan ṣadīqan wa-khillan ḥaqqan]. Wa-fī hādhā al-qadr kifāyah li-man waffaqahu Allāh taʻālá wa-lā ḥawla wa-lā qūwata illā billāh al-ʻAlī al-ʻAẓīm wa-ṣallá Allāh ʻalá Sayyidinā Muḥammad wa-ṣaḥbihi ajmaʻīn wa-jamīʻ al-anbiyāʼ wa-al-mursalīn wa-al-ḥamdu lillāh Rabb al-ʻĀlamīn. al-Tārīkh: Fī niṣf awwal min khums thālith min thulth awwal min niṣf thānī min suds thālith min niṣf awwal min khums thānī min ʻushr awwal min qarn thānī ʻashar min hijrat khayr al-bashar ṣallá Allāh ʻalayhi wa-sallama taslīman kathīran. Tamma wa-kamula."
Subject (Name):
Būnī, Aḥmad ibn ʻAlī, -1225.
Subject (Topic):
Alchemy, Arabic alphabet, Astrology, Divination, God (Islam), Name, Islamic magic, Islamic occultism, and Magic
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201 ابن الجوزي، أبو الفرج عبد الرحمن بن علي، حوالي 1116-1201
Call Number:
Arabic MSS 293
Image Count:
99
Resource Type:
unspecified
Abstract:
Short manual of history, being an abridgment of the author's al-Muntaẓam fī multaqaṭ al-multazam and Preceded by 1 page of notes
Alternative Title:
Kitāb shudhūr al-ʻuqūd fī taʼrīkh al-ʻuhūd and كتاب شذور العقود في تأريخ العهود
Description:
Available on microfilm, Incipit: "Bismillāh al-Raḥmān al-Raḥīm ... al-Ḥamdu lillāh alladhī jalá ʻalá al-fikr mā jalá min al-ʻibar ...", Modern (18th century?) Yemenite naskhī, in red and black, sparsely pointed., Islamic binding, in brown, with flap., and No. 2 of 3 titles bound together.
Subject (Geographic):
Islamic Empire
Subject (Name):
Ibn al-Jawzī, Abū al-Faraj ʻAbd al-Raḥmān ibn ʻAlī, approximately 1116-1201.
Zīj (astronomical tables) of Ulugh Beg, 1394-1449 (a Persian astronomer), in Arabic and Ottoman Turkish, presented to the Sultan ʻAbd al-Ḥamīd Khān ibn Aḥmad Khān (Abdülhamid I Sultan of the Turks, 1725-1789), in 1193 Hijrī (1779 or 1780). Name of copyist and place of copying not mentioned
In Arabic and Ottoman Turkish., Title from folio 1a., Romanization supplied by cataloger., Incipit: "Bismillāh al-Raḥmān al-Raḥīm. al-Ḥamdu lillāh alladhī khalaqa al-arḍ wa-al-samāwāt wa-zayyanahā bi-al-kawākib al-thawābit wa-al-sayyārāt wa-qaddara manāzil li-yuʻlama bi-hā ʻadad al-sinīn wa-ḥisāb al-awqāt, wa-al-ṣalāh wa-al-salām ʻalá Rasūlihi Muḥammad ṣāḥib al-muʻjizāt wa-muẓhir al-ḥikam wa-al-āyāt wa-ʻalá ālihi wa-aṣḥābihi al-muqīmīn bi-aḥsan al-taqwīm wa-al-aḥkām al-bayyināt ...", Secundo folio: Ulugh Bik ribāṭ., 17 x 22.5 cm; written surface: 11 x 16.5 cm; lines per page vary., Binding: Unbound., In small naskh script, in black ink on white paper, headings and markings in red; some notes on the margins; some wormholes., and Colophon: Colophon missing.
Subject (Name):
Abdülhamid I, Sultan of the Turks, 1725-1789. and Ulugh Beg, 1394-1449.
Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb, a polemic against Christians and the doctrines of Christianity, by ʻAbd Allāh ibn ʻAbd Allāh al-Mayurūqī, the Arabic name used by the Franciscan monk Anselmo de Turmeda (Turmeda, Anselm, 1352-1432?), after his conversion to Islam. Name of copyist and place and date of copying not mentioned, probably from the 18th century
Alternative Title:
Kitāb Tuḥfat al-arīb fī al-radd ʻalá ahl al-ṣalīb and كتاب تحفة الأريب في الرد على أهل الصليب
Description:
In Arabic., Title from folio 2a., Romanization supplied by cataloger., Incipit: "Bismillāh al-Raḥmān al-Raḥīm wa-bi-hi thiqatī, wa-ʻalayhi iʻtimādī. al-Ḥamdu lillāh alladhī khaṣṣanā bi-khayr al-adyān, wa-jaʻalanā min ummat al-Furqān, wa-akramanā bi-tilāwat al-Qurʼān, wa-ṣawm shahr Ramaḍān, wa-al-ṭawāf ḥawla al-Bayt al-Ḥarām, wa-al-rukūʻ ʻinda al-Rukn wa-al-Maqām, wa-sharrafanā bi-Laylat al-Qadr, wa-al-wuqūf bi-ʻArafāt, wa-jaʻalanā min ahl al-ṭahārah wa-al-ṣalāh wa-al-zakāh ... Wa-baʻd, fa-yaqūlu al-Shaykh ʻAbd Allāh ibn ʻAbd Allāh al-Tarjumān, jaʻala Allāh maḍjiʻahu wa-maʼwāhu fasīḥ al-jinān ...", Secundo folio: ʻalá ʻĪsá ʻalayhi al-salām., 16.5 x 25 cm; written surface: 10.5 x 18 cm; 25 lines per page., Binding: In marbled cardboard with flap; brown leather on spine and flap., In clear naskh/ruqʻah script, in black ink, on white paper; some headings in red; markings in purple; some notes and corrections on the margins in pencil; catchwords., On folio 1a: "Hādhā Kitāb Tuḥfat al-arīb fī al-radd ʻalá ahl al-ṣalīb ʻalá al-tamām.", On folio 2a: "... sammaytuhu Tuḥfat al-arīb fī al-radd ʻalá ahl al-ṣalīb ...", Colophon: "Wa-ḥasbunā Allāh wa-niʻma al-wakīl, wa-lā ḥawla wa-lā qūwata illā billāh al-ʻAlī al-ʻAẓīm, wa-ṣallá Allāh ʻalá Sayyidinā Muḥammad, wa-ʻalá ālihi wa-ṣaḥbihi wa-sallama taslīman kathīran ilá Yawm al-Dīn, wa-al-ḥamdu lillāh Rabb al-ʻĀlamīn.", and Translation of the colophon: "God suffices us, He is the best advocate. There is no power nor might except in God, the Most High, the All Powerful. May God pray on our Master Muḥammad, his family and his companions and grant them abundant peace until Judgment Day. Praise be to God Lord of the Universe."
Collection of three treatises, as follows: 1. Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb (folios 1a-34b), also called Tuḥfat al-arīb fī al-radd ʻalá ahl al-ṣalīb, a polemic against Christians and the doctrines of Christianity, by ʻAbd Allāh ibn ʻAbd Allāh al-Mayurūqī, the Arabic name used by the Franciscan monk Anselmo de Turmeda (Turmeda, Anselm, 1352-1432?), after his conversion to Islam. The text proper in this manuscript is preceded by an introduction by Abū al-Ghayth Muḥammad al-Qashshāshī (or al-Qushāshī, could not be identified), in which he titles the work "Taḥīyat al-asrār taʼlīf al-akhyār al-anṣār fī al-radd ʻalá al-Naṣārá min firaq al-kuffār". Name of copyist and place and date of copying not mentioned, probably from the 18th century. 2. Ḥikāyāt ʻan baʻḍ al-mutaqaddimīn (folios 35a-35b), popular tales and anecdotes by an anonymous author/compiler. Name of copyist and place and date of copying not mentioned, probably from the 18th century. 3. Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs (folios 36a-38b), a polemic against "Iblīs", an Arabic word for the Devil, by an anonymous author, copied on Saturday, 9 Jumād Awwal, 1303 of the Hijrah (13 February, 1886) by Makkāwī al-Sayyid. Place of copying not mentioned
Description:
In Arabic., Title of Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb from folio 3a., Title of Ḥikāyāt ʻan baʻḍ al-mutaqaddimīn from folio 35a., Title of Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs from folio 36a., Romanization supplied by cataloger., Incipit of Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb (folio 1b): "Bismillāh al-Raḥmān al-Raḥīm. al-Ḥamdu lillāh Rabb al-ʻĀlamīn, wa-ṣallá Allāh ʻalá Sayyidinā Muḥammad wa-ʻalá ālihi wa-ṣaḥbih wa-sallam. Wa-baʻd, fa-yaqūlu al-ʻabd al-faqīr ilá Rabbihi, subḥānuhu wa-taʻālá, Abū al-Ghayth Muḥammad al-Qashshāshī [or al-Qushāshī]: Lammā naẓartu hādhā al-taʼlīf al-ʻajīb wa-ʻalimtu mā fīhi min al-uslūb al-gharīb, wa-kāna min al-muqarrar fī al-maʻqūl wa-al-manqūl anna al-inṣāf awlá wa-aḥaqq mā taʻāṭathu ayādī al-fuḥūl, bādartu ilá imtithāl mā kāna ḥaqqan ʻalayya, wa-shahidtu bi-ḥusnihi ʻalá an yakūna min ṣāliḥ ʻamal bayna yadayya, fa-qultu: Mā aḥaqqa hādhā al-taʼlīf al-mubārak an tusammá [yusammá] 'Taḥīyat al-asrār taʼlīf al-anṣār fī al-radd ʻalá al-Naṣārá min firaq al-kuffār' ...", Secundo folio of Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb: al-khayrāt mūriqah bi-saḥāʼib raʼfatih., Incipit of Ḥikāyāt ʻan baʻḍ al-mutaqaddimīn (folio 35a): "Ḥaká Ibn ʻAsākir anna Yaʻqūb al-Mājashūn, jadd ʻAbd al-Malik, ṣāḥib Mālik, mātā [māta] wa-wajiʻa fī al-sarīr, wa-ijtamaʻa al-nās lil-ṣalāh ʻalayhi, fa-wajada al-ghāsil ʻirqan taḥta rijlihi yataḥarraku, fa-qāla: Ará an yuʼakhkhara ghasluhu ilá ghad. Fa-lammā aṣbaḥū wa-ijtamaʻa al-nās ʻalayhi wa-jadahu al-ghāsil kadhālika ...", Incipit of Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs (folio 36a): "Bismillāh al-Raḥmān al-Raḥīm. Ḥamdan lillāh subḥānuhu wa-taʻālá, wa-ṣalātan wa-salāman ʻalá man lā nabīya baʻdah. Ammā baʻd, faqad dhakara al-Jalāl al-Suyūṭī fī kitābihi 'al-Kanz al-madfūn wa-al-fulk al-mashḥūn', qāl: Li-ʻilm hādhihi al-shubhah allatī dhakarahā Iblīs, laʻanahu Allāh, min qawlihi 'Anā khayr minhu, khalaqtanī min nār wa-khalaqtahu min ṭīn', innamā dhakarahā ʻalá sabīl al-taʻannut, wa-illā fa-imtināʻuhu min al-sujūd li-Ādam, ʻalayhi al-salām, innamā kāna ʻan kibar wa-kufr, wa-mujarrad ibāʼ wa-ḥasad, wa-maʻa dhālik, fa-mā abdāhu min al-shubhah fa-huwa dāḥiḍ, li-annahu rattaba ʻalá dhālik annahu khayr min Ādam ...", Secundo folio of Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs: min awṣāf al-arḍ fī al-Qurʼān., 16.5 x 22 cm; written surface: 10 x 16.5 cm; 22-24 lines per page., Binding: In marbled cardboard with brown leather spine., In good naskh script, in black ink, on white paper; headings in purple; some corrections on the margins in pencil; catchwords., On folio 1a: "Hādhā Kitāb Taḥīyat al-asrār taʼlīf al-akhyār al-anṣār fī al-radd ʻalá al-Naṣārá min firaq al-kuffār, wa-ayḍan tusammá Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb, taʼlīf al-Shaykh ʻAbd Allāh ibn ʻAbd Allāh al-Mayurūqī, min madīnat Mayurūqah, athābahu Allāh al-Jannah. Āmīn", At the head of folio 35a: "Hādhihi Ḥikāyāt ʻan baʻḍ al-mutaqaddimīn.", At the head of folio 36a: "Hādhihi Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs.", Colophon of Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb: "Ghafara Allāh wa-ʻafá ʻan kātibihi wa-muʼallifihi wa-qārīhi ilá abad al-ābidīn. Āmīn.", Translation of the colophon of: Tuḥfat al-adīb fī al-radd ʻalá ahl al-ṣalīb: "May God forgive its copyist, its author and its reader, forever and ever. Amen.", Colophon of Ḥikāyāt ʻan baʻḍ al-mutaqaddimīn: No colophon., Colophon of Kamālat al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs: "Intahá mā yassara Allāh taʻālá jamʻahu fī hādhihi al-māddah fī ḍuḥá yawm al-Sabt, al-muwāfiq 9 khalat min shahr Jumād Awwal, sanat 1303, alf wa-thalāthumiʼah wa-thalāthah baʻd al-Hijrah [al-Nabawīyah] ʻalá ṣāḥibihā afḍal al-ṣalāh wa-al-salām, ʻalá [yad] kātibihi, al-faqīr ilá Mawlāh, Makkāwī al-Sayyid, ghafara Allāh la-hu wa-li-wālidayhi wa-li-jamīʻ al-Muslimīn wa-al-Muslimāt, al-aḥyāʼ minhum wa-al-amwāt, wa-ṣallá Allāh ʻalá Sayyidinā wa-Mawlānā Muḥammad wa-ʻalá ālihi wa-ṣaḥbihi wa-sallam. Āmīn. Wa-al-ḥamdu lillāh Rabb al-ʻĀlamīn.", and Translation of the colophon of Kamālāt al-durr al-nafīs fī al-radd ʻalá al-laʻīn Iblīs: "Completed is what God Most High facilitated of the compilation of this material on the morning of Saturday, 9 Jumādd Awwal, 1303 of the Hijrah of the Prophet [13 February, 1886], may the best of prayer and peace be upon him, by the hand of its copyist, the poor to his Lord, Makkāwī al-Sayyid, may God forgive him, his parents, and all Muslim men and women, the living among them and the dead. May God pray on our Master and Lord, Muḥammad, on his family and companions and grant them peace. Amen. Praise be to God, Lord of the Universe."
Subject (Name):
Turmeda, Anselm, 1352-1432?
Subject (Topic):
Christianity, Devil, Islam, and Folk literature, Arabic
"A woman with a veil, standing in profile to right, holding a tomb in form of a large pot; on the right, a winged naked child, mourning by the side of the pedestal, hiding his face under a veil, looking down, placing his torch upside down; after Cipriani; second state."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed to plate mark; top corners cut off., and On page numbered 22 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Sheet trimmed within plate mark, resulting in loss of design., and On page numbered 45 in an album of 116 prints: [Bartolozzi and his pupils].
"Portrait of William Esdaile, seated to left on a chair, with head turned to look to front; his left hand resting on his knee, and right arm on a table on which lies a book, holding a print or drawing in his hand; wearing a dark double-breasted tailcoat, breeches, stockings, white neckerchief and frill; border of double line surrounding image; after Sharples."--British Museum online catalogue
Description:
Title from annotation on verso., Name of printmaker and date of publication from the British Museum online catalogue, registration no.: 1875,0410.319., Place of publication surmised from printmaker's presumed place of activity., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text., and Annotation on verso: William Esdaile Esqr. of Clapham Common engraved by R Grave.
"Ticket; on the right, a putto and a woman with wings on her head, lifting a veil to reveal a statue which stands on a pedestal; on the left, an old philosopher seated, next to a globe, with a book open on his lap, turned and looking towards the statue; after Hamilton; proof before title."--British Museum online catalogue
Description:
Title and date from British Museum online catalogue copy, Cf. museum registration no. 1897,1231.348., Sheet trimmed to plate mark., and On page numbered 29 in an album of 116 prints: [Bartolozzi and his pupils].
"Visiting-card of Countess Harriet Frances Bessborough; invitation to a ball given by her; in a room; a woman seated on a chair, holding a bird in her right hand, a flame in her left; two putti holding a banner over her; after Cipriani; proof before letters."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration no. 1870,1008.2313., Sheet trimmed to plate mark., and On page numbered 12 in an album of 116 prints: [Bartolozzi and his pupils].
"Francis Seymour Conway (1743-1822), M.P. for Oxford, eldest son of the Earl of Hertford, stands looking slightly over his left shoulder, his head in profile to the left, holding a document in his right hand, his left hand on his hip."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.5 x 13 cm., Mounted with three other prints on leaf 7 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Lord Beauchamp.
Publisher:
Published 14th July 1784 by Jas. Bretherton
Subject (Geographic):
England.
Subject (Name):
Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,
"Francis Seymour Conway (1743-1822), M.P. for Oxford, eldest son of the Earl of Hertford, stands looking slightly over his left shoulder, his head in profile to the left, holding a document in his right hand, his left hand on his hip."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 11 with three other prints.
Publisher:
Published 14th July 1784 by Jas. Bretherton
Subject (Geographic):
England.
Subject (Name):
Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,
"Francis Seymour Conway (1743-1822), M.P. for Oxford, eldest son of the Earl of Hertford, stands looking slightly over his left shoulder, his head in profile to the left, holding a document in his right hand, his left hand on his hip."--British Museum online catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Numbered '30' in contemporary hand in the upper right corner.
Publisher:
Published 14th July 1784 by Jas. Bretherton
Subject (Geographic):
England.
Subject (Name):
Hertford, Francis Ingram Seymour, Marquis of, 1743-1822,
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue., Ms. note in pencil in Steevens's hand above print: Ranby's house., and On page 154 in volume 2. Sheet trimmed within plate mark to: 10 x 14.9 cm.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", and Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
Two soldiers shown full-length engaged in a fight. The bayonet of the solder on the left is pierced through the chest of the soldier on the right whose sword is drawn over his head and ready to strike
Description:
Title devised by curator., Ms. note in pencil on sheet above plate mark: Not in Nichols's book., and Formerly on page 108 in volume 2. Removed from Steevens volume by LWL conservator in 2012.
Publisher:
Publish'd Octr.1, 1791 by W. Birch, Hampstead Heath from a drawing by Hogarth
Title supplied by cataloger., Faint pencil notation, partially legible: "9125 large plate of design with variation on the hand.", Sheet trimmed to plate mark., and On page numbered 32 in an album of 116 prints: [Bartolozzi and his pupils].
Two men (half length) seated on each side of a chess-board. Their profile heads are enclosed in rhomboids resembling the diamond of a pack of cards, giving the profiles projecting noses with receding foreheads and chins. The defeated player (left) clenches his fist and raises a bare leg above the chess-board, kicking his shoe into the air. His opponent holds a cane which may indicate a doctor
Alternative Title:
Chess-players
Description:
Title supplied by cataloger. Title from British Museum: Chess-players., Dated from ms. note on Lewis Walpole Library impression., A copy after a 1788 print? Cf. [Chess-players] in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. note added below image: 1828.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 51 of: Bunbury album., and 1 print : soft-ground etching on laid paper ; plate mark 29.5 x 23.5 cm, on sheet 37.3 x 31.1 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[approximately 1774]
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 51. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Two monks, one on the left with his hands tucked inside his sleeves at his waist, turned towards the viewer, the other in profile to right, holding a rosary at his side; after Bunbury."--British Museum online catalogue, description of lettered state
Description:
Title supplied by cataloger., Artist and printmaker from statements of responsibility on lettered state: Mr. Bunbury del. ; J. Bretherton f., State before letters. For a lettered state bearing artist and printmaker names and the publication line "Publish'd 1st April 1774", see British Museum online catalogue, registration no.: 1878,0511.822., Sheet trimmed to plate mark., Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink in lower left corner: HW.B. fec.
"Title-page to 'Angelica's Ladies Library', with a roundel scene showing cupids harvesting wheat, two resting and looking up at another pair who carry a sheaf to left."--British Museum online catalogue
Description:
Title supplied by cataloger., Date from British Museum online catalogue copy: Cf. museum registration no. 1977,U.1219., Lettered below image: "Ev'ry moral charm, That leads in sweet captivity the mind To virtue. Thomson.", Sheet trimmed to design, resulting in loss of lettering., and On page numbered 47 in an album of 116 prints: [Bartolozzi and his pupils].
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Description:
Title from Paulson., From Paulson: The plate ... appeared in the second edition published May 21, 1761., Location in volume lacking in this second plate., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
Entering from the left, Walter Shandy, having had trouble pulling on his pants, arrives too late to prevent the curate from baptizing his newborn son with the hated name of Tristram
Description:
Title from Paulson., From Paulson: The plate ... appeared in the first edition published January 28, 1761., "Vol. 4 Page 112"--Upper right corner., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
Subscription ticket for "Sigismonda" with a figure of Time as an old winged man sitting on a broken statue, blowing pipe-smoke at a dark landscape painting on the easel in front of him and which he has pierced with his scythe; at the top of the frame of the painting is a Greek quote, and ending with its identification: "See Spectator Vol. II: Page 83." On the floor to the left is a large jar labeled "Varnish".
Description:
Title, printmaker, state, and date from Paulson., Lettered within image in this state, the name "Crates" added to the top left of the picture frame. Lower right of image inscribed with quote: "-As statues moulder into Worth. P.W." Below a couplet, "To Nature and your Self appeal, Nor learn of others, what to feel. Anon:"., Description based on imperfect impression; sheet trimmed to plate mark with loss of subscription receipt., Ms. note in pencil in Steevens's hand: ibidem., and On page 187 in volume 2.
"Ticket for the funeral of Reynolds; a monument in the centre; on the left, a woman with a veil standing, holding an urn, leaning over the monument; a naked child next to her, looking up towards her; after Burney; open-letter state with additional inscription."--British Museum online catalogue
Description:
Title supplied by cataloger., Sheet trimmed to plate mark., Inscription below image: "The executors & family of Sir Joshua Reynolds return thanks for the tribute of respect paid to departed genius & virtue, by your attendance at the funeral of that illustrious painter & most amiable man, in St. Pauls Cathedral, on Saturday, March 3rd, 1792.", Caption in center of image in Latin., and On page numbered 13 in an album of 116 prints: [Bartolozzi and his pupils].
"Ticket to the Pantheon; a family concert outside a thatched cottage with a boy blowing a trumpet accompanying his sister who sings from a sheet, while the parents look on; in frame wrapped in garlands, ... cartouche at top."--British Museum online catalogue
Description:
Title devised by cataloger., With embossed wafer seal in red ink of the "Society of Musicians" in lower left corner, and the concert details "Pantheon, Friday, May 16th, 1788" added in ink within blank cartouche at top of image., Imperfect; sheet torn in lower right corner resulting in loss of printmaker's signature. Trimmed to plate mark on left edge. Missing text supplied from impression in the British Museum, registration no.: C,2.1476-1483., Watermarked paper: LV., and With contemporary ink signatures of "Arnold" (for Samuel Arnold) and "Sandwich" (for the Earl of Sandwich, as Society committee members) to blank lower margin; verso with contemporary ink note "No. 158. Richard Sulivan Esq. Subscriber." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Charity, Musical instruments, Families, and Dwellings
Title supplied by cataloger., Stamped initials "M.R." in lower right corner., and On page numbered 49 in an album of 116 prints: [Bartolozzi and his pupils].
Title supplied by cataloger., Stamped initials "M.R." in lower right corner., and On page numbered 49 in an album of 116 prints: [Bartolozzi and his pupils].
"Three Graces and Satyrs; Three Graces on the left; three Satyrs watching them from behind a large curtain suspended from two trees; on the right, a ewer and flower basket on ground; after William Hamilton; frontispiece to 'The rape of the lock' by Alexander Pope (London: Du Roveray, 1798)."--British Museum online catalogue
Alternative Title:
Satyrs peeping at the Three Graces
Description:
Title supplied by cataloger. and On page numbered 32 in an album of 116 prints: [Bartolozzi and his pupils].
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states., Sheet trimmed to plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above print: Proof. In pencil in Steeven's hand above row of three impressions of this portrait: Dr. Pellet. See Nichols's Book, 3d. edit., p. 407.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market
A portrait of Thomas Kirgate, half-length, looking to the right
Description:
Title written in black ink below plate line, in an unidentified hand., Statements of responsibility written in black ink below title, in an unidentified hand: Painted & etched by E. Edwards, 1784; finished by J. Hall., and Mounted on page 18 in Horace Walpole's Journal of the printing-office at Strawberry Hill near Twickenham in Middlesex.
A portrait of Thomas Kirgate, half-length, looking to the right
Description:
Title written in black ink below plate line, in an unidentified hand., Statements of responsibility written in black ink below title, in an unidentified hand: Painted & etched by E. Edwards, 1784; finished by J. Hall., Mounted on page 240 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on laid paper ; sheet 12.5 x 8.2 cm., Sheet trimmed to plate mark., Note in ink below image on mounting sheet: Mr. Walpoe's printer., Print was probably given to Richard Bull by Edward Edwards. See letter from Edwards to Bull that is tipped into volume beside this portrait., and For further information, consult library staff.
A portrait of Thomas Kirgate, half-length, looking to the right
Description:
Title written in black ink below plate line, in an unidentified hand., Statements of responsibility written in black ink below title, in an unidentified hand: Painted & etched by E. Edwards, 1784; finished by J. Hall., Mounted on page 187 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 12.4 x 8.2 cm., Sheet trimmed to plate mark., and Sitter identified by Horace Walpole in brown ink below image, on mounting page: T. Kirgate the printer.
A portrait of Thomas Kirgate, half-length, looking to the right
Description:
Title written in black ink below plate line, in an unidentified hand. and Statements of responsibility written in black ink below title, in an unidentified hand: Painted & etched by E. Edwards, 1784; finished by J. Hall.
"Portrait of Thomas Howard, 14th Earl of Arundel, three-quarter length, standing to right in front of a large rock, holding a baton in his right hand, the left on the shoulder of his grandson."--British Museum online catalogue, description of a later state
Description:
Title from later state of the plate., Early state without title. For a later state with title, see British Museum online catalogue, registration no.: 1853,0112.1640., Imperfect; sheet trimmed to plate mark and printmaker's signature mostly erased from sheet. Missing text inferred from that on a later state of the plate in the British Museum., Possibly engraved after the watercolor drawing by Vertue that was kept by Horace Walpole in the Gallery at Strawberry Hill., and Mounted on page 112 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Pub. by J. Thane, Rupert Street, Hay Market
Subject (Name):
Arundel, Thomas Howard, Earl of, 1585-1646,, Howard, Philip Thomas, 1629-1694,, and Strawberry Hill (Twickenham, London, England)
Make the label on the breast & the ring round the neck more distinct and Make the label on the breast and the ring round the neck more distinct
Description:
Titles devised by cataloger based on Paulson titles for Hogarth's originals., With: [Third modern military punishment]., No statement of responsibility below second (lower) image., The top plate with note etched above image: "make the label on the breast & the ring round the neck more distinct.", Design intended for: John Beaver's Roman military punishments., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, vol. i, opposite p. 54., On page 24 in volume 1., and Ms. note in Steevens's hand in pencil above these two plates on one sheet: Forgeries.
Publisher:
Faulder and Egerton
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers